5,330 stories from The Independent
Latest interpretation of one of the Royal Ballet Company's most popular works stars Sarah Lamb in a fluent and touching performance of the title role
Christian star intends to take theatre and former agents to court for breach of contract and religious discrimination
Churchill's approach has her distinctively inspired stamp in its almost laconic outrageousness
Attempts to give theatrical space to the #MeToo movement have not been encouraging, writes Paul Taylor. Could 'Glass. Kill. Bluebeard. Imp.' be the answer?
Fast, fun and fresh in all the right ways
Following a backlash over a UK production of Falsettos, theatre director Adam Lenson explains why there needs to be better representation of Jewish people in the arts
The London run is the last time that Phoebe Waller-Bridge will perform her hit one-woman show
Although short by Edinburgh standards at 40 minutes, the play is framed with such intensity that it feels like any more would be too exhausting on the nerves
Oona Doherty's dance production is a powerful reflection of class and community
An estimated 30,000 male and female artists perform at the Fringe festival, across 3,500 shows
Scotland's Birds of Paradise theatre company is breaking down boundaries in how work made for and featuring disabled people is presented
As his leaving present to the Almeida, Robert Icke brilliantly re-imagines Arthur Schnitzler's Professor Pernhardi
E8, The Nights and The Wild Unfeeling World were all thoroughly enjoyed by our critic
Frankenstein: How to Make a Monster and Trying It On are two brilliant shows aimed at different generations, finds Dave Pollock
Despite common perceptions, Scottish artists and creators are represented at the Fringe... they just have more competition
Both shows are building strong word of mouth
Antonina Chapkina, who plays the Queen of the Dryads, is touchingly regal, though she pushes too hard in her demanding solo
Sprecher, who was behind the failed musical Rebecca, was arrested early on Tuesday
Former veterinary school has imprinted itself as the third home of exceptionally good stage work during the festival
Tim Crouch is a fierce experimenter with the form and very concept of theatre, but this piece stretches even his ever-changing style to the margins
Totalitarian rule, immersive terror and lightsabers factor into the latest shows at the Fringe
There's no shortage of candid shows about coping with grief and mental health at this year's festival
Two very different but equally as good productions were put on at the vibrant theatre
This year, several performers who have long straddled the boundaries of theatre, comedy and performance art return to the fringe
In an era of virulently born-again 'white supremacy' in the US, we have Nicholas Wright to thank for coming to the topic of Othello, show business, and race anew
