38,701 stories from The New York Times
For this essential New York choreographer's centenary, a Public Library exhibition full of the joy and anxiety of postwar Manhattan.
The show, written and directed by Paul Calderon, begins intensely and continues on a harrowing, one-way trip to hell.
"Of course it might upset people who've experienced the kind of treatment that the play describes," Malkovich told the BBC. "But what can I do about that?"
The show, which uses Ms. Morissette's song catalog to tackle sexual violence and addiction, had a sold-out run in Massachusetts last year.
The singer Melissa Errico recalls the mix of wild energy and plaintive emotion that made the composer so enthralling to be around.
The immersive experience, with its frequent problems yet mounting mystique, is beginning to court comparisons with the Fyre Festival.
Stephen Belber's time-traveling drama, starring Johanna Day, connects the dots of woman's conflicted existence during six decades.
Fox's TV production of the hit musical hardly went off as planned. What to make of this barely live show?
Laura Benanti and three other recently arrived principals adjust the focus of the hit revival from the political to the personal.
The members of Broken Box Mime Theater skip walking against the wind and trapped in a box in favor of pop culture capers and #MeToo inspired riffs.
In the world described in Ivan Ayr's debut feature, men casually assume they are entitled to say or do whatever they want to women.
A joint production by a Boston theater company and Google hopes to bring high-quality Shakespeare to wider audiences, and new audiences into theaters.
A brief sampling of productions that use augmented reality, smartphone mapping and motion capture, blurring the line between the live and the virtual.
Sure, less paper makes environmental sense. But relying on digital programs betrays what makes the in-the-moment experience of theater so special.
The hip-hop improv group that the "Hamilton" creator founded starts a new run on Jan. 30.
With the help of fresh air, a Mother Abbess and a mild hallucinogen, six women spend a week in search of a female spirituality.
In this unsettling revival, directed by James Macdonald, two fine actors find the existential terror in Sam Shepard's portrait of battling brothers.
The musical will be a prequel to the film, telling the story of how Mike Lane became a stripper.
"When We Have Sufficiently Tortured Each Other" opened at London's National Theater on a wave of controversy and hype. But it's pretty boring, our critic writes.
The acclaimed performers will perform a revival of the intense and intimate Terrence McNally play starting in May.
The show, "Don't Stop 'Til You Get Enough," will run this fall, from Oct. 29 to Dec. 1, at the James M. Nederlander Theater.
"DAU" is a project so ambitious, it can be hard to pin down exactly what it is. After repeated problems and delays, the genre-defying work is finally opening in Paris.
Years after the Supreme Court ruled that New Haven unfairly treated white firefighters who were seeking promotion, "Good Faith" checks in on a wounded city.
Amy Staats's tale of the rowdy rise (and fall and rise and fall) of the rock band lets women loose in the glam metal boys' club.
In a smart if sometimes shaggy monologue that ponders a divided nation, Mr. Quinn worries about more than the occupant of the White House.
