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38,701 stories from The New York Times

Michael Jackson Estate Cancels Chicago Musical Run by Michael Paulson

The estate attributed the change in plans to labor issues and not a forthcoming documentary detailing abuse allegations against the late pop star.

SOURCE: The New York Times Subscription at 1:54pm on February 14, 2019☆⚑

Phoebe Waller-Bridge Will Make You Laugh So Hard It Hurts by Amanda Hess

The writer-actress behind the wild, disorienting comedy of "Fleabag" and "Killing Eve" is bringing her sneak-attack humor to New York.

SOURCE: The New York Times Subscription at 9:12am on February 14, 2019☆⚑

London Theater: A Hit and a Miss for 2 Russian Productions in London by Matt Wolf

The Moscow Pushkin Drama Theater, on a short visit to Britain, impressed with Brecht's "The Good Person of Szechwan," but fell short with Chekhov's "The Cherry Orchard."

SOURCE: The New York Times Subscription at 5:18am on February 14, 2019☆⚑

Review: 'All About Eve' Gets the Vampire Treatment from Ivo van Hove by Ben Brantley

This London adaptation of the Oscar-winning satire, starring a misused Gillian Anderson and Lily James, is like a horror movie without a pulse.

SOURCE: The New York Times Subscription at 1:24pm on February 13, 2019☆⚑

#SpeakingInDance: The Heartbeat of 'Choir Boy' by Gia Kourlas

The choreographer Camille A. Brown deftly uses the tradition of step to add "a heartbeat to the story" of Tarell Alvin McCraney's musical play, now on Broadway.

SOURCE: The New York Times Subscription at 12:24pm on February 13, 2019☆⚑

'Frozen II' Trailer: Elsa Ice-Surfs and Anna Wields a Sword by Bruce Fretts

After releasing a much-criticized promo for "Aladdin," Disney bounces back with a thrilling teaser for "Frozen II."

SOURCE: The New York Times Subscription at 10:43am on February 13, 2019☆⚑

Isabelle Huppert Is Busy. But There's Always Time for Theater. by Elisabeth Vincentelli

The French actress has five films coming out in 2019, including one while she stars in Florian Zeller's play "The Mother" at Atlantic Theater Company.

SOURCE: The New York Times Subscription at 5:48am on February 13, 2019☆⚑

Critic's Pick: Review: At 'Freestyle Love Supreme,' Attention Must Be Paid. Really. by Jesse Green

Since you provide the content for this group's delightful hip-hop musical improvisation, you really have to lend them your ears (and phones).

SOURCE: The New York Times Subscription at 10:36pm on February 12, 2019☆⚑

Critic's Pick: Review: 'The Shadow of a Gunman' Is a Comedy That Goes Bang by Alexis Soloski

Sean O'Casey's tragicomic 1923 play has returned to the Irish Repertory Theater, the first production in a season devoted to his work.

SOURCE: The New York Times Subscription at 10:36pm on February 12, 2019☆⚑

Cultural Studies: Why Do We Love Scammers So Much? by Abby Ellin

These days, the con artist is as much a cultural figure as the antagonist of our personal horror stories.

SOURCE: The New York Times Subscription at 12:18pm on February 12, 2019☆⚑

'Raisin' and 'Ghosts' Will Be Featured in Williamstown Season by Lauren Messman

Among the performers who will journey to the Berkshires: Uma Thurman, Mary Steenburgen, S. Epatha Merkerson and Jesse Tyler Ferguson.

SOURCE: The New York Times Subscription at 9:24pm on February 11, 2019☆⚑

C.Y. Lee, 'Flower Drum Song' Author, Is Dead at 102 by Katharine Q. Seelye

His novel of generational and cultural conflict among Chinese immigrants became a hit Broadway musical and then a film that earned five Oscar nominations.

SOURCE: The New York Times Subscription at 7:54pm on February 11, 2019☆⚑

Brantley in Britain: How She Survives: Strategies for Women on London Stages by Ben Brantley

Cate Blanchett, Laura Linney and Katherine Parkinson are three heroines in search of elusive selves in plays by Martin Crimp, Rona Munro and Laura Wade.

SOURCE: The New York Times Subscription at 5:42pm on February 11, 2019☆⚑

9 Last-Minute Valentine's Day Ideas by Sean L. McCarthy

Whether you want to dance early in the morning or watch stand-up comics vie for a bachelor, here are some events for you.

SOURCE: The New York Times Subscription at 4:48pm on February 11, 2019☆⚑

Review: 'The Light,' an Unexpected Mix of #MeToo and Rom-Com by Alexis Soloski

Loy A. Webb's tear-struck thesis play starts with an engagement and swerves into the territory of sexual-assault trauma.

SOURCE: The New York Times Subscription at 10:54pm on February 10, 2019☆⚑

Reviews: 'Mies Julie' and 'Dance of Death,' Love and Madness in Strindberg by Ben Brantley

Two productions at the Classic Stage Company channel the electric ambivalence of August Strindberg.

SOURCE: The New York Times Subscription at 10:54pm on February 10, 2019☆⚑

Carry On: What Tituss Burgess Can't Travel Without by Nell McShane Wulfhart

The Emmy-nominated actor and singer prefers staycations in New York City. But when he travels for work, an electric fan and Pond's face cream are must haves.

SOURCE: The New York Times Subscription at 5:54am on February 10, 2019☆⚑

Landmark Broadway Deal Gives Actors a Piece of the Profits by Michael Paulson

Performers and stage managers who help develop hit shows will share in the riches following an agreement reached Friday between their union and producers.

SOURCE: The New York Times Subscription at 7:48pm on February 8, 2019☆⚑

This Week in Arts: Jake Gyllenhaal on Stage; Penélope Cruz in 'Everybody Knows' by The New York Times

In Nick Payne's new play, Gyllenhaal stars as a man in mourning " a much more sympathetic role than his art snob in "Velvet Buzzsaw."

SOURCE: The New York Times Subscription at 8:54am on February 8, 2019☆⚑

Married With Children: New Gay Options, Explored Onstage by Andrzej Lukowski

Two new theater productions in London give fresh perspectives on marriage and parenthood, by looking at them from a gay point of view.

SOURCE: The New York Times Subscription at 7:54am on February 8, 2019☆⚑

Staging 'Hair' With Actors Who Are Losing Theirs by Dominic P. Papatola

Theater 55, a Minnesota company that celebrates elders as artists, is making its debut presenting the musical with performers with wrinkles and dad bods.

SOURCE: The New York Times Subscription at 6:06pm on February 7, 2019☆⚑

Review: Without Ethel Merman, a Limp 'Call Me Madam' at Encores! by Jesse Green

This 1950 musical has some charming numbers, but without a monster personality at its center it seems like less of a comedy than a requiem.

SOURCE: The New York Times Subscription at 3:54pm on February 7, 2019☆⚑

Critic's Pick: 'High Flying Bird' Review: A Thrilling Dunk on Capitalism by A.O. Scott

The director Steven Soderbergh teams up with Tarell Alvin McCraney and André Holland to take on the contradictions of modern sports culture.

SOURCE: The New York Times Subscription at 1:04pm on February 7, 2019☆⚑

A Costume Designer With Low Budgets and High Style by Alexis Soloski

Whether he's capturing David Lee Roth or Bed-Stuy street style, Montana Levi Blanco's secret: an anthropological attention to detail and "amazing aggressive shopping."

SOURCE: The New York Times Subscription at 11:18am on February 7, 2019☆⚑

Onstage in France: Spanish Takes on Sex, Violence and Social Change by Laura Cappelle

The annual Reims Scènes d'Europe festival showcases contemporary creation from around Europe. This year, it is focused on emerging artists from Spain.

SOURCE: The New York Times Subscription at 7:48am on February 7, 2019☆⚑
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