17,555 stories from mytheatremates.com
Jamie O'Neill stars in Proforca Theatre's Volcano, co-written by James Lewis and Georgie Bailey, which premieres at London's Lion & Unicorn Theatre from 8 to 12 March 2022. He took a bre…
Debs Newbold's Offies-nominated, one-woman Lost in Blue is "a gripping story... as hilarious as it is poignant", says Broadway Baby. We've rounded up highlights from the show's raft of other…
Jamie Lloyd's clever and minimalistic production feels even sharper than its previous run at the Playhouse Theatre.
The play follows Pierre, a successful surgeon who's married and the father of a grown-up daughter, as he juggles his professional and family life with having a mistress.
"You should be dancing, yeah!" goes the oft-repeated chorus of the Bee Gees hit that loomed large in the original Saturday Night Fever movie soundtrack and closes the first half of this stag…
The Seven Dials Playhouse opens with the European premiere of Mark Gerrard's gently amusing and affecting Steve.
This is a piece of verbatim theatre, telling three stories of queer activism from the mid-20th century to the present day; Alexis Gregory conducted interviews with Michael-Anthony Nozzi (a s…
Paul Bradshaw stars in his own coming-of-age comedy drama as Him, a young gay man finding his way through casual romance in London.
With George Greenland utilising a coat stand and ta…
One thing that I have really, really missed over the last two years is just good plain fun. This is what Viper Squad has in spades.
Featuring a luscious score and heartfelt performances, Broken Wings gets a chance to soar in this touching if occasionally overblown production.
This is a triumphant return of Queens of Sheba after a successful run at Soho Theatre in 2021 and Edinburgh Fringe in 2018. Expertly directed, these ladies burst onto the stage with such ene…
The iconic 1980s romance is re-worked for the stage in this straightforward but energetic production. Full confession: I grew up obsessed with Dirty Dancing, and I kind of still am.
At 75 minutes long, it's quite impressive how much Rosie Day is able to fit into this painful coming-of-age story - it really is an intense rollercoaster.
Emma Rice dips into her usual bag of theatrical tricks for a highly expressive take on Wuthering Heights but possibly to diminishing returns.
We think that The Merchant of Venice was written between 1596 and 1599 " in the twilight years of Elizabeth's reign. It was printed in 1600 and so had, one assumes, already been performed by…
The concept is like a Doctor Who plot opened up beyond the confines of a genre, to encompass limitless possibilities. It is both enthralling and disturbing.
I wouldn't call myself a Kate Bush fan, one of the shoal of 'fish people' who revere her, yet her songs have soundtracked my formative years. So she's always been there in spirit.
Sar…
Evelyn Hoskins plays Jenna's lovable friend Dawn who's looking for love of her own. Evelyn spoke to us about taking the show on the road and how the pandemic changed her portrayal.
It has been an extraordinarily fruitful partnership between writer Florian Zeller and translator-playwright Christopher Hampton over the past few years with adaptations of Zeller's disconnec…
Debs Newbold officially opens to press tonight (17 February 2022) at London's Lion & Unicorn Theatre in her acclaimed one-woman show Lost in Blue, running for a limited season until 26 F…
Returning to live performance for the first time in two years, Arrows & Traps prove they've lost none of their ambition as they bring to the stage not one but two inspiring real-life sto…
It's the little things. Like using up the kitchen roll when there's no toilet paper, or not getting some milk when the carton's run out.
Dirty Dancing is one of the cult classic films that's beloved by many generations and continually stands the test of time, so a stage version has a built-in audience.
On LoveLondonLoveCulture, Emma Clarendon rounds up the reviews for Hamlet, the first indoor production of Shakespeare's play at Shakespeare's Globe, now running in the candlelit Sam Wanamake…
Rosie Day's play highlights not only the confusion and pain of growing up but also the struggle of dealing with grief as a young person in a tight and engaging way.