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38,696 stories from The New York Times

Gary Busey Is Playing God. Seriously. by Sopan Deb

At 75, the actor is trying his hand at musical theater in an Off Broadway show called "Only Human." It kind of makes sense.

SOURCE: The New York Times Subscription at 2:42pm on October 7, 2019☆⚑

Review: 'Slave Play,' Four Times as Big and Just as Searing by Jesse Green

Jeremy O. Harris's Off Broadway hit about race and sex in America shakes things up on Broadway.

SOURCE: The New York Times Subscription at 1:36am on October 7, 2019☆⚑

Review: Love Among the Shadows in Edgar Oliver's 'Victor' by Ben Brantley

In this haunting memoir of his relationship with a homeless man, Mr. Oliver confirms his status as a poet laureate of New York's dispossessed.

SOURCE: The New York Times Subscription at 1:36am on October 7, 2019☆⚑

Filming the Show: Pardon the Intrusion? Or Punish It? by Michael Paulson and Michael Cooper

A seized phone. A stopped concert. A text from Rihanna. All new fuel for a heated debate about theater etiquette in the digital age.

SOURCE: The New York Times Subscription at 5:18pm on October 6, 2019☆⚑

The Week in Arts: 'Madam Secretary' Returns; a Master Takes On Macbeth by The New York Times

Téa Leoni is president in her series' final season; and the Shakespeare veteran Corey Stoll tackles the Scottish king.

SOURCE: The New York Times Subscription at 10:12am on October 4, 2019☆⚑

Review: 'Caesar & Cleopatra,' Dressed Down Yet Wised Up by Laura Collins-hughes

George Bernard Shaw gets sensitively streamlined in a briskly entertaining production with winning performers at its center.

SOURCE: The New York Times Subscription at 4:18pm on October 3, 2019☆⚑

'Orlando' Awkwardly Transitions to the Stage by Laura Cappelle

Kate Mitchell's adaptation of the 1928 novel is consistently one step behind Virginia Woolf's mercurial prose.

SOURCE: The New York Times Subscription at 3:36am on October 3, 2019☆⚑

'The New Englanders' Review: Trying Too Hard to Be Special by Jesse Green

Gay dads and their "woke genius" daughter face the limitations of life in a patchy new play by Jeff Augustin.

SOURCE: The New York Times Subscription at 10:06pm on October 2, 2019☆⚑

'Freestyle Love Supreme' Review: Hip-Hop Saves the World by Ben Brantley

This exultant evening of improvised rap " created by Thomas Kail, Lin-Manuel Miranda and Anthony Veneziale " turns out to be a perfect fit for Broadway.

SOURCE: The New York Times Subscription at 10:06pm on October 2, 2019☆⚑

Checking In With an Old Buddy (Cianci That Is) by Dan Barry

A veteran of the newspaper that covered Vincent A. Cianci Jr.'s travails gets all the inside jokes in "The Prince of Providence," the hit play about him. So, it seems, does everyone in the a…

SOURCE: The New York Times Subscription at 10:24am on October 2, 2019☆⚑

Can a Rapper's Take on Camus Become France's 'Hamilton'? by Elian Peltier

With a cast that includes amateur actors from Paris's deprived suburbs, "The Just Assassins" gives ethnic minority actors a chance to shine onstage at one of the city's most hallowed theater…

SOURCE: The New York Times Subscription at 9:03am on October 2, 2019☆⚑

Jonathan Groff Is a Seymour at Heart by Michael Paulson

You know him from "Spring Awakening," "Hamilton" and "Mindhunter." But he feels most like himself as the nebbishy hero of "Little Shop of Horrors," and he's returning Off Broadway to prove i…

SOURCE: The New York Times Subscription at 5:18am on October 2, 2019☆⚑

Review: In 'The Great Society,' Another Presidential Nightmare by Jesse Green

Brian Cox plays Lyndon B. Johnson at the height of his powers, when history decided to bring him down.

SOURCE: The New York Times Subscription at 10:12pm on October 1, 2019☆⚑

Review: 'Katsura Sunshine's Rakugo' Offers Stand-Up Comedy Without the Standing by Maya Phillips

Mr. Sunshine is one of the rare Westerners to become a master of the centuries-old Japanese comic storytelling form.

SOURCE: The New York Times Subscription at 3:33pm on October 1, 2019☆⚑

What to See? Why So Pricey? Our Theater Critics Have Your Answers. by Ben Brantley and Jesse Green

Ben Brantley and Jesse Green respond to readers curious about the Tony race, hungry for happy fare, and heading to London.

SOURCE: The New York Times Subscription at 10:42am on October 1, 2019☆⚑

For a Couple Associated With L.A., Home is a Greek Revival in Connecticut by Joanne Kaufman

Michael Tucker and Jill Eikenberry, stars of the long-running series "L.A. Law," have a new Off Broadway play and a very old country house.

SOURCE: The New York Times Subscription at 5:36am on October 1, 2019☆⚑

Flourishing in Bedlam, but Flying to the Coop by Laura Collins-hughes

Kate Hamill and Andrus Nichols made their names in a theater company specializing in scaled-down classics. Now they're forming their own troupe.

SOURCE: The New York Times Subscription at 3:12pm on September 30, 2019☆⚑

Review: In 'Why'd Ya Do It,' a Spiky Séance With Marianne Faithfull by Elisabeth Vincentelli

The downtown rock raconteuse Tammy Faye Starlite is celebrating the 40th anniversary of "Broken English" in this hybrid of a show.

SOURCE: The New York Times Subscription at 2:33pm on September 30, 2019☆⚑

Dinosaurs Roam Where Elephants Stood by David Yaffe-bellany and Todd Anderson

With the Jurassic World Live Tour, Feld Entertainment, known for arena tours like Disney on Ice and Sesame Street Live, is mounting a show with more teeth.

SOURCE: The New York Times Subscription at 11:33am on September 30, 2019☆⚑

Review: 'jazz singer' Looks to Complicate a Film's Fraught History by Elisabeth Vincentelli

A director and a composer play versions of themselves in a fascinating but frustrating reconsideration of a movie infamous for its use of blackface.

SOURCE: The New York Times Subscription at 4:24pm on September 29, 2019☆⚑

Review: Peter Brook Asks the Ultimate Question in 'Why?' by Jesse Green

A new work from one of the indisputably great directors is partly a tribute to theater and partly a warning about theatricality.

SOURCE: The New York Times Subscription at 10:33pm on September 26, 2019☆⚑

Review: A Spellbinding 'Antigone,' Both Timeless and Urgent by Laura Collins-hughes

An easily legible production of the ancient Greek tragedy borrows from the tradition of Noh theater at the Park Avenue Armory.

SOURCE: The New York Times Subscription at 4:54pm on September 26, 2019☆⚑

Utkarsh Ambudkar Finally Gets His Broadway Shot in 'Freestyle Love Supreme' by Jon Caramanica

The rapper and actor missed having a "Hamilton" moment with his longtime collaborators. But after getting sober and forging his own path, he's ready to spit the truth.

SOURCE: The New York Times Subscription at 1:06pm on September 26, 2019☆⚑

Political Plays for Political Times by Matt Wolf

From a member of Parliament in "Hansard" to the users of a threatened community center in "Faith, Hope and Charity," London theaters are exploring how power works.

SOURCE: The New York Times Subscription at 6:33am on September 26, 2019☆⚑

'Mothers' Review: Mommy and Me and the Apocalypse by Maya Phillips

A barbed comedy takes a grim turn when friends find themselves tested over how far they'll go to defend their choices and protect their children.

SOURCE: The New York Times Subscription at 10:54pm on September 25, 2019☆⚑
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