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8,501 stories from Backstage

Clemenza & Tessio Are Dead

Author-producer Gregg Greenberg’s somewhat clever sketch idea has been extended to a full-length play, with ever-diminishing results.

SOURCE: Backstage at 5:58am on December 3, 2010☆⚑

The Extraordinary Ordinary

Why anyone would want to see a mild musical is beyond me, but if you're in the mood for one, pay a visit to "The Extraordinary Ordinary."

SOURCE: Backstage at 5:10am on December 3, 2010☆⚑

Goodbye New York, Goodbye Heart

"Goodbye New York, Goodbye Heart" centers on Caroline, an Australian girl who receives a wedding invitation via email from a friend who committed suicide three months earlier.

SOURCE: Backstage at 4:56am on December 3, 2010☆⚑

NY Review: 'Lay of the Land'

Passionate, witty, endearing, furious, and fabulous, "Lay of the Land" witheringly assesses America's shortcomings on gay (and other) issues while somehow still inspiring hope.

SOURCE: Backstage at 6:03am on December 2, 2010☆⚑

Looking At Christmas

In this amiable romantic comedy, a Christmas gift from Steven Banks, a little more "naughty" would enliven the prevailing "nice."

SOURCE: Backstage at 7:14am on December 1, 2010☆⚑

Metamorphosis

This stunning adaptation of Franz Kafka's classic novel of alienation will have you believing a man can crawl up walls and at a much cheaper ticket price than "Spider-Man."

SOURCE: Backstage at 7:03am on December 1, 2010☆⚑

NY Review: 'Jackie Hoffman: Jackie Five-Oh!'

No one is spared Jackie Hoffman's acid tongue in this riotously funny kvetchfest. Everything from Holocaust movies to her current gig in "The Addams Family" gets royally roasted.

SOURCE: Backstage at 4:35am on December 1, 2010☆⚑

NY Review: 'Brian Dykstra's Ho!'

This new one-man holiday show has its moments but fails to ignite good cheer in the audience's' heart.

SOURCE: Backstage at 7:32am on November 29, 2010☆⚑

Being Sellers

Carl Caulfield's 55-minute one-man play about Peter Sellers is short on character insight and so self-referential that it can border on opacity.

SOURCE: Backstage at 6:34am on November 29, 2010☆⚑

NY Review: 'The Red Shoes'

This offbeat, mildly amusing cabaret-style adaptation of the dark fairy tale is performed by highly skilled comic actors.

SOURCE: Backstage at 8:00am on November 23, 2010☆⚑

NY Review: 'Wintuk'

If you can pony up some extra cash for these pricey tickets, I'd strongly advise you to catch a performance of Cirque du Soleil's dazzling work.

SOURCE: Backstage at 6:43am on November 23, 2010☆⚑

The Coward

Playwright Nick Jones' exercise in style is far too pleased with itself and its jejune juxtapositions of period behavior and contemporary snark, amounting to little more than an overextended…

SOURCE: Backstage at 8:25am on November 22, 2010☆⚑

In the Footprint: The Battle Over Atlantic Yards

The Civilians' newest documentary musical theater piece artfully serves up the issues surrounding and emotions inspired by the proposed development of the Atlantic Yards in Brooklyn, amusing…

SOURCE: Backstage at 8:21am on November 22, 2010☆⚑

The Break of Noon

Neil LaBute reverts to his formula of brutish protagonists and political incorrectness in this twisted morality tale. TV star David Duchovny lacks stage presence.

SOURCE: Backstage at 8:14am on November 22, 2010☆⚑

NY Review: 'The Collection & A Kind of Alaska'

Two one-acts from different periods in his career display Harold Pinter's range and give a quintet of New York's finest actors the opportunity to explore the depths of his famous pauses.

SOURCE: Backstage at 7:40am on November 22, 2010☆⚑

Do Androids Dream of Electric Sheep?

In this technically adroit production, writer-director Edward Einhorn has crafted an eerie, strikingly designed adaptation of Philip K. Dick's heady post-apocalyptic novel.

SOURCE: Backstage at 3:58am on November 22, 2010☆⚑

Knock Me a Kiss

Charles Smith's romanticized retelling of the marriage between the daughter of civil rights activist W.E.B. DuBois and poet Countee Cullen traffics in superficial comedy at the expense of co…

SOURCE: Backstage at 3:43am on November 22, 2010☆⚑

Rosmersholm

Acted with passion and commitment, this eloquent production is a rare chance to see one of Ibsen’s least-produced masterworks.

SOURCE: Backstage at 7:30am on November 21, 2010☆⚑

Elling

Brendan Fraser and Denis O’Hare share terrific rapport as two polar-opposite social misfits released into the world from a state mental institution in this quirky, intimate comedy-d…

SOURCE: Backstage at 7:00am on November 21, 2010☆⚑

Uncle Tom's Cabin

The invaluable Metropolitan Playhouse explores George L. Aiken's stage adaptation of Harriet Beecher Stowe's anti-slavery novel with intelligence and invention. The result is absolutely fasc…

SOURCE: Backstage at 6:03am on November 21, 2010☆⚑

Lar Lubovitch Dance Company

Masterfully crafted, ingeniously musical, naturally lyrical, and bubbling with pleasing body shapes and effervescent motion, Lar Lubovitch's choreography is the pink champagne of modern da…

SOURCE: Backstage at 5:47am on November 19, 2010☆⚑

NY Review: 'Bells Are Ringing (In Concert)'

Ultimately, this "Bells" is a pleasant-enough serving of a rather ramshackle yet endearing Jule Styne–Betty Comden–Adolph Green mid-career musical comedy.

SOURCE: Backstage at 4:00am on November 19, 2010☆⚑

Complexions Contemporary Ballet

An entire evening of Dwight Rhoden's choreography is exhaustingly monotonous. The dances feel like chains of unmotivated tasks, which all become a wearisome waste of energy.

SOURCE: Backstage at 12:43pm on November 18, 2010☆⚑

An Impending Rupture of the Belly

Matt Pelfrey's tightly written drama works as a metaphor for today's bellicose political climate, but Joe Tantalo's expressionistic staging undercuts its emotional effectiveness.

SOURCE: Backstage at 8:00am on November 18, 2010☆⚑

NY Review: 'A Free Man of Color'

This highly promising collaboration between playwright John Guare and director George C. Wolfe never fulfills its laudable ambitions despite Lincoln Center's lavish and loving production.

SOURCE: Backstage at 7:16am on November 18, 2010☆⚑
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