6,574 stories from HowlRound
By YaÅŸam Özlem Gülseven, Mikheil Charkviani. YaÅŸam Özlem Gülseven interviews Mikheil Charkviani about his work on Exodus, a production that traded grand historical narratives…
By . The UTR Professional Symposium"one of the core activities of the Under the Radar Festival"will focus on the future of producing and presenting independent theater as we transition fitfu…
By Fumbani Innot Phiri, Bright Africa Makina, Evelyn Kaipa, Prince Kazembe, Deborah Butao, Ngwenyama Nkhata. YDC Theatre has been producing theatre consistently in Malawi, even throughout th…
By Fumbani Innot Phiri, Pleasant-Theodore Banda. Pleasant Theodore Banda led Rise Arts to its first international performance in Zimbabwe.
By Fumbani Innot Phiri, Innocent Katsache. Fumbani Innot Phiri Jr. interviews playwright and director Inno Katz about his career and his efforts to redefining Malawian theatre by focusing on…
By David Valdes. David Valdes explores the limitations of queer theatre historically and makes the case for a more expansive future"one that includes a wider range of characters living more …
By Sara Bozin. Theatremaker Sara Bozin reflects on her college theatre experience and shares changes she'd like to see in theatre education that prioritize students' physical and mental
By Fumbani Innot Phiri, Jack Musumba. Jack Msumba, creative director of Youth Developers Collaboration Theatre, has big ideas for the future of Malawian theatre.
By . Watch Me Work is a performance piece, a meditation on the artistic process, and an actual work session featuring Suzan-Lori Parks working on her newest writing project.
By Audrey Rose Dégez. Slovo. Theater Group uses theatre as a tool to fight against cultural oppression by promoting Ukrainian culture abroad.
By Latinx Theatre Commons. The LTC announces they are now accepting applications for Colaboratorio, a series of learning opportunities to encourage authentic creative expressions and collab…
By . This roundtable conversation will explore pathways for sustaining and furthering global exchange and international touring in the United States.
By Fumbani Innot Phiri, Lydia Deborah Banda . Lydia Deborah Banda infuses theatre into community initiatives that work toward gender equality, educate girls about menstruation, and provide l…
By Janet Neely. Theatre artist and educator Janet Neely advocates for incorporating emotional intelligence instruction into acting training and offers insights on, and resources for, tea
By Fumbani Innot Phiri, Bright Phumayo Chayachaya. Bright Phumayo Chayachaya's Umunthu Theatre pulls together political theatre, poor theatre, theatre for development, and educational theatr…
By . My family first came to New York City in the late 1800's from Virginia and bought a house in Brooklyn and raised four generations.
By Fumbani Innot Phiri, Khumbolane Chavula. What does the voice of this millennium sound like?
By . CEC ArtsLink presents ArtsLink Assembly 2022: Greener Grass?
By Katy Rubin, Sulu LeoNimm, Liz Morgan. Theatremakers Sulu LeoNimm, Liz Morgan, and Katy Rubin discuss the process of co-authoring The Wildcard Workbook, a guide designed to help others in …
By Jonathan Eburne. Writer and educator Jonathan P.
By . Cyber Attack: Digital Art and Activism is an online conference by NORDWIND in cooperation with FuturePerfect Studio (New York), Denis Semionov, Kampnagel (Hamburg), and Hellerau (Dresde…
By Fumbani Innot Phiri, Maxwell Chiphinga. Maxwell Ciphinga, better known as Max DC, has weathered massive changes in the audience, form, and funding of Malawian theatre throughout his four…
By . Join artistic director Igor Golyak and his team of collaborators for a conversation about experimentation; unusual applications of emerging technologies; what they are learning about au…
By Sara Stackhouse. Join Artistic Director Igor Golyak and his team of collaborators for a conversation about experimentation, unusual applications of emerging technologies, what they are le…
By E.M. Lewis. Writing from her little family farm in Oregon, E.M. Lewis applies the lessons learned in the garden to her experience as a librettist and playwright.
