38,696 stories from The New York Times
Seven of this season's Broadway and Off Broadway shows come from an eight-week theatrical powerhouse in Williamstown, Mass.
Lucy Prebble's new play, "A Very Expensive Poison," dramatizes the assassination of Alexander Litvinenko. How did it feel for his wife, Marina, to watch?
New York stages will bop to the songbooks of Bob Dylan, Alanis Morissette, Tina Turner and David Byrne this season. And that's not counting the 70 songwriters of "Moulin Rouge!"
Eccentric and prodigious, the writer Jack Thorne won a Tony for "Cursed Child." Up next: "Sunday" at the Atlantic Theater Company, and "His Dark Materials" on HBO.
A new musical about a Filipino faith healer bringing "psychic surgery" to America expands the frontiers of the form.
The play, which has chronicled the Lehman Brothers' rise and devastating collapse through several sold-out runs, will open at the Nederlander Theater in March.
With shrewd casting and amateur performers joining professionals onstage, a middling 1997 animated Disney musical becomes a pageant of civic engagement.
Five theater-makers on who they met, how they relaxed and what they got done during their warm-weather residencies.
Richard Linklater will direct a screen adaptation of the short-lived Stephen Sondheim musical, starring Ben Platt, Beanie Feldstein and Blake Jenner.
Ty Jones, of the Starz show "Power," is constantly dreaming up ways to help the Classical Theater of Harlem.
These days actors angling for roles typically create their own videotapes, often at home. What's lost when face-to-face interaction goes?
The revival, starring Katrina Lenk and Patti LuPone, will open next spring on Stephen Sondheim's 90th birthday.
Jonathan Spector's lively portrait of a debate over mandatory vaccinations is the perfect play for our age of disagreement.
Consider all those performers and others who work days, nights and weekends to enrich your cultural experiences.
Known for her role in the movie "Rabbit-Proof Fence," she also had a rich stage career, including a critically praised one-woman show.
'European democracy is, and always has been, a racist construct,' according to the organizers of the Ruhrtrienniale.
Kevin McDonald, once part of the Canadian comedy troupe, plays for audience nostalgia in 'Kevin McDonald: Alive on 42nd Street.'
A summer stage binge reminded one young journalist of the power of great storytelling, and that cheap tickets are out there if you know where to look.
Was it a one-time telephone interruption, or was it written into the show? And why was it so crucial to find out?
As "What the Constitution Means to Me" ends its Broadway run, Rosdely Ciprian and Thursday Williams reflect on meeting R.B.G. and Streisand and how they juggled it all.
The time-honored line in Central Park was a reliable way to get tickets. The new lottery has less certainty but may be more equitable.
The latest production by Theater Mitu is a high-concept, low-reward aggregate of undigested allusions.
At the privileged private school in "Eureka Day," some parents refuse to give shots to their children. Then the mumps hits.
"Mouthpiece" by Kieran Hurley won $25,000 to fund a transfer from the Edinburgh Fringe to New York.
The world premiere adaptation of the 1997 animated film puts everyday New Yorkers " 117 of them " in the production at the Delacorte.
