38,701 stories from The New York Times
The Tony Award-winning actress, who has been with the musical since its first performance, looks back on its runs on and Off Broadway.
South African actors John Kani and Antony Sher reunite for a play that explores how attitudes have, and haven't changed, in the 25 years since democracy.
The latest Mabou Mines production is a strikingly designed but ultimately bloodless take on the weird second part of Goethe's classic.
A new production by Ivo Van Hove with a live orchestra makes the writer Thomas Mann a character in his most famous creation.
Taylor Mac's wild creations ask audiences to face all that's horrifying and joyous about America " and ourselves. His new play is no exception.
Wishing for challenge, boldness, new work, intimacy, a friendly welcome " and inexpensive parking.
Aaron Posner's bitingly funny, unexpectedly touching play is "sort of adapted from 'Uncle Vanya.'"
Going from George Bush to choreographer Bob Fosse? Now that's a ball change!
More on the actor's friends and influences.
"What the Constitution Means to Me," the best new play of the Broadway season so far, rivetingly combines personal history and civic engagement.
In Mara Nelson-Greenberg's fitfully funny play, a female empathy coach faces the insuperable challenge of teaching men some compassion.
Turns out that a Jacobean tragedy with a bleak worldview and an extensive body count can still be a lot of fun.
A dance company celebrates the 19th amendment; a play about Rupert Murdoch hits Broadway; and an alt-pop duo returns to the U.S.
A limited FX series revives two Broadway legends, Bob Fosse and Gwen Verdon. Will the show razzle dazzle us? Or will it find a new way to tell the story of artists who behave badly?
A harebrained scheme ends in comic confusion in Theo Love's goofy documentary.
Shana Cooper's revival at Theater for a New Audience is so deep in conversation with itself and its dance battles that it nearly forgets to speak to us today.
This three-hour-plus portrait of the creation and destruction of the house of Lehman, directed by Sam Mendes, is an endlessly absorbing epic tragedy.
A revelatory new production of "Betrayal" starring Tom Hiddleston comes after a season of the playwright's one-act plays.
As the arts center rolls out its inaugural season, we offer our hopes not only for its future, but also for New York's broader cultural landscape.
What if black people, sick of injustice, picked up and left the United States? An outrageous satire by Jordan E. Cooper imagines the possibility, and the loss.
"King Lear" has long been the crowning performance for actors who know how to dominate a stage. As a longstanding member of Parliament, Jackson has unique insight into authority.
Rachel Chavkin is back on Broadway with another eye-popping, folk-fueled musical unlike anything else commercial theater has to offer.
Even his closest friends and colleagues marvel at how the director Daniel Fish has managed to stick to his vision " and even lighten up " while shepherding his dark take on the beloved music…
Willy Holtzman's play, with the storytelling quality of PowerPoint, offers a biography of Judy Holliday, an award-winning actress who died young.
A revival of Richard Greenberg's baseball comedy "Take Me Out" will also be part of Second Stage Theater's 2019-20 season.
