It's a Sex-Positive Party, Not a Play
At Bushwick Starr, Diana Oh and her team of "super queero heart questers" welcome guests to a night of dance-filled revelry. (Yes, there's a sleepover option.)
At Bushwick Starr, Diana Oh and her team of "super queero heart questers" welcome guests to a night of dance-filled revelry. (Yes, there's a sleepover option.)
From "The Sound of Music" in Salzburg, Austria, to "Candide" in Berlin, German-speaking theaters are bringing fresh appeal to repertory staples.
Visionary stylist or one-trick pony? With "Network" on Broadway and "All About Eve" on the horizon, the multimedia-mad stage director is ready for his close-up.
Visionary. Visceral. Uncompromising. And coming your way.
The 2019 winners of the awards, given by a panel to the year's most promising lyricist and librettist, are Shaina Taub, Sarah Hammond and Charlie Sohne.
Something groundbreaking on Broadway: The story of "an effeminate young man of color" who finds his strength through singing.
For its first season, beginning in April, the Shed has commissioned more than a dozen exhibitions, performances and lectures across disciplines.
Offerings at the festival include a riff on "Uncle Vanya"; a "Frankenstein" adaptation highlighting a mother's grief; and an intimate tale of displacement.
But could directors like Ryan Coogler still find favor with Oscar? The academy doesn't always go with the Directors Guild Awards.
After the bookstore announced it was being forced from its home by rising rents, Mr. Miranda teamed up with "Hamilton" associates and the city on a rescue plan.
Mr. Miranda and three of his "Hamilton" collaborators have purchased the Drama Book Shop, a century-old theater district purveyor of scripts, sheet music and other stage-related reading mate…
Marin Ireland blazes furiously as an emotional terrorist in Abby Rosebrock's emotionally congested comic drama, set in a Southern rehab center.
Actors' Equity said it would prevent its members from testing out material during a play's development until a new contract is reached.
Even by operatic standards, the marquee productions of this year's festival of new music-theater are extreme in their depiction of trauma.
An eclectic opening weekend included sketches and songs by Nigerian women, two unsettling monologues and a punk-rock reminiscence (with mixtape to follow).
Timothée Chalamet went to the Amazon party. Taylor Swift was at InStyle. And Jon Voight was in the hallway.
The book, "Showtime at the Apollo" by Ted Fox, is a tribute to the Harlem cultural institution, which celebrates its 85th anniversary this month.
Even the winner seemed to be caught off guard when she, and not Lady Gaga, won for a movie drama, "The Wife."
Actors' Equity is threatening to bar members from participating in developmental labs without a better financial deal.
The play, "The Haunting of Lin-Manuel Miranda," will be read this weekend at the Nuyorican Poets Cafe on the Lower East Side.
The virtuoso trumpeter, who died last year, will be honored at two venues.
With a cast of 21, plus a live goose and rabbit, the dizzying number of comings and goings in this Broadway show requires an incredible attention to detail.
Several West End theaters are about to start major refurbishments, partly to increase the number of toilets.
The Bill T. Jones/Arnie Zane Company and Target Margin Theater are also on the lineup this spring at the wide-ranging Charleston, S.C., festival.
There's new writing, Shakespeare and a classic musical on offer. And the tone of them all is bleak.