Fergus Morgan interviews the enigmatic West End director about star casting, commercial theatre, and the post-Weinstein landscape. The post Lindsay Posner: “I either had the choice of …
An attempt to articulate: Henry Gleaden reviews Rachel Bagshaw and Chris Thorpe's show about Complex Regional Pain Syndrome. The post Review: The Shape of the Pain at Battersea Arts Centre a…
The profound absurdity of identity: Told By An Idiot's new show is silly but shallow. The post Review: Napoleon Disrobed at the Arcola Theatre appeared first on Exeunt Magazine.
Google it: Tangle Theatre's three-man Marlowe gives Emily Holyoake a Faustian experience, she thinks. The post Review: Doctor Faustus at The Bike Shed Theatre, Exeter appeared first on Exeun…
If in doubt, get naked and jump on the table: Terry Johnson's tribute to Ken Campbell has lessons for life as well as theatre. The post Review: Ken at The Bunker appeared first on Exeunt Mag…
Teetering on cliché: Margaret Perry's debut play loses steam in Cathal Cleary's production. The post Review: Porcelain at the Abbey Theatre, Dublin appeared first on Exeunt Magazine.
Where the wild things are: Coney's new show immerses you in the imaginations of children. The post Review: The Droves at CoLab Factory appeared first on Exeunt Magazine.
School gate politics: Lorna Martin makes an assured debut with A Play, A Pie and A Pint. The post Review: Party Politics at Òran Mór, Glasgow appeared first on Exeunt Magazine.
An imprecise cloud of possibilites: Jamila Johnson-Small's free-flowing choreography brings dance artists into a contemporary art context. The post Review: BASICTENSION at the ICA appeared f…
The aches and pains of long-term love: Rosemary Waugh reviews Lost Dog's new show about Shakespeare's lovers all grown up. The post Review: Juliet and Romeo at the Battersea Arts Centre app…
Kaite O'Reilly writes on cripping up, and how her new production offers a witty, feminist, alternative disability perspective on Shakespeare's history play. The post Richard III Redux appear…
Salacious bombast: David Leddy's obscene homage to Jean Genet might require a reading list. The post Review: The Last Bordello at the Tron Theatre, Glasgow appeared first on Exeunt Magazine.
Delicate, provocative, gleeful: the UK's largest dance festival for emerging artists offers up another stimulating triple-bill. The post Review: Hand Towards, Nelum and Lots of Varied Expect…
Ridiculous, playful, brilliantly strange: Resolution 2018 offers up another varied trio of dances. The post Review: Drowning, Journeys of Internal Migration, and HILT at Resolution 2018 appe…
Poppy Burton-Morgan explores how female-led circus companies are dismantling and reimagining gender on stage. The post A New Era for Women in Circus appeared first on Exeunt Magazine.
'This is not the end': Hannah Greenstreet reviews an attempt at starting a feminist revolution inside a theatre. The post Review: I Have a Mouth and I Will Scream at Vault Festival 2018 app…
The myth of childhood innocence: Brendan Macdonald reviews Monica Dolan's monologue about a mother giving her child what she thinks she wants. The post Review:Â The B*easts at Bush Theatre…
Remains thoroughly caffeinated: Simon Gwynn reviews Philip Ridley's new series of six monologues. The post Review: Angry at Southwark Playhouse appeared first on Exeunt Magazine.
Feeling blue: Rosemary Waugh reviews the premiere of Dennis Kelly's one-woman play. The post Review: Girls & Boys at the Royal Court appeared first on Exeunt Magazine.
Francesca Peschier reviews John O'Donovan's "envy-inducing" debut play, in all its "butterfly brilliance". The post Review: If We Got Some More Cocaine I Could Show You How I Love You at Vau…
Magdalene Ghosts: Chris McCormack reviews a new play about unearthing the truth The post Review: We Don’t Know What’s Buried Here at the Civic Theatre, Dublin appeared first on E…
Ahead of her show 'The Year of the Rooster Monk' at Vault Festival, Giselle LeBleu writes on resurrecting pre-digital ghosts and channeling dark forces. The post Black Girl Magic appeared fi…
In the last of three articles, Maddy Costa explores how The Place involved dance fans in developing new work, and their conflicting expectations of the process. The post Pivot: The Audience …
Love and land: Rosemary Waugh reviews Peter Gill's painfully realistic picture of a relationship The post Review: The York Realist at the Donmar Warehouse appeared first on Exeunt Magazine.
Never cross a picket line: Peter Kirwan reviews the triumphant regional premiere of Beth Steel's play about Welbeck Colliery The post Review: Wonderland at Nottingham Playhouse appeared firs…