38,715 stories from The New York Times
Mark Morris's riotous and poignant take on 'The Nutcracker' returns to the Brooklyn Academy of Music.
Several new productions this season that take their cue from European film classics from the 1960s and '70s, with adaptations of Visconti, Bergman and Polanski.
Glossy and bristling with fine performances, this adaptation of the 1960 Harper Lee classic gets the Aaron Sorkin treatment.
The playwright took the prize for "The Bandaged Place," a play about an abusive relationship between two gay men.
This multimedia adaptation for the era of TED Talks and smartphones is visually and aurally striking, but it lacks the spookiness of the original novella.
Steve Ross will always sing 'Always.' A certain Cole Porter tune still gives him a frisson. The entertainer, who could very well be the last of a dying breed, has devoted himself to the Grea…
Our intrepid theatergoer ate her way through a spate of shows that make food part of the experience. Her stomach sometimes ended up fuller than her imagination.
Ruben Studdard and Clay Aiken, who once competed on "American Idol," banter, sing and try to upstage each other in this holiday revue.
Amy Heckerling's amiable but limp adaptation of her classic 1995 film suggests a peppy fan club putting on its own makeshift show.
In a long stage career that took him from Yale to Broadway, he was steeped in the author of "Waiting for Godot," acting in its Broadway premiere in 1956.
Adjani's turn as a flamboyant con artist sends up her own aloof image in this fun and sophisticated comic caper from Romain Gavras.
A revival of Lynn Nottage's 2004 satire puts an unexpected spin on the religion of American reinvention.
The darkly revisionist production, which was staged this fall at St. Ann's Warehouse, will play the Circle in the Square.
The "Marvelous Mrs. Maisel" actor never tires of the City of Light, was fascinated by the Roman ruins in Lebanon and would happily spend the rest of his days in a certain Texas college town.
The puppet-filled musical that became an unexpected hit on Broadway in 2003 will be ending its Off Broadway run on April 28.
This gnomic tale from the fabled director portrays a man expiating a patricide outside a prison's walls.
In her new play, loosely inspired by "A Doll's House," Heather Raffo is radiant as a New York architect caught between cultures.
These classics, performed at Theater Row, are not holiday stories per se, but they have much to say about greed and goodness.
In a staggering professional New York debut, the playwright Jeremy O. Harris unpacks interracial relationships both antebellum and postmodern.
This extraordinary, London-born work of immersive theater places its audience at the fraught and energetic center of a migrant camp in France.
Harper Lee's estate objected to elements of Aaron Sorkin's early stage adaptation. Now it arrives on Broadway with concessions from both sides.
The host of American Public Media's "Live From Here" is broadcasting weekly from Town Hall in Manhattan.
The movies and the plays and the TV shows are great, but what about the people in them? They're right here " well, some of the very best are.
Ivo van Hove's stage adaptation of the 1976 film presents a pricelessly demented affair between a has-been anchorman and the cameras that love him.
A producer announced that one Oscar-winning actress will play another in Matthew Lombardo's "Tea at Five."
