1,898 stories from The New Yorker
Michael Schulman writes about the comedian Kevin Hart's ouster as the host of the Academy Awards, after Web users pointed to his history of homophobic jokes.
Jesse Eisenberg writes a humorous list of biographies for the cast and crew members of a Broadway show.
The pop star, who was briefly homeless during her teens, helped open two shelters for L.G.B.T. youth.
Michael Schulman recommends "Don't Look Now," a film from 1973 by the British director Nicolas Roeg.
Richard Brody reviews "Bathtubs Over Broadway," a documentary by Dava Whisenant that examines the industrial musical"plays produced by corporations for their employees to enjoy at nationwide…
Paula MejÃa writes about the new Ariana Grande song "thank u, next,"Â a social-media-era breakup anthem in which the pop star pages through her ex-boyfriends.
Vinson Cunningham reviews the new Broadway musical "King Kong" and the drama "American Son."
Eliza Griswold writes about Leslie Odom, Jr., the Tony- and Grammy-winning actor who originated the role of Aaron Burr in the musical "Hamilton," canvassing in Pennsylvania.
Michael Schulman on the French writer and public intellectual Bernard-Henri Lévy's Off Broadway début, a solo play called "Looking for Europe."
Michael Schulman on "Kiss Me, Kate," at Studio 54; "Be More Chill," at the Lyceum; "About Alice," at the Polonsky Shakespeare Center; and more.
Paul Rudnick, via Libby Gelman-Waxner, humorously reviews the films "A Star Is Born," "Venom," and "A Simple Favor."
Michael Schulman goes inside a custom control booth where a team of specialty puppeteers operates a twenty-foot-tall animatronic ape.
Vinson Cunningham on Kenneth Lonergan's drama, starring Elaine May, and Jez Butterworth's play, which sketches a harsh day for an Irish family during the Troubles.
Michael Schulman writes about the Drama Book Shop, a beloved New York City theatre institution that will soon be forced from its home and is hoping to find a new space.
Ian Crouch writes on the 2018 World Series, between the Boston Red Sox and the Los Angeles Dodgers, which kicks off at Fenway Park on Tuesday night.
Helen Rosner writes about how restaurants like the Spotted Pig have responded to sexual-misconduct scandals by promoting women to leadership roles to clean up the messes men have made.
Michael Schulman interviews the actor Paul Dano about his directorial début, "Wildlife,"Â which is based on a novel by Richard Ford and stars Carey Mulligan and Jake Gyllenhaal.
The director of "First Man" examines a chunk of moon rock and ponders space exploration.
Richard Brody writes about the four versions of the film "A Star is Born""from 1937, 1954, 1976, and 2018"and recommends three for streaming, in addition to the 1932 film "What Price Hollywo…
Two of the creators of "Big Mouth" return to the White Plains middle school where they first started cracking each other up.
Researching his role in "The Lifespan of a Fact," the actor embeds in The New Yorker's fact-checking department.
Naomi Fry writes about Lady Gaga's performance of authenticity in the two films "Gaga: Five Foot Two" and "A Star Is Born."
Richard Brody reviews "A Star Is Born," directed by Bradley Cooper and starring Cooper and Lady Gaga.
Anthony Lane reviews Bradley Cooper's remake, starring Lady Gaga, and David Lowery's genial tale of an elderly bank robber, starring Robert Redford.
Michael Schulman interviews the actress and activist Jane Fonda about talking to voters, supporting \#MeToo, and growing into herself.
