9,527 stories from American Theatre
With this issue we look forward, glance back---and direct our concerns and hopes to the world outside the theatre doors.
This month Woodzick talks to the Chicago actor about their wide-ranging résumé, roles they'd still like to play, and a death-grip-defying audition.
With support from the Ford Foundation, Theatre Futures invites thought leaders in the arts and beyond to reflect on our next chapter.
The question isn't whether we can break out of theatre's dominant paradigms but how---and who will lead the charge.
Creating pathways to healthy and sustainable careers means shifting to human-centered art-making.
The key to a thriving theatre education is space for experimentation.
Picture a world where the live arts are an integral part of our civic and mental health.
A hurricane is headed toward New York City courtesy of a revenge tour (of a sort) from Atlanta's Vernal & Sere Theatre.
This Twin Cities-focused edition includes both homegrown theatremakers and artists who have put down Midwestern roots.
This month we talk to the writers of 'N/A' and 'The Ask,' 2 new plays about intergenerational conflict and common ground among liberals and progressives.
AUDIENCE AND IMPACT BUSINESS MODELS AND COLLABORATION CONTENT AND FORM ECONOMIC JUSTICE AND REFORM IMAGINING BRIGHTER FUTURES By Kelundra Smith Close your eyes and imagine your ideal theatre…
BUFFALO, N.Y.: The Alleyway Theatre has named Karissa Murrell Myers the recipient of the 2024 Mazumdar New Play Award. Myers's award-winning play Black Bear Island will be produced by the Al…
As she prepares to leave her job as South Coast Rep's first managing director, she reflects on the path here and the road ahead.
August has been a month of strikes, disagreement, recovery, the coming and going of influential festivals, and a belated Broadway triumph.
A seasoned expert in nonprofit management, she'll leave the same post at Kansas City Rep to co-lead the D.C. theatre alongside artistic director Simon Godwin.
The company hopes to finish renovations of the Art Deco venue by 2028, exactly 100 years after its first opening.
New York's premier international and experimental festival sticks with the city-wide multi-venue approach as Meropi Peponides and Kaneza Schaal join the leadership team.
This essential gathering, now in its 11th year, doesn't just regularly break the fourth wall; it also breaks down theatrical and global barriers.
Whitaker will serve in the 2024-25 season while Signature searches for a successor to Paige Evans.
A seasoned arts leader, including at TCG, he joins artistic director Karen Azenberg as co-leader after a tumultuous period for the Salt Lake City theatre.
Our managing editor reflects on how the skills she picked up doing arts journalism inform her approach to storytelling in another medium.
The versatile actor-director-playwright-translator staged work all over the U.S. and the world.
This month Brian talks to the writer of 'Alma' and 'In His Hands' about narration, inspiration, family ties, and Julio Cortázar.
This month, Gabriela reflects on an enlightening experiences at the Eugene O'Neill Theater Center and we hear from artists David Rhee and Eileen Doan.
The downtown new-play mainstay will leave lower Manhattan to produce at the midtown theatre, in a limited but possibly transformative partnership.
