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8,501 stories from Backstage

Frank Langella on Acting, Careerism, and Aging by Simi Horwitz

Playing the unscrupulous international financier Gregor Antonescu in a revival of Terence Rattigan's "Man and Boy," Frank Langella vividly evokes a sly figure devoid of morality who revels…

SOURCE: Backstage at 4:43am on October 5, 2011☆⚑

NY Review: 'Motherhood Out Loud' by Suzy Evans

Anyone who is or has a mother, a stepmother, a foster mother, or anything in between will be able to relate to and enjoy this insightful piece, conceived by Susan Rose and Joan Stein.

SOURCE: Backstage at 7:00am on October 4, 2011☆⚑

'Lion King' Makes List of Top 10 Grossing Films of All-Time Domestically by Pamela McClintock

The 3D re-release of the classic animated film itself has grossed $98.7 million worldwide, including a massive $79.7 million in North America.

SOURCE: Backstage at 10:45am on October 3, 2011☆⚑

Glenn Close to Receive Career Achievement Honor at Hollywood Film Awards by Scott Feinberg

The five-time Oscar nominee is a leading contender to take home this year's best actress statuette for "Albert Nobbs."

SOURCE: Backstage at 10:42am on October 3, 2011☆⚑

Matt and Trey: Goin' Down to 'South Park' Again by Frazier Moore

Matt and Trey and the "South Park" team are back from their midseason break in their 15th year and are under the gun.

SOURCE: Backstage at 10:34am on October 3, 2011☆⚑

NY Review: 'Dreams of Flying Dreams of Falling' by David Sheward

Adam Rapp ventures into absurdist territory with a sharp and cynical portrait of an America devouring itself and destroying the natural world.

SOURCE: Backstage at 8:00am on October 3, 2011☆⚑

The Family Room by Marc Miller

Aron Eli Coleite's dramedy about psychiatrists and how they affect their families is smart and perceptive, but also heavy and frustratingly unresolved.

SOURCE: Backstage at 2:36am on October 3, 2011☆⚑

Jane Austen's Pride And Prejudice, A Musical by Jonathan Mandell

A terrific cast and a respect for Jane Austen's language help make this latest staging of the beloved novel a worthy entertainment, even while the score is not ideal.

SOURCE: Backstage at 8:35am on October 2, 2011☆⚑

Kaddish (Or the Key in the Window) by David Sheward

Donnie Mather performs Allen Ginsberg's long autobiographical poem as a solo performance with mixed results. There are moments of moving tenderness, but also rambling repetition.

SOURCE: Backstage at 9:00am on October 1, 2011☆⚑

The Big Bank by Marc Miller

A couple of flaws aside, the Seligmann Brothers' corporate satire is big old-fashioned musical-comedy fun, with Klea Blackhurst a top banana for the ages.

SOURCE: Backstage at 9:00am on October 1, 2011☆⚑

'Phantom of the Opera' at 25 Offers a Special Show by Mark Kennedy

Andrew Lloyd Webber's "The Phantom of the Opera" will celebrate its 25th anniversary this weekend with a lavish birthday party that will certainly involve someone swinging from a chandelie…

SOURCE: Backstage at 11:45am on September 30, 2011☆⚑

Cyclops: A Rock Opera by Jason Fitzgerald

"Cyclops," a concert adaptation of a little-known Euripides play, rocks and rolls and in the tradition of the best rock operas, but, lacking motivation, it never fully ignites.

SOURCE: Backstage at 9:00am on September 30, 2011☆⚑

Time Between Us by David Sheward

What could have been a soapy version of "Will and Grace" is instead a poignant and well-observed portrait of a changing friendship.

SOURCE: Backstage at 6:20am on September 30, 2011☆⚑

NY Review: 'The Kid Who Would Be Pope' by Suzy Evans

It may never be Broadway bound, but thanks to a little magic and imagination, Tom and Jack Megan's fun and endearing new musical appeals to the inner child in all of us.

SOURCE: Backstage at 4:40am on September 30, 2011☆⚑

F**king Hipsters by Clifford Lee Johnson III

"Frustrating" is the word that best describes this uneven musical about a Williamsburg rock band, in which exciting and original scenes and songs alternate with confusing and prosaic ones.

SOURCE: Backstage at 3:57am on September 30, 2011☆⚑

Kissless by Jonathan Mandell

Featuring actual teenagers playing fake ones, "Kissless" seems clueless, but thanks to some strong-voiced songs and choreography it's not worthless.

SOURCE: Backstage at 2:47am on September 30, 2011☆⚑

Crazy, Just Like Me by Marc Miller

Drew Gasparini and Louis Sacco's bromance musical has fine moments, provided mainly by Andy Mientus and Andrew Kober, but it's severely credibility-straining and weighted with a so-so scor…

SOURCE: Backstage at 1:48am on September 30, 2011☆⚑

Sondheim and Dinosaurs Combine for a Charity Gala by Mark Kennedy

What do you get when you combine Stephen Sondheim and dinosaurs? No, not "Jurassic Park: The Musical."

SOURCE: Backstage at 11:25am on September 29, 2011☆⚑

Outlaws: The Ballad of Billy the Kid by David Sheward

Despite its subject matter of adolescent aimlessness and its rudderless characters, this rock musical about the legendary teenaged bandit packs quite a punch.

SOURCE: Backstage at 8:08am on September 29, 2011☆⚑

Man of Rock by Suzy Evans

With a dysfunctional score and cartoonish characters, "Man of Rock" proves that first-time musical writers Ken Flagg and Daniel Heath need more than just a good song to write an entertaini…

SOURCE: Backstage at 6:34am on September 29, 2011☆⚑

Ghostlight by Erik Haagensen

There are few theatrical sights more dispiriting than watching a group of seriously talented, highly professional actors plowing their way through a rankly amateur show.

SOURCE: Backstage at 4:49am on September 29, 2011☆⚑

NY Review: 'Ennio Marchetto: The Living Paper Cartoon' by Lisa Jo Sagolla

It's not every day that someone invents a new genre of theatrical performance, yet that's essentially what happens in this clever one-man show that's driven by ingeniously designed, transf…

SOURCE: Backstage at 4:43am on September 29, 2011☆⚑

This One Girl's Story by Suzy Evans

Powerful vocalists cannot save this haphazard musical, featuring a gospel-inspired score by Bill Wright and Dionne McClaine-Freeney, from a weak plot, redundant songs, and stereotypical ch…

SOURCE: Backstage at 4:39am on September 29, 2011☆⚑

Lidless by David A. Rosenberg

What we don't know, or may never know, about the American torture of Gitmo prisoners is the searing background of Frances Ya-Chu Cowhig's prize-winning play about revenge.

SOURCE: Backstage at 7:30am on September 28, 2011☆⚑

Scotch Kiss by Suzy Evans

The poignancy of Brandon Walker's new play has almost everything to do with Michael Stephen Clay's performance as William Turner and not the spotty script and direction.

SOURCE: Backstage at 6:04am on September 28, 2011☆⚑
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