38,696 stories from The New York Times
The actress, who won a Tony in 1962 for her role in the musical "Subways Are for Sleeping," also raised millions of dollars to help women in entertainment deal with health problems.
This one-mentalist show, in which Mr. Brown peers into the minds of his audience, offers exhilaration and comfort to New York City's head cases.
A French stage adaptation of the John Cassavetes film misses the #MeToo moment.
The Théâtre du Châtelet is reopening after a two-and-a-half-year renovation, with a new artistic director and an inclusive new mission.
Ntozake Shange's play, with its unflinching depiction of black women's experience, is coming back to the Public Theater more than 40 years after opening there.
In the new musical "Jagged Little Pill," Alanis Morissette's song about romantic betrayal has become a showstopper.
It often seems like safety first on Broadway, but the commercial stage has historically been home to shows that push buttons " and ring alarms.
Our list of coming performances includes the topical, the true, the trippy and the timeless.
Risky? For sure. Triggering? Possibly. A must-see? Audiences are about to decide.
Five self-involved social-media obsessives don't make for good company in Guillaume Corbeil's play.
The pair will play three different couples in a revival of "Plaza Suite," a Neil Simon comedy, opening in April after a brief run in Boston.
The Flea Theater has revived this brief play, in which a flat tire is the least of the problems you might encounter in Central Park.
Bradley Dean blasted the producers of "Bat Out of Hell: The Musical" when they canceled the tour. But that didn't keep him from the rock-god thrill of his career in the New York run.
Mr. Nichols drew on his life for acerbic but humor-filled works like "A Day in the Death of Joe Egg," and "Forget-Me-Not Lane."
As one of the world's best magicians he'll fool you, too, even though magic isn't really his thing.
A Swiss chateau. A Broadway musical all about her. And absolutely nothing she has to do.
A new play argues that no one knows more about Shakespeare's great tragedy than a man "born black in America."
JoAnne Akalaitis's show at N.Y.U. Skirball assembles messenger speeches from Ancient Greek drama, with a nod to the present.
A Republican congressional candidate declined to host the performers, questioning whether they could give their "full and informed consent."
While fans clamor to learn more about the next installments of the HBO series and spy film, this actor tries to just ride the wave.
An Australian production features the same scene repeated 100 times, while a French version stars Isabelle Adjani in the Gena Rowlands role.
Built nearly 150 years ago, the over-the-top Palais Garnier has become part of the identity of Paris.
A woman watches those she left behind in Milly Thomas's unsentimental solo show at the Fourth Street Theater.
Mr. Hiddleston, Zawe Ashton and Charlie Cox portray three friends in flux in Jamie Lloyd's revelatory interpretation of a Harold Pinter classic.
Two new productions, "The Doctor" and "Appropriate," subvert ideas about identity.
