Are we all now addicted to the internet? How has this shaped our body images? And the boundaries between fantasy and reality? What's any of that got to do with the Irish poet WB Yeats? In th…
Laura Wades’s return to the stage is a bright satire about marriage and nostalgic fantasy The post Home, I’m Darling, National Theatre appeared first on Aleks Sierz.
It is a pleasure to watch this skilful duo deconstruct their performance in front of us and the combination of mesmerising manipulation and dry comedy left me wanting more.
A new play by the award-winning American writer Ken Urban, A Guide for the Homesick will make its European debut at Trafalgar Studios Two from 16 October to 24 November 2018, with press nigh…
My hope of ever witnessing a true revolution for women in theatre began to disappear over the last year " until Emilia at Shakespeare's Globe.
The poetic, comical and sometimes unsettling Tokyo Fugue makes its Camden Fringe debut 23 to 26 August 2018 at the Cockpit Theatre. Take a look at these mesmerising production photos and bra…
Tokyo-based physical theatre company tarinainanika are preparing for their Camden Fringe debut of Tokyo Fugue, a mesmerising piece of physical theatre about feeling lost, set in the maze-lik…
Simon Evans and David Aula have written and are performing in not one but two shows back to back at the Fringe: The Vanishing Man and The Extinction Event.
Love London Love Culture's Emma Clarendon spoke to Kyla Morris about her play O.L.D Online Dating playing as part of the Camden Fringe on 25 and 26 August 2018.
Full casting has been announced for the Menier Chocolate Factory's major revival of Hugh Whitemore's Pack of Lies. Hannah Chissick directs Jasper Britton as (Stewart), Sia Dauda (Sally), Ala…
News, reviews, controversies and interviews of the week from London to Broadway, by way of Edinburgh, including the 'banning' of Mazz Murray from singing a song from Dreamgirls, Edinburgh ve…
A keenly observed dark comedy that is incredibly relevant to our technology-dependent lives " an hour of brilliant new writing that you simply must see.
After success at the White Bear Theatre with folk-song homage Flowers of the Field in 2014, award-winning playwright Kevin Mandry returns this month to premiere EROS. The brand-new play - an…
Compelling acting and prescient storytelling elevate the almost too clever "What if?" premise of A Doll's House, Part 2 from Melbourne Theatre Company.
Twa, the collaboration between writer Annie George and visual artist Flore Gardner at the Scottish Storytelling Centre, is a lucid and involving production.
In the last week or so I've seen three outdoor shows and got soaked to the skin twice. It's what you do in Britain " part of summer's rich tapestry.
The Three Musketeers rip-roaring, swashbuckling, feminist historical romp the whole family can enjoy, especially in a heatwave.
An hysterically funny new musical that also makes a rather pertinent point about disability and inclusivity " the performances are top notch, and it's effortlessly accessible.
Love London Love Culture's Emma Clarendon spoke to Spun Glass Theatre's Jessica Cheetham about Princess Charming, touring the UK from September.
The six shows at the Roundabout exemplify Paines Plough's focus on excellent new writing that's relevant and thematically diverse.
There is no mistaking the anger that informs and pulsates through the piece like a roaring fire. But this is an Emilia for our life and times, bringing the past and present and hopefully the…
There is good writing here and some good ideas but it loses its way. The Journey is the story of a romance set on a lonely spaceship but it's also a play within a play, the trials and tribul…
When You Fall Down: The Buster Keaton Story is enchanting yet informative, full of slapstick, beautiful music, and a dash of pathos " a gargantuan effort by writer/performer James Dangerfiel…
Hymns For Robots, Noctium Theatre's portrait of electronic music innovator Delia Derbyshire, is an appealingly winsome piece of theatre.
There wasn't much that Leonard Bernstein didn't try his hand at at least once " and wanting, needing, to experience it all applied as surely to the music he wrote as to the music he conducte…