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8,501 stories from Backstage

Greenwood by Marc Miller

Tor Hyams' and Adam LeBow's musical about a reunion at a musical theater camp plays by the rules and does everything competently, but without excitement or individuality.

SOURCE: Backstage at 4:46am on October 12, 2011☆⚑

NY Review: 'The Lyons' by David Sheward

Nicky Silver's latest dysfunctional-family comedy may be a tad familiar, but it's still wildly funny and deeply touching. Linda Lavin miraculously makes a monstrous mother sympathetic.

SOURCE: Backstage at 7:00am on October 11, 2011☆⚑

Les Enfants de Paris by Suzy Evans

Stacey Weingarten and David Levinson's depressing musical feels like an attempt to recreate "Les Misérables," and despite some pleasant voices, the show never fully takes flight.

SOURCE: Backstage at 5:14am on October 11, 2011☆⚑

Linda Lavin on Career and CD: 'Work Brings Work' by Mark Kennedy

Lavin took a strong part in Nicky Silver's new play "The Lyons," which opens off-Broadway this week at the Vineyard Theatre.

SOURCE: Backstage at 4:36am on October 11, 2011☆⚑

What's Next for Hugh Jackman by The Hollywood Reporter

With the robot fighting feature "Real Steel" in theaters this weekend, star Hugh Jackman has several movies coming down the pipeline.

SOURCE: Backstage at 10:09am on October 10, 2011☆⚑

Nightlands by Ron Cohen

There are poetic pretensions aplenty, but Sylvan Oswald's drama tells an arresting story of an unlikely love affair set against the racial strife of 1960s Philadelphia.

SOURCE: Backstage at 8:00am on October 10, 2011☆⚑

La Verdad Sospechosa by Clifford Lee Johnson III

In this 17th century comedy, a compulsive liar disrupts an entire community and almost destroys his family before he is reined in and order is restored.

SOURCE: Backstage at 6:54am on October 10, 2011☆⚑

NY Review: 'The Bus' by Suzy Evans

James Lantz paints a stereotyped view of middle America. Though the leading actors deliver moving performances, the characters feel like tools to prove a point.

SOURCE: Backstage at 6:49am on October 10, 2011☆⚑

Date of a Lifetime by Suzy Evans

Carl Kissin and Rob Baumgartner Jr.'s cliché-laden musical takes us through trite, fluffy dating scenarios. However, the charismatic performers, peppy score, and generally insightful …

SOURCE: Backstage at 6:35am on October 10, 2011☆⚑

Siren's Heart...Marilyn in Purgatory by Robert Windeler

Yet another one-woman show about Marilyn Monroe offers no new information or insight despite the author's quirky attempts to offer a different take on his subject and a game performance by…

SOURCE: Backstage at 5:05am on October 10, 2011☆⚑

3 2's; or AFAR by Suzy Evans

Mac Wellman is known for his experimental theater making, but "3 2's; or AFAR" takes obscurity to a new level. The piece never makes a semblance of sense.

SOURCE: Backstage at 4:07am on October 10, 2011☆⚑

The Brain That Wouldn't Die! In 3-D!! by Marc Miller

T. Sivak and E. Gelman's riffing on a 1962 bad-movie classic is mostly bad puns and feeble joking, partly redeemed by well-crafted music and an excellent cast.

SOURCE: Backstage at 4:04am on October 10, 2011☆⚑

Kiki Baby by Lisa Jo Sagolla

Jenn Colella achieves the impossible with her magical portrayal of a four-year-old in this smart new musical.

SOURCE: Backstage at 4:00am on October 10, 2011☆⚑

Equity Honors James Earl Jones by Madasyn Czebiniak

James Earl Jones is the recipient of Actors' Equity Association's 2011 Paul Robeson Award, the union announced Monday. The award, created 40 years ago, is given annually.

SOURCE: Backstage at 3:37am on October 10, 2011☆⚑

NY Review: 'Blood [By the Mummers]' by Clifford Lee Johnson III

A mash-up of "Macbeth," "Dracula," and the "Twilight" vampire novels, this improvisation-based musical bristles with delirious ideas and jokes that seem minted on the spot.

SOURCE: Backstage at 1:55am on October 10, 2011☆⚑

Man and Boy by David Sheward

This revival of a lesser-known Terence Rattigan melodrama about an international tycoon has an uneven balance sheet, but Frank Langella's performance is one of its stronger assets.

SOURCE: Backstage at 8:00am on October 9, 2011☆⚑

Southern Comfort by Suzy Evans

Dan Collins and Julianne Wick Davis' score provides generally easy listening, but the story of a community of transgender individuals in Georgia is hard to hear at times. The complicated c…

SOURCE: Backstage at 6:40am on October 7, 2011☆⚑

NY Review: 'My History of Marriage' by Robert Windeler

A sprightly and effective cast of eight, a couple dozen charming and apt songs and topflight direction and choreography comprise an enjoyable look at a not-always-enjoyable institution.

SOURCE: Backstage at 6:18am on October 7, 2011☆⚑

NY Review: 'The Threepenny Opera' by David Sheward

Avant-garde legend Robert Wilson stages Brecht and Weill's satirical 1928 masterpiece as a cold clown show with brilliant and haunting performances from the Berliner Ensemble.

SOURCE: Backstage at 9:25am on October 6, 2011☆⚑

Honing Your Dance-Making Skills in College by Lisa Jo Sagolla

Dancers interested in earning a college degree often struggle with the decision to give up four of their prime performing years to academic studies.

SOURCE: Backstage at 9:00am on October 6, 2011☆⚑

A New College Program Trains Dancers to Work in Popular Entertainment by Lisa Jo Sagolla

In September, Pace University, in Lower Manhattan, kicked off a new degree program: a Bachelor of Arts in theater arts with a specialized track in commercial dance.

SOURCE: Backstage at 9:00am on October 6, 2011☆⚑

Jack Perry is Alive (and Dating) by Ron Cohen

This show invites comparisons with "Company," but that's the least of the problems afflicting this musical tale of an unhappily single Manhattanite and his concerned pals.

SOURCE: Backstage at 3:29am on October 6, 2011☆⚑

NY Review: 'Madame X' by Clifford Lee Johnson III

Powered by a sterling performance from Donna English, "Madame X" tickles us with campy silliness at first and then satisfies us emotionally in the end.

SOURCE: Backstage at 3:25am on October 6, 2011☆⚑

Jon Hamm on Working With Partner Jennifer Westfeldt by Scott Feinberg

"Friends With Kids," the feature directorial debut of Westfeldt, premiered at the Toronto International Film Festival and was subsequently picked up by Lionsgate.

SOURCE: Backstage at 11:03am on October 5, 2011☆⚑

Thirtynothing by Nicole Villeneuve

Playwright Dan Fishback honors some of its lesser-known heroes of the AIDS epidemic, in a production that's half personal history, half artistic tribute.

SOURCE: Backstage at 5:19am on October 5, 2011☆⚑
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