38,701 stories from The New York Times
James Graham's invigorating play about London journalism goes on a journey to the tabloid underworld " and the American present.
The work, featuring a central character who is deaf, won the Tony Award for best play in 1980 and was turned into an Oscar-winning 1986 movie.
It was one thing to deliver lectures in American Legion halls as a teenager. It's another to stand on a Broadway stage flanked by the photos of 163 staring men.
The Broadway adaptation of the 1982 movie is the rare reimagining that actually keeps you laughing.
The playwright Lynn Nottage and the director-choreographer Christopher Wheeldon remain committed to the show, even after a damning documentary.
Halley Feiffer stars opposite Hamish Linklater in her new comedy of anguish, which begins with a memorably chilling first date.
An old-fashioned, overliteral revival of the 1947 play stars Tracy Letts and Annette Bening.
This comedic sequel to "Titus Andronicus" finds Nathan Lane and Kristine Nielsen cleaning up after a Shakespearean blood bath.
This uncanny, phantasmagorical work from the Lightning Rod Special troupe is a musical cabaret about abortion. That's right.
After child molestation accusations of "Leaving Neverland," books about the pop icon are already being rewritten. Who will have the last word?
As a born-to-lose presidential contender, Laurie Metcalf is exasperation incarnate in Lucas Hnath's play, which also stars John Lithgow.
We asked 15 playwrights to create original works around their visions of America in 2024. Six of them were read onscreen.
The two monologues, which the actors performed last winter Off Broadway at the Public Theater, were written by Simon Stephens and Nick Payne.
Kaneza Schaal's experimental theater work has three sections and is paired with an installation featuring paintings and videos of the show's inspirations.
When the evening's entertainment harshly criticizes capitalism " at $2,000 a seat.
Michael Berry's film about characters on a stalled train aims to show how, yes, we're all connected and yes, we all need one another.
"Anthem: Homunculus" is a six-hour, 10-episode epic about a man and his teratoma. The tumor sings. As do Glenn Close, Patti LuPone and Cynthia Erivo.
Maggie Smith tackles an impressive one-woman show at the Bridge Theater, and a British classic of the 1980s gets a new lease on life at the National.
After a downtown stop, a concept album based on Greek myths has become a full-scale Broadway entertainment.
This treasured San Francisco staple is renowned as much for its spectacularly sculptural headgear as its content.
Stephen Unwin's play, set in Germany in 1941, explores the reluctant evil perpetrated by people who think of themselves as good.
On the ground with the provocative stage director Milo Rau, who brought together European and Iraqi actors for a take on "The Oresteia" set in Mosul.
"The Lehman Trilogy" is a theatrical panorama of the firm's history and collapse. Lehman descendants and onetime employees have taken a keen interest.
Michael Stuhlbarg is sublime in the title role of Tim Blake Nelson's admiring but overlong play, presented as part of the Onassis Festival.
In this imbalanced revival of Lanford Wilson's play, also starring Keri Russell, Mr. Driver unleashes the full, scorching power of his talent.
