1,898 stories from The New Yorker
Michael Schulman writes about the 2018 Primetime Emmy awards, where a surprise marriage proposal one the night.
Howard Fishman writes about the ups and downs of a regional-theatre company in Chester, Massachusetts.
In shows such as "The Leftovers" and "Fargo," she exudes a Midwestern pragmatism that has its own kind of mystery, Michael Schulman writes.
A swarm struck Times Square. Members of an élite beekeeping squad rushed to the scene, Michael Schulman writes.Â
Michael Schulman writes on the inability to see actors as laborers in light of the recent shaming of the actor Geoffrey Owens, of "The Cosby Show," after he was photographed working at a Tra…
Michael Schulman reviews the new film "The Wife," starring Glenn Close, and writes about the parallels between Close's life and personality and those of the character she plays in the movie.
Michael Schulman on the intrepid British writer touring the city's public and private pools on a hot summer day.
"Razzle dazzle" is more than a song from the Broadway hit "Chicago." A hundred years ago, the term was used to describe the red-and-white camouflage pattern invented by the British painter N…
Superstar Vehicles, a Radical "Oklahoma!"
Michael Schulman reviews the newly opened Broadway musical "Pretty Woman," at the Nederlander Theatre, starring Samantha Barks, Andy Karl, Eric Anderson, and Orfeh.
Michael Schulman on Matt Tyrnauer's new documentary, "Scotty and the Secret History of Hollywood," about the nonagenarian Scotty Bowers, whose 2012 tell-all book, "Full Service," recounted X…
Richard Brody reviews "The Spy Who Dumped Me," directed by Susanna Fogel and starring Mila Kunis and Kate McKinnon.
Six women accuse the C.E.O. of harassment and intimidation, and dozens more describe abuse at his company.
Young Jean Lee's first Broadway play not only lacks the humor, recklessness, and passion of her earlier works; it refutes those things, writes Hilton Als.
At her new digs in the West Village, the actress and newly minted memoirist gets locked out.
Michael Schulman reviews the musical "Head Over Heels,"at the Hudson Theatre, which features the first openly transgender woman to originate a major role on Broadway.
Michael Schulman on "Whitney," a new documentary about the singer Whitney Houston, directed by Kevin Macdonald.
Joan Acocella reviews the Broadway revival of "Carousel," at the Imperial Theatre, directed by Jack O'Brien and starring Renée Fleming, Jessie Mueller, Lindsay Mendez, Amar Ramasar, and Jos…
Michael Schulman writes about the film "Eighth Grade," in which the former YouTube star turns on the medium that made him famous.
David Remnick writes about Bruce Springsteen's heartfelt statement, in the middle of a performance of his Broadway show, about the scenes at the Texas-Mexico border.
Michael Schulman on the in-demand character actress Ann Dowd, and her adventures with cattle prods, nuns, and hoarders.
Michael Shulman reviews the 2018 Tony Awards, which he writes did not stint on weird juxtapositions, tuneful numbers, or memorable speeches.
On The New Yorker Radio Hour, the actress turned politician turned actress returns to Broadway, and the senator struggles to be a Republican in the age of Trump.
Michael Schulman reviews "House of Nutter: The Rebel Tailor of Savile Row," a new book by Lance Richardson about the brothers Tommy and David Nutter.
At a performance of "The Band's Visit," on Broadway, New York's police band jammed with the show's Alexandria Ceremonial Police Orchestra.
