1,898 stories from The New Yorker
Michael Schulman writes on the fraught Oscars season"including controversy surrounding the film "Green Book" and Kevin Hart"and the broadcast, on Sunday night, of the Academy Awards.
"Ain't Too Proud," at the Imperial, offers a combination of Motown earworms and backstage drama.
Michael Schulman interviews the actress Jane Curtin on her sitcom years, the early, turbulent days of "S.N.L.," and the shifting sands of the present.
Henry Giardina humorously imagines fake plots for real Broadway musicals, including "Cats," "Les Misérables," and "Mamma Mia!"
Amanda Petrusich reviews "Thank U, Next," the new album by the pop star Ariana Grande.
The New Yorker writers Michael Schulman and Naomi Fry discuss the history of the red carpet, from Aeschylus to Joan Rivers, in anticipation of the Academy Awards.
Michael Schulman on the playwright's combination of memoir and civics lesson in a show for the Trump era.
Michael Schulman on the star of the one-woman show, who learned, after a curtain-call tumble, that having two broken arms is not unlike being an astronaut.
Ethan Hawke and Paul Dano star in Sam Shepard's legendary play about fathers, competition, and male angst, Sarah Larson writes.
Michael Schulman and Rick Negron, who plays a Trumpish King George III in the hit musical "Hamilton," stroll the plazas of Negron's home town.
Michael Schulman on Lin-Manuel Miranda's return to "Hamilton" this month, bringing the play to the Centro de Bellas Artes Luis A. Ferré, in San Juan, Puerto Rico, and its significance to th…
The Roundabout's scrappy company-in-residence presents a six-person staging of Sondheim and George Furth's "Merrily We Roll Along," a story of friendship told in reverse.
Hua Hsu writes on the two-act play "The Haunting of Lin-Manuel Miranda," by the activist and author Ishmael Reed, which criticizes the creator of the hit musical "Hamilton."
Michael Schulman reviews the 2019 Golden Globe awards, an odd night in terms of winners, in which Sandra Oh and Glenn Close gave memorable speeches.
Michael Schulman on a tech entrepreneur's new company, which sells Icelandic fish with a QR code.Â
Yalitza Aparicio was studying to be a schoolteacher in a small town in Mexico when she was cast in Alfonso Cuarón's lauded film.Â
Michael Schulman interviews the actor Robert De Niro on getting a pipe bomb in the mail, on his acting career, and on his public denunciation of Donald Trump.
Michael Schulman reviews his favorite plays of 2018, including "Angels in America," "The Waverly Gallery," and more.
Michael Schulman writes on Bob Mackie's costumes for "The Cher Show," a Broadway bio-musical currently running at the Neil Simon Theatre.
As Daniel Stiepleman wrote "On the Basis of Sex," which is centered on the Supreme Court Justice, he came to see the Ginsburgs' marriage as a model for his own, Michael Schulman writes.
Vinson Cunningham on Jeremy O. Harris's new work and Aaron Sorkin's adaptation of Harper Lee's novel, which explore the politics and the power at the heart of America's racial regime.
On this week's New Yorker Radio Hour, Aaron Sorkin on adapting a 1960 classic for the 2018 Broadway stage. And a lifelong surfer wonders whether an artificial, perfect wave will change the s…
Anthony Lane reviews Rob Marshall's "Mary Poppins Returns," starring Emily Blunt, Ben Whishaw, Lin-Manuel Miranda, and Emily Mortimer.
Michael Schulman interviews the director Rob Marshall about his new film, "Mary Poppins Returns," which starts Emily Blunt in the title role and features nostalgia-inducing cameos by Dick Va…
Casey Cep on Harper Lee's beloved father figure, who became a talking point during the Kavanaugh hearings and is now coming to Broadway.
