38,696 stories from The New York Times
Lincoln Center's Mostly Mozart Festival presents a music-theater adaptation of one of the poet's dramatic monologues.
Isaac Gomez's one-woman play follows the trail violence in a city on the Mexican border.
Miranda Haymon's play relocates Kafka's horrific tale of punishment to a contemporary world where African-American men are expendable entertainment.
Halley Feiffer's "Moscow Moscow Moscow Moscow Moscow Moscow" turns the master's refined Russians into "Mean Girls."
A new leader is about to take over from the Williamsburg theater's founders. A festival there now offers a sense of her transgressive, slightly bonkers vision (sour cream included).
The "Oslo" playwright J.T. Rogers found himself moved stitching a story he thought he knew well: "It is a piece about hope and wonder."
What do two contemporary playwrights have in common with Anton Chekhov? A bunch.
The playwright, Robert Schenkkan, also wrote the Tony-winning "All the Way," about an earlier chapter of the Johnson presidency.
An underwhelming official lineup led many festivalgoers to branch out into the less well-known complimentary program.
In this retelling of Euripides' tragedy of an abandoned lover, the heroine is a shy seamstress in seclusion in the Queens neighborhood of Corona.
The Carole King musical has grossed nearly $250 million since opening on Broadway in 2014.
The hit Yiddish-language rendition of the classic musical celebrates its first birthday today. An illustrator recently captured what the show meant to a unique audience " refugees.
The 2019-20 season also features appearances by Billy Porter and Ruth Bader Ginsburg.
"Havel: The Passion of Thought," along with work by Harold Pinter and one by Samuel Beckett (dedicated to Havel), takes on morality and tyranny.
Finding spots for the pop songs, credited to 161 writers, and getting the rights, was no cancan.
She appeared onscreen with Meryl Streep, won an award for her Off Broadway work, and later distinguished herself as a writer and a teacher.
A tenure that included 60 concert presentations of classic shows and led to several Broadway productions will conclude with "Thoroughly Modern Millie."
The crowd-pleasing musical, with its popular score by Sara Bareilles, will wrap up after four years on Broadway.
In an adaptation for a theater in Sheffield, England, the tiger at the center of Yann Martel's best-selling book comes startlingly to life.
In this latter-day variation on Arthur Miller's "The Crucible," the young British dramatist Chris Urch creates a portrait of gay love under siege.
The Saturday night outage prompted 26 shows to cancel performances, and led to a $3.5 million drop in the industry's weekly grosses.
A new level of kawaii with a Japanese pop group, a triple-threat art option at Bard College and a Riley Stearns movie that takes on karate and fear.
Michael Gordon and Deborah Artman's unsettling chamber opera, directed by Daniel Fish, unfolds with the scraping sounds of a horror film.
The young, gay, black creator of the musical "A Strange Loop" talks about his process, Liz Phair, soap operas and just about everything else.
Most theaters closed down on their most lucrative night of the week, but some casts gave their fans a memorable moment.
