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38,701 stories from The New York Times

Hungarian Opera Asks White Cast of 'Porgy and Bess' to Say They Are African-American by Palko Karasz

The Hungarian State Opera's general director asked singers to sign a declaration that they identified as African-American, although they are all white.

SOURCE: The New York Times Subscription at 9:05am on April 10, 2019☆⚑

What Is a Grip? The Few Women Doing the Job in Hollywood Explain by Cara Buckley

On a movie set "we control anything over people's heads," one female key grip explains. But when you're the exception on an all-male crew, other factors come into play.

SOURCE: The New York Times Subscription at 4:00am on April 10, 2019☆⚑

How 'Amazing Grace' Was Born, Buried and Resurrected by Natalie Rinn

The documentary, about the legendary live gospel recording by Aretha Franklin, was as ambitious and as bungled as only Hollywood could manage.

SOURCE: The New York Times Subscription at 6:03pm on April 9, 2019☆⚑

Down the 'Fosse/Verdon' Rabbit Hole by Aisha Harris

A new FX series recreates the professional and personal relationship between Bob Fosse and Gwen Verdon. Here are some of the onscreen highlights from their careers.

SOURCE: The New York Times Subscription at 11:08am on April 9, 2019☆⚑

What's on TV Tuesday: 'Fosse/Verdon' and 'Destroyer' by Sara Aridi

The new limited series "Fosse/Verdon" shimmies onto FX. And Nicole Kidman's crime thriller arrives on Hulu.

SOURCE: The New York Times Subscription at 1:00am on April 9, 2019☆⚑

Teenagers Charged With Setting Fire to Shakespeare Theater in Connecticut by Julia Jacobs

The fire in January reduced the historic building, opened in 1955, to a smoldering mound of mangled steel.

SOURCE: The New York Times Subscription at 10:17pm on April 8, 2019☆⚑

Critic's Pick: Review: Puppets and Power Make for a Marvelous 'Menagerie' by Jesse Green

The latest play from the Mad Ones finds the seeds of momentous social change in a 1979 focus group about a kids' television show.

SOURCE: The New York Times Subscription at 9:45pm on April 8, 2019☆⚑

Hannah Gadsby to Return to New York With 'Douglas' by Sara Aridi

The Australian comedian will start the American tour of her new show in San Francisco on April 29 and wrap up in Manhattan this summer.

SOURCE: The New York Times Subscription at 3:30pm on April 8, 2019☆⚑

Review: 'Marjana and the Forty Thieves' Gives a Lesson in Storytelling by Elisabeth Vincentelli

With the theater made up to resemble a nomadic tent, audience members sit on cushions, couches and bean bags, while the actors roam about the space.

SOURCE: The New York Times Subscription at 1:15pm on April 8, 2019☆⚑

Russia Frees Director After Nearly 20 Months of House Arrest by Ivan Nechepurenko

While no longer confined to his apartment in Moscow, Kirill Serebrennikov still faces up to 10 years in prison for embezzlement. He has received support from cultural figures around the worl…

SOURCE: The New York Times Subscription at 12:03pm on April 8, 2019☆⚑

Review: In 'Fosse/Verdon,' a Portrait of the Artist as Problematic Fave by James Poniewozik

This dual Broadway biopic has style and moves but gets tripped up by an overfamiliar story of a brilliant, toxic man.

SOURCE: The New York Times Subscription at 5:00am on April 8, 2019☆⚑

Critic's Pick: Review: A Smashing 'Oklahoma!' Is Reborn in the Land of Id by Ben Brantley

Daniel Fish's wide-awake revival of an American classic gives us an "Oklahoma!" for our own age of anxiety, without ever betraying its source.

SOURCE: The New York Times Subscription at 9:45pm on April 7, 2019☆⚑

'The Inheritance' Triumphs at Olivier Awards, and So Does a Gender-Swapping 'Company' by Alex Marshall

A six-and-a-half-hour play about the legacy of AIDS in New York won best new play at the British equivalent of the Tonys. "Company" and "Come From Away" were also successful.

SOURCE: The New York Times Subscription at 6:22pm on April 7, 2019☆⚑

Critic's Pick: Review: 'Oasis' Brings Childlike Whimsy to a Manhattan Mall by Laura Collins-hughes

This charming new piece of site-specific theater from the company Third Rail Projects is staged on the steps of the Winter Garden at Brookfield Place.

SOURCE: The New York Times Subscription at 3:24pm on April 7, 2019☆⚑

'Fosse/Verdon' Is Full of Broadway Legends. Here's Who's Who by Alexis Soloski

This series, which debuts Tuesday on FX, includes many midcentury Broadway and film personalities and their works. Here's a cheat sheet.

SOURCE: The New York Times Subscription at 12:48pm on April 7, 2019☆⚑

The Week in Arts: The Criterion Channel, Charlotte Gainsbourg and 'Queens of Mystery' by The New York Times

A classic movie streaming service arrives; a singer tours in Brooklyn; and Acorn TV debuts a new series.

SOURCE: The New York Times Subscription at 2:00am on April 6, 2019☆⚑

NJPAC Plans to Use Major Grant to Expand Education Component by Sophie Haigney

The new space will be financed by a $20 million gift from the Leon and Toby Cooperman Family Foundation.

SOURCE: The New York Times Subscription at 7:00am on April 5, 2019☆⚑

'Hamilton' Set Designer Goes Whimsical, Using Sotheby's Galleries as a Stage by Sophie Haigney

David Korins is bringing some of Chatsworth House, the stately home from the movie "Pride and Prejudice," to New York " for a show at Sotheby's.

SOURCE: The New York Times Subscription at 12:01am on April 5, 2019☆⚑

Review: Glenda Jackson Rules a Muddled World in 'King Lear' by Ben Brantley

In Sam Gold's haphazard production of Shakespeare's bleakest tragedy, Ms. Jackson demonstrates her singular intelligence as an actress.

SOURCE: The New York Times Subscription at 9:45pm on April 4, 2019☆⚑

Review: 'Sincerely, Oscar' Is Some Embarrassing Evening by Jesse Green

If the nuance-free singing doesn't turn you against this revue of songs with lyrics by Oscar Hammerstein, perhaps his holographic ghost will do the trick.

SOURCE: The New York Times Subscription at 8:00pm on April 4, 2019☆⚑

The Shed Is Finally Open. Here's What You Need to Know. by Joshua Barone

We offer a guide to navigating the new arts center set amid the towers of Hudson Yards.

SOURCE: The New York Times Subscription at 7:10pm on April 4, 2019☆⚑

Let It Bleed: The Perverse Influence of 'Titus Andronicus' by Alexis Soloski

With Taylor Mac's "sequel" about to open on Broadway, we look at how Shakespeare's goriest play has seeped into pop culture.

SOURCE: The New York Times Subscription at 10:00am on April 4, 2019☆⚑

Theater Review: Onstage in Paris, Two Directors Overreach by Laura Cappelle

Simon Stone and Stanislas Nordey present productions in which their ambitions get the better of them.

SOURCE: The New York Times Subscription at 6:15am on April 4, 2019☆⚑

Review: In 'The Cradle Will Rock,' Labor Gets Belabored by Jesse Green

A revival of the Marc Blitzstein "play in music" about unions and kleptocrats is too wan to make much of the material's contradictions.

SOURCE: The New York Times Subscription at 9:45pm on April 3, 2019☆⚑

A Shakespeare Festival Presents Modern Translations. Cue the Debate (Again). by Jennifer Schuessler

A series of readings at Classic Stage Company will present the fruits of a project that charged people with "translating" Shakespeare into accessible (and faithful) modern English.

SOURCE: The New York Times Subscription at 4:19pm on April 3, 2019☆⚑
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