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38,699 stories from The New York Times

'My Fair Lady' to Close on Broadway in July by Michael Paulson

Nominated for 10 Tony Awards, the Lerner and Loewe musical will begin a national tour and may play London.

SOURCE: The New York Times Subscription at 7:18pm on May 15, 2019☆⚑

On Comedy: The Wonderful Weirdness of Netflix's First Great Sketch Comedy Show by Jason Zinoman

"I Think You Should Leave," starring Tim Robinson, takes absurd premises to unpredictable places.

SOURCE: The New York Times Subscription at 6:35pm on May 15, 2019☆⚑

Critic's Pick: Review: A Lovingly Rendered 'Plough and the Stars' by Elisabeth Vincentelli

The Irish Rep production of an O'Casey classic isn't snazzy, but satisfaction comes from expert actors in complex roles.

SOURCE: The New York Times Subscription at 6:24pm on May 15, 2019☆⚑

'Ink' Spot: Rupert and Friends Catch Murdoch Play on Broadway by Julia Jacobs

The media mogul attended the Tony Award-nominated play with an entourage of past and present editors of the British tabloid depicted in it.

SOURCE: The New York Times Subscription at 5:36pm on May 15, 2019☆⚑

Daniel Fish's 'White Noise' Set for American Debut by Peter Libbey

The fall season at N.Y.U. Skirball Center will also include 10 interdisciplinary performance works by artists like John Kelly and Mette Ingvartsen.

SOURCE: The New York Times Subscription at 3:18pm on May 15, 2019☆⚑

Solving the 6 Biggest Mysteries of This Broadway Season by Michael Paulson

How does she stay so still? Is that scene really live? And how tall is that guy, anyway? We dig deep into the burning questions about this year's Tony-nominated shows.

SOURCE: The New York Times Subscription at 4:54am on May 15, 2019☆⚑

Review: Sifting the Evidence for 'Proof of Love,' She Has Lots to Say by Jesse Green

At the center of Chisa Hutchinson's one-woman play, written for Audible, is a love triangle with just one side in view.

SOURCE: The New York Times Subscription at 10:48pm on May 14, 2019☆⚑

Critic's Pick: Review: A Rollicking Trek 'Around the World in 80 Days' by Alexis Soloski

Laura Eason's adaptation of the Jules Verne novel is a reminder of how to make stage magic from simple elements.

SOURCE: The New York Times Subscription at 3:06pm on May 14, 2019☆⚑

Home Is Where the Greek Drama Is by Gia Kourlas

The choreographer and performance artist Ann Liv Young is using her Bushwick apartment " and her daughters and animals " in her version of "Antigone."

SOURCE: The New York Times Subscription at 1:54pm on May 14, 2019☆⚑

Heavenly or Hellish? Our Critics Debate the Broadway Season by Ben Brantley and Jesse Green

Adventurous directors and galvanizing performances made for unexpected " and very welcome " departures on what once felt like the Staid White Way.

SOURCE: The New York Times Subscription at 8:54am on May 14, 2019☆⚑

Tony Awards 2019: Who Will Win (and Who Should) by Ben Brantley and Jesse Green

The chief theater critics for The Times choose who they think should win and who should have been nominated.

SOURCE: The New York Times Subscription at 4:36am on May 14, 2019☆⚑

Review: In 'Curse of the Starving Class,' a House Is Really Divided by Ben Brantley

Terry Kinney's unbalanced Sam Shepard revival, with Maggie Siff and David Warshofsky, finds the prophecy in a wild and woolly play from the 1970s.

SOURCE: The New York Times Subscription at 10:48pm on May 13, 2019☆⚑

Review: Tribute or Rip-off? 'Original Sound' Looks at the Line by Elisabeth Vincentelli

Adam Seidel's play puts two songwriters in the same room, while the music industry watches out for its own economic interests.

SOURCE: The New York Times Subscription at 4:54pm on May 13, 2019☆⚑

Review: 'Democracy in America' Misses Our Current Moment by Laura Collins-hughes

Romeo Castellucci's Tocqueville-inspired spectacle, presented by Peak Performances, offers highbrow style without the substance to back it up.

SOURCE: The New York Times Subscription at 1:36pm on May 12, 2019☆⚑

Critic's Pick: Review: 'The Tempest' as Lovefest, With a Queenly Prospero by Jose SolÍs

With Myra Lucretia Taylor as a regal sorcerer, the Public Theater production emphasizes comedy, romance and song over revenge.

SOURCE: The New York Times Subscription at 5:54pm on May 10, 2019☆⚑

How 'Drunk Shakespeare' Became a Stage Franchise by Cara Joy David

Five actors, many drinks, short-and-silly scripts and a party atmosphere generated good buzz in New York " and a second edition in Chicago.

SOURCE: The New York Times Subscription at 3:03pm on May 10, 2019☆⚑

Yael Stone Is Identified as 'Witness X' in Geoffrey Rush Defamation Case by Clarissa Sebag-montefiore

Evidence from Ms. Stone, who has accused Mr. Rush, the actor, of inappropriate behavior, was kept out of the trial of his defamation suit against an Australian news outlet.

SOURCE: The New York Times Subscription at 3:54am on May 10, 2019☆⚑

Critic's Pick: Review: In 'BLKS,' Meet the Real Roommates of Bed-Stuy by Jesse Green

Merciless comedy shades to delicate tragedy in a terrific playwriting debut from the poet and performer Aziza Barnes.

SOURCE: The New York Times Subscription at 1:04am on May 10, 2019☆⚑

'All Is True' Review: Regret Is the Thing, as Shakespeare Comes Home by Jeannette Catsoulis

Kenneth Branagh's fond, partly fictional portrait of William Shakespeare's retirement is a soapy tale of family secrets and festering resentments.

SOURCE: The New York Times Subscription at 10:51pm on May 9, 2019☆⚑

Review: In 'Lockdown,' a Prisoner Yearns to Rejoin the World by Laura Collins-hughes

The play, a sort-of autobiographical story about an author and an inmate, includes a post-show "community conversation" about incarceration.

SOURCE: The New York Times Subscription at 5:36pm on May 9, 2019☆⚑

Review: A Con Man Without a Sting in 'High Button Shoes' by Ben Brantley

The last of this season's Encores! musicals in concert, starring Michael Urie, resurrects a 1947 show that feels nostalgic for nostalgia.

SOURCE: The New York Times Subscription at 1:36pm on May 9, 2019☆⚑

Nicholas Hytner Plans 2nd New Theater in London by Alex Marshall

The as-yet-unnamed venue is scheduled to open in King's Cross in 2021. His most recent opened in Southeast London in 2017.

SOURCE: The New York Times Subscription at 9:24am on May 9, 2019☆⚑

London Theater Reviews: Women Onstage, Not Getting What They Want by Matt Wolf

Productions in London of classic plays " from Chekhov to Cy Coleman " feature strong female performances.

SOURCE: The New York Times Subscription at 5:24am on May 9, 2019☆⚑

For Sale: A Little-Known Home Where Oscar Wilde Vacationed by Abigail Saltmarsh

Wilde stayed at a farmhouse in Norfolk, England, with his wife, and later, his lover. He also worked on "A Woman of No Importance" there.

SOURCE: The New York Times Subscription at 4:24am on May 9, 2019☆⚑

'Safeword' Review: The Bondage Play (Hold the Pleasure) by Jose SolÍs

S. Asher Gelman's play tries to educate its audience, but it promises more than it can deliver.

SOURCE: The New York Times Subscription at 3:36pm on May 8, 2019☆⚑
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