DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
35,402 stories from The Guardian

Star Trek's Chris Pine to make London theatre debut in Ivanov next summer by Chris Wiegand

The Hollywood actor will star in a new version of the Chekhov classic by writer-director Simon Stone at the Bridge theatre from July Star Trek's Chris Pine will boldly go to the Bridge next …

SOURCE: The Guardian at 7:18am on October 22, 2025

Janine Harouni: This Is What You Waited For review " new mum's return to her own childhood by Brian Logan

Soho theatre, London These deftly sprung riffs on extended family and motherhood gain in power when mayhem offsets the tightly controlled set The last time I saw Janine Harouni perform she w…

SOURCE: The Guardian at 5:06am on October 22, 2025

Is Daniel Day-Lewis right to say theatre is elitist? | Letters by Guardian Staff

Hannah Essex and Robert Parkhill have opposing reactions to Daniel Day-Lewis's claim that theatre is an elitist artform for privileged people Daniel Day-Lewis contends that theatre is intrin…

SOURCE: The Guardian at 4:12am on October 22, 2025

Clive King obituary by Hilary Brooks

My friend Clive King, who has died aged 61 of heart failure, was an Irish writer, lyricist, journalist and script editor based in Scotland. His plays were performed in Glasgow, Edinburgh and…

SOURCE: The Guardian at 4:12am on October 22, 2025

'Epic with a capital E': inside Elmet, a tale of violence and greed on haunted Yorkshire heath by Catherine Love

Elmet, a novel that was shortlisted for the Booker, is a lyrical, richly written tale of a woodland family on a collision course with an avaricious landowner. Can it work on stage in Bradfor…

SOURCE: The Guardian at 11:48am on October 21, 2025

The Unbelievers review " Nicola Walker grapples with family tragedy in a flat drama by Arifa Akbar

Royal Court theatre, LondonMarianne Elliott directs Nick Payne's tonally uneven play about a missing son that comes with ill-fitting moments of comedy Nick Payne is an exemplar of this theat…

SOURCE: The Guardian at 7:31am on October 21, 2025

Tom Rosenthal: 'I quickly forget nice gigs and will take bad ones to the grave' by Interview By Liam Pape

The Friday Night Dinner star on returning to standup, being inspired by Arctic Monkeys and his bugbears with the comedy industry How did you get into comedy?I was in a public speaking club a…

SOURCE: The Guardian at 4:06am on October 21, 2025

Dare you enter the splash zone? Wet and wild selkie steals the show at Glasgow's startling arts festival by Kate Wyver

Take Me Somewhere tucks audiences up in bed, takes them to a last supper and delights with a paddling-pool comedy-tragedy A nurse puts a steadying hand on my back and guides me to bed. She …

SOURCE: The Guardian at 1:54am on October 21, 2025

Awkward flirting, 4am breakdowns and a last kiss: David Eldridge on a decade of writing about love by David Eldridge

Beginning, Middle and End form a trilogy charting the ups and downs of different relationships. Audiences have taken them to their heart " one couple saw the first play on a date, got marrie…

SOURCE: The Guardian at 2:02pm on October 20, 2025

How plays like Weather Girl and Kyoto are finally bringing the climate crisis alive for audiences by Oliver Milman

The complexities of the climate crisis are a tough sell to audiences but these plays in New York show it can be done Despite (or perhaps because of) its overwhelming awfulness, the climate c…

SOURCE: The Guardian at 8:36am on October 20, 2025

Gwenda's Garage review " scrappy celebration of Sheffield's female mechanic activists by Catherine Love

Sheffield PlayhouseSet against the backdrop of Tory rule and Section 28, this rousing musical is based on the real-life hub for feminist and queer protest set up by three pioneering women Th…

SOURCE: The Guardian at 6:18am on October 20, 2025

National Dance Company Wales: Surge review " mythical monsters, soulful swingers and an alien chorus line by Lyndsey Winship

The Place, LondonThis delightfully unique triple bill spans many worlds with Busby Berkeley-style sci-fi formations, a hazy summery waltz and a wild rampage of Welsh folk dance The sequins a…

SOURCE: The Guardian at 5:06pm on October 19, 2025

Shobana Jeyasingh Dance: We Caliban review " postcolonial take on The Tempest is difficult to pin down by Lyndsey Winship

York Theatre RoyalJeyasingh's choreography is well wrought and precise but Caliban's struggles with servitude and resistance feel adrift amid a sea of ideas Choreographer Shobana Jeyasingh o…

SOURCE: The Guardian at 10:42am on October 19, 2025

Safe Space review " lively campus comedy wrestles with the culture wars by Arifa Akbar

Minerva theatre, ChichesterJamie Bogyo's debut play recounts the renaming of a Yale University college with broadstroke humour and some exquisitely sung a cappella interludes What happens wh…

SOURCE: The Guardian at 8:31am on October 19, 2025

David Harewood returns to Othello: 'I don't just want to open the door but kick it down for the people behind me' by JN Benjamin

He first played Othello in 1997, when the role was still synonymous with white thespians 'blacking up'. Now, nearly three decades on, he, Chiwetel Ejiofor and other Black actors discuss how …

SOURCE: The Guardian at 6:18am on October 19, 2025

Gesualdo Passione review " six singers and four dancers deliver a mishmash with a mystical tingle by Lyndsey Winship

Barbican, LondonAmala Dianor Company and baroque ensemble Les Arts Florissants combine for an occasionally exquisite yet oddly dispassionate show The marrying of music and dance is an indefa…

SOURCE: The Guardian at 5:12pm on October 17, 2025

Jessica Fostekew: Iconic Breath review " furious, frustrated yet cheerfully funny by Brian Logan

Soho theatre, LondonFrom the trials of family life to irritating podcasters, this sometimes eyebrow-raising hour of personal comedy is consistently entertaining Much as Jessica Fostekew woul…

SOURCE: The Guardian at 9:24am on October 17, 2025

Frank Lazarus obituary by Denis Herbstein

My friend Frank Lazarus, who has died aged 86, was a versatile actor, pianist and, most of all, writer of musicals, with a play that enjoyed a long run on Broadway. In 1979 he teamed up with…

SOURCE: The Guardian at 7:12am on October 17, 2025

Comedy in Riyadh is a sign of progress | Letter by Guardian Staff

Omid Djalili responds to criticism of his decision to perform at a comedy festival in Saudi Arabia What the critics of the Riyadh comedy festival may have missed (Letters, 13 October) is the…

SOURCE: The Guardian at 7:12am on October 17, 2025

Don't Look Now review " Du Maurier's Venetian chiller has its dread shredded by Chris Wiegand

New Wolsey theatre, IpswichA couple mourn the loss of their daughter in an adaptation that is far better at conveying sadness than suspense Daphne du Maurier's 1971 story Don't Look Now open…

SOURCE: The Guardian at 7:12am on October 17, 2025

'We want to use this as a launchpad': can A24 also conquer the world of theater? by Adrian Horton

Cultish indie studio behind hits such as Moonlight, Uncut Gems and Materialists has taken over a New York theatre for $10m On a recent Saturday night in downtown Manhattan, a sold-out crowd …

SOURCE: The Guardian at 11:41am on October 16, 2025

'A collaboration of the senses': Royal Ballet teams up with blind artist for new show by Dalya Alberge

Exclusive: using immersive descriptive audio, performance explores how blindness can redefine experience of dance The Royal Ballet has long offered headphones with audio descriptions so that…

SOURCE: The Guardian at 7:12am on October 16, 2025

Scrooge gets a hip-hop spin and the RSC does the BFG: 20 of the best UK stage shows this Christmas by Mark Fisher

From musical versions of Pinocchio, Treasure Island and Sherlock Holmes to a comedy about banana-loving beach-dwellers … dive into our selection box of festive theatre Sadler's Wells East,…

SOURCE: The Guardian at 3:54am on October 16, 2025

'I need to do everything now': the Ukrainian combat medic-turned playwright by Charlotte Higgins In Kyiv

Since Alina Sarnatska's first play premiered a year ago, she has documented wartime Ukraine with unflinching frankness Eighteen months ago, Alina Sarnatska was serving as a combat medic on U…

SOURCE: The Guardian at 3:54am on October 16, 2025

The Seagull review " Caroline Quentin sparkles in sharp, stylish Chekhov by Mark Fisher

Royal Lyceum, EdinburghJames Brining's first production as Lyceum artistic director finds humour and humanity in a finely etched ensemble It is quite something when Caroline Quentin dominate…

SOURCE: The Guardian at 3:54am on October 16, 2025
« Previous 25   Page 33 of 1,417   Next 25 »