1,623 stories from exeuntmagazine.com
You don't get it, but you listen: all good artists are dead's second show is an incomprehensible rave.
The post Review: JOY at VAULT Festival appeared first on Exeunt Magazine.
A discombobulatingly epic bit of stage design: Rosemary Waugh reviews the theatre version of Astro Boy
The post Review: Pluto at the Barbican appeared first on Exeunt Magazine.
I've met these blokes before. Each of them a different type of man: Henry Gleaden responds to Boys at Vaults.
The post Review: Boys at Vault Festival 2018 appeared first on Exeunt Magazine.
Falling apart: Patrick J. O'Reilly's physical play is an absurd exploration of mental health.
The post Review: The Man Who Fell To Pieces at The MAC, Belfast appeared first on Exeunt Magazin…
Inner city pressure: Colin Murphy's documentary play slides sideways into farce.
The post Review: Haughey|Gregory at the Abbey Theatre, Dublin appeared first on Exeunt Magazine.
Alice Saville writes on how theatre offers a way to put the past in dialogue with the present.
The post LGBT History Month – a chance for theatre to reinvent its queer past appeared fi…
Don't try and tell us it's his jive dancing: Francesca Peschier reviews Cassie McFarlane & Adrian Hope's play about Eletha Barrett and Peter Finch
The post Review: Mad as Hell at Jermyn…
Sexting with James Joyce: Rosemary Waugh reviews My Kind of Michael and Your Sexts Are Shit, as part of NOW18.
The post Review: NOW18: Week 4 at The Yard appeared first on Exeunt Magazine.
Reset and start again: Hailey Bachrach reviews the premiere of Stephanie Jacob's family comedy
The post Review: Again at Trafalgar Studios appeared first on Exeunt Magazine.
Full of teenage melodrama: Ed Nightingale reviews the shortened version of Alan Ayckbourn's dystopian epic (and it's still a disappointment).
The post Review: The Divide at the Old Vic appea…
The line between real and fake: Nabilah Said reviews Breach Theatre's new work about preparing for an emergency.
The post Review: The Drill at Battersea Arts Centre appeared first on Exeunt…
Memories of memories: Jane Upton's one-woman play is touching and thoughtful.
The post Review: Finding Nana at Nottingham Playhouse appeared first on Exeunt Magazine.
Playing with fire: Osborne's classic play takes on new meaning in light of #MeToo.
The post Review: Look Back in Anger at the Gate Theatre, Dublin appeared first on Exeunt Magazine.
Wrong number: Ian Bonar's hundred-mile-an-hour show could benefit from some silence.
The post Review: Be Prepared at VAULT Festival appeared first on Exeunt Magazine.
Closures, consolidation, and restructuring: Dave Fargnoli reviews a re-fashioning of John Dryden's Aureng-zebe.
The post Review: The Captive Queen at the Sam Wanamaker Playhouse appeared fi…
Hail Hytner! Nick's immersive Shakespeare overcomes its own innate lameness triumphantly.
The post Review: Julius Caesar at the Bridge Theatre appeared first on Exeunt Magazine.
Crying for help: Mark O'Rowe's new drama asks disturbing questions about loneliness.
The post Review: The Approach at Project Arts Centre, Dublin appeared first on Exeunt Magazine.
Rosemary Waugh reviews the premiere of Simon Longman's brutal, bloody and foreboding rural play.
The post Review: Gundog at the Royal Court appeared first on Exeunt Magazine.
Sparkling moments and a bewildering storyline: Ka Bradley reviews The Guild of Misrule and Theatre Deli's immersive show based on Peter Pan.
The post Review: NeverLand at Vault Festival 2018…
Renders the inevitable clichés 'hollow and cartoonish': Paul Hughes reviews The Katherine Araniello Show, on as part of NOW18.
The post Review: The Katherine Araniello Show at The Yard appe…
Heart-ache: Miriam Gillinson reviews the West End transfer of Richard Eyre's production of Eugene O'Neill.
The post Review: Long Day's Journey into Night at Wyndham's Theatre appeared first …
In the second of a trio of articles, Maddy Costa explores the difficulty of seeding new relationships between choreographers and producers.
The post Pivot Dance: Matchmaking Choreographers a…
Money or morals: Amy Borsuk reviews Sarah Burgess's play set in a private equity firm.
The post Review: Dry Powder at the Hampstead Theatre appeared first on Exeunt Magazine.
Washed away: Wassail Theatre Company's devised response to the 2013/14 floods plays with space and audience interaction.
The post Review: Reclaimed at Chew Stoke Church School appeared first…
Gets very meta very quickly: Hannah Greenstreet reviews Jen Silverman's play about five Betties
The post Review: Collective Rage at the Southwark Playhouse appeared first on Exeunt Magazine.
