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1,623 stories from exeuntmagazine.com

Review: Returning to Haifa at Finborough Theatre by Nabilah Said

Two sides, one story: Nabilah Said reviews the stage adaptation of Ghassan Kanafani's novella. The post Review: Returning to Haifa at Finborough Theatre appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 3:32am on March 7, 2018☆⚑

Boycotting Work by Unpaid Creatives Isn't the Answer by Alice Saville

Some thoughts on work and exploitation, following Mark Shenton's statement that he'll no longer go to shows made by unpaid creatives. The post Boycotting Work by Unpaid Creatives Isn’t…

SOURCE: exeuntmagazine.com at 4:10am on March 6, 2018☆⚑

Review: The Strongbox at Vault Festival 2018 by Francesca Peschier

Stephanie Jacob's new play about modern slavery is 'menacingly volatile'. The post Review: The Strongbox at Vault Festival 2018 appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 3:36am on March 6, 2018☆⚑

Review: An Evening with Jonathan Blazer at Vault Festival by Francesca Peschier

Francesca Peschier has a long, hard think about why she didn't like this. The post Review: An Evening with Jonathan Blazer at Vault Festival appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 3:17am on March 6, 2018☆⚑

Review: Körper at Sadler's Wells by Rosemary Waugh

Bodies for sale: Rosemary Waugh reviews Sasha Waltz & Guests' human-focused dance work The post Review: Körper at Sadler's Wells appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 6:00am on March 5, 2018☆⚑

Review: Electra at The Bunker Theatre by Francesca Peschier

Sophocles...but make it punk: Francesca Peschier reviews DumbWise Theatre's take on a classic. The post Review: Electra at The Bunker Theatre appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 4:05am on March 5, 2018☆⚑

Review: Macbeth at Wilton's Music Hall by Ka Bradley

Night clubbers, taxidermy and a decapitated head in a box: Ka Bradley reviews the Marc Bruce Company's dance adaptation of Shakespeare's tragedy The post Review: Macbeth at Wilton’s Mu…

SOURCE: exeuntmagazine.com at 4:03am on March 5, 2018☆⚑

Ultimate Dancer: "It's liberating to let go of the limitations of being human" by Diana Damian Martin

Performance artist Ultimate Dancer makes work that mingles choreography and spirituality. Here, she talks healing rituals, movement, and the power of darkness. The post Ultimate Dancer: R…

SOURCE: exeuntmagazine.com at 3:28am on March 5, 2018☆⚑

Review: Smile Upon Us, Lord at Barbican Centre by Amelia Forsbrook

Pilgrimage and existential doubt: Amelia Forsbrook reviews Vakhtangov State Academic Theatre of Russia at the Barbican The post Review: Smile Upon Us, Lord at Barbican Centre appeared first …

SOURCE: exeuntmagazine.com at 11:15am on March 4, 2018☆⚑

Review: Harold and Maude at Charing Cross Theatre by Amelia Forsbrook

Mother and lover: Amelia Forsbrook reviews the new stage adaptation of Colin Higgins' cult classic film The post Review: Harold and Maude at Charing Cross Theatre appeared first on Exeunt Ma…

SOURCE: exeuntmagazine.com at 3:13pm on March 3, 2018☆⚑

Review: Joss Arnott Dance: Triple Bill at Trinity Laban by Rachel Elderkin

A freshness within his signature style: this Joss Arnott trio concludes with a compelling new piece. The post Review: Joss Arnott Dance: Triple Bill at Trinity Laban appeared first on Exeunt…

SOURCE: exeuntmagazine.com at 10:25am on March 2, 2018☆⚑

Review: Pippin at Southwark Playhouse by Hailey Bachrach

The Pippin Problem: this fresh revival of Stephen Schwartz's musical is too tentative. The post Review: Pippin at Southwark Playhouse appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 9:18am on March 1, 2018☆⚑

Review: Gala Flamenca La Chana at Sadler's Wells by Anna Winter

Proudly matriarchal: Flamenco legend Antonia Santiago Amador makes a rare, glorious appearance. The post Review: Gala Flamenca La Chana at Sadler’s Wells appeared first on Exeunt Magaz…

SOURCE: exeuntmagazine.com at 8:49am on March 1, 2018☆⚑

Review: Hilda and Virginia at Jermyn Street Theatre by Holly Williams

Woolf remains uncracked: Holly Williams on a pair of monologues exploring two very different historical women's lives. The post Review: Hilda and Virginia at Jermyn Street Theatre appeared f…

SOURCE: exeuntmagazine.com at 7:06am on March 1, 2018☆⚑

Review: Creative/Disruption Festival at the Arcola by Amy Borsuk

Warmth, fun, creativity, glitter: Amy Borsuk reviews Fine and Dandy, and The Cluedo Club Killings, performed by the Arcola Queer Collective The post Review: Creative/Disruption Festival at t…

SOURCE: exeuntmagazine.com at 6:59am on February 28, 2018☆⚑

Review: B-Hybrid Dance / Yu-Hsien Wu / Gibbon at Resolution 2018 by Amelia Forsbrook

Sculptural contortion, poise, balance and strength: Amelia Forsbrook reviews a final triple bill of shows at The Place's annual festival of new dance The post Review: B-Hybrid Dance / Yu-Hsi…

SOURCE: exeuntmagazine.com at 4:09am on February 28, 2018☆⚑

Being an Artist, post-Brexit by Alice Saville

"Brexit has sent a subconscious 'exodus call'." - European company Little Soldier talk leaving, uncertainty and the impact of the 'yes' vote. The post Being an Artist, post-Brexit appeared f…

SOURCE: exeuntmagazine.com at 4:01am on February 28, 2018☆⚑

Review: Dust at the Soho Theatre by Henry Gleaden

Flank, thigh and back: Henry Gleaden reviews Milly Thomas's one-woman play about the aftermath of a suicide The post Review: Dust at the Soho Theatre appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 3:45am on February 28, 2018☆⚑

Review: Derailed at Ovalhouse by Ed Clark

Ed Clark reviews a post-Brexit leaving party. The post Review: Derailed at Ovalhouse appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 12:04am on February 28, 2018☆⚑

Review: Trust at the Gate Theatre by Ava Davies

This accumulation of Stuff: Ava Davies reviews Jude Christian's production of Falk Richter's play about broken relationships and broken capitalism The post Review: Trust at the Gate Theatre …

SOURCE: exeuntmagazine.com at 9:51am on February 27, 2018☆⚑

Bryony Lavery: "Anger is one of the things that fuels me wonderfully." by Alice Saville

The author of 'Frozen' and a new adaptation of 'Brighton Rock' talks female anger, reimagining romantic fiction, and the banality of murder. The post Bryony Lavery: “Anger is one of th…

SOURCE: exeuntmagazine.com at 7:11pm on February 26, 2018☆⚑

Review: Picnic at Hanging Rock at the Barbican by Lee Anderson

Vanishing acts: Lee Anderson reviews the stage adaptation of Joan Lindsay's cult novel The post Review: Picnic at Hanging Rock at the Barbican appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 8:37am on February 26, 2018☆⚑

Review: Jubilee at the Lyric Hammersmith by Brendan Macdonald

NO FUTURE: Brendan Macdonald reviews Chris Goode's stage version of Derek Jarman's Jubilee The post Review: Jubilee at the Lyric Hammersmith appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 4:06am on February 26, 2018☆⚑

Review: Ad Libido at Vault Festival 2018 by Rosemary Waugh

Come for the fringe theatre, stay for the free lube: Rosemary Waugh reviews Fran Bushe's show about Female Sexual Dysfunction The post Review: Ad Libido at Vault Festival 2018 appeared first…

SOURCE: exeuntmagazine.com at 3:43am on February 26, 2018☆⚑

Review: Out of Order / Sara Augieras / Joss Carter at Resolution 2018 by Amelia Forsbrook

A new year's resolution well kept: Amelia Forsbrook reviews a triple bill of works at The Place's annual festival of new dance. The post Review: Out of Order / Sara Augieras / Joss Carter at…

SOURCE: exeuntmagazine.com at 3:38am on February 26, 2018☆⚑
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