Still in development by the enterprising curious directive company " Gastronomic, at Theatre Royal Norwich's black box Stage Two is already on its way to a firm handshake from Paul Hollywood.
In Bill Buckhurst's production of Sweet Charity we benefit from the delicate balance between the seediness of the New York backstreets with the technicolor of Charity's blithe daydreams.
Based on Elchin's play Citizens of Hell, Laurence Mark Wythe (music and lyrics) and Timothy Knapman's (book and lyrics) musical adaptation Midnight is so very good at translating the eerie s…
Lara Pulver, Stephen Mangan, Sharon D. Clarke and Paul Nicholas will join the cast of Guys and Dolls at the Royal Albert Hall, running for three performances from 19-20 October 2018.
Written by and starring Hatty Jones, That Girl is the story of a young woman who still hasn't quite figured out who she is or where her life is going.
Combined with a good balance between the personal and political and their intersections, The Political History of Smack and Crack is an engaging story that humanises addicts and reinforces t…
Opening the newly refurbished theatre Kiln Theatre, Alexis Zegerman's comedy Holy Sh!t! examines what lengths people go to give their children the best future possible. Here, Love London Lov…
In this latest production of Blood Wedding which is adapted and directed by George Richmond-Scott, the play has been updated to present day Britain, but retains the crucial and distinctive S…
Ian Houghton spoke to Love London Love Culture's Emma Clarendon about bringing The Wider Earth to London's Natural History Museum from 2 October 2018.
Missing is made by the brilliant quality of its performer/dancers as well as Dave Price's pounding sound-track and Chris Swain and Lahav's lighting underscoring changes of scene, mood and ou…
Mike Leigh's 1977 play Abigail's Party is sure to be considered a British classic. And as it is set in Romford, it makes great sense for Douglas Rintoul to stage it at the Queen's Theatre Ho…
Writer Ed Edwards, who has based The Political History of Smack and Crack on his own experiences with narcotics dependency, has his protagonists speak in the third person, telling their own …
I have always loved the BBC Proms, especially the last night which I have only ever seen on the TV. I was never really that aware of its alter ego The Proms in the Park, that is until this y…
These two, one-act plays explore relationship dynamics through a filter of pet ownership, though both struggle to translate big ideas into coherent storytelling.
Grade II-listed Victorian London landmark Hoxton Hall is this week transformed into the ancient world of the Middle East as Iris Theatre moves in to premiere its brand-new adaptation of Arab…
The Show People Podcast is one year old! That's right The Show People Podcast celebrates one year of bringing you special theatre guests every fortnight and shining a spotlight on the UK per…
What does punk mean to you? What's your favourite song ever and why? What makes you howl with rage? It's time for the all-female team behind one-woman punk play HEAR ME HOWL, starting perfor…
Written by Tony Harrison and directed by Jimmy Walters, Square Rounds examines the dichotomy of science and the ambivalence (in the truest sense of the word) regards its capacity to facilita…
Soldier On, Jonathan Lewis' extraordinary piece based on and involving real servicemen and women, returns to London next month mark the centenary of the end of the First World War. The full …
Alex McSweeney's Distance playing at the Park Theatre displays an innovative representation of the experience of depression, but with a slightly wandering narrative.
Summer Light Theatre's new version of Shakespeare's Much Ado About Nothing adds more than salsa to the mix. Writer Joanna O'Connor and co-stars James Kingdon, Jennifer Biggs and James Edward…
Ormskirk-born stand-up, writer, broadcaster and musician Rosie Wilby returns to the region this month for a talk about her new book, Is Monogamy Dead?
Playing 'herself', That Girl (which is directed by Tim Cook) is a metaplay that chronicles Hatty Jones' life post-Madeleine and by the same token life for young women in the 21st century.
What makes you howl with rage? And how loudly can you do it? We're counting down to the premiere of Lydia Rynne's one-woman play HEAR ME HOWL, in which 30-year-old Jess joins a punk band. Ch…
You're riveted from the very first second of The Lovely Bones. Shocking, horrifying and heart-wrenching this remarkable 100-minute stage adaptation of Alice Sebold's international best-selle…