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38,715 stories from The New York Times

'Network' in an Age of Fake News and Fury by Dave Itzkoff

Even the cast and creators are working out what the stage adaptation of the prescient 1976 film means right now.

SOURCE: The New York Times Subscription at 12:48am on November 21, 2018☆⚑

Bryan Cranston Wants More of Us to Get 'Mad as Hell' by Dave Itzkoff

The Emmy-winning actor, who won accolades in London for playing a deranged anchorman in "Network," isn't so sure his character is wrongheaded.

SOURCE: The New York Times Subscription at 12:48am on November 21, 2018☆⚑

Review: A Hip-Hop Sidekick Eyes Center Stage in 'Hype Man' by Elisabeth Vincentelli

Idris Goodwin's energetic but overstuffed play explores race, gender, police brutality and the quest for fame.

SOURCE: The New York Times Subscription at 11:18pm on November 20, 2018☆⚑

Admiration Society: Rufus Wainwright and Ivo van Hove Talk Politics, Coming Out and Boarding School by Boris Kachka

Two creative people in two different fields in one wide-ranging conversation. This time: the singer and the director.

SOURCE: The New York Times Subscription at 7:18pm on November 20, 2018☆⚑

'Mystery Science Theater 3000' at 30: Still Talking Back to the Screen by Simon Abrams

Joel Hodgson, the creator of "MST3K," and Jonah Ray, the host of the Netflix version, which returns Nov. 22, discuss the show, past and present.

SOURCE: The New York Times Subscription at 2:04pm on November 20, 2018☆⚑

Jerry Frankel, Prolific Broadway Producer, Is Dead at 88 by Richard Sandomir

Mr. Frankel, a former dress manufacturer, produced more than 50 plays and musicals with various partners and won nine Tony Awards.

SOURCE: The New York Times Subscription at 1:18pm on November 20, 2018☆⚑

Critic's Pick: Review: Rage and Ritual in 'What to Send Up When It Goes Down' by Ben Brantley

Aleshea Harris's remarkable new play brims with an expressly theatrical eloquence and anger.

SOURCE: The New York Times Subscription at 10:18pm on November 19, 2018☆⚑

Review: Tom Stoppard's 'The Hard Problem' Is a Mind-Body Gabfest by Ben Brantley

In this garrulous play of ideas, the author of "The Real Thing" and "The Coast of Utopia" takes on the essence " and ethics " of being human.

SOURCE: The New York Times Subscription at 10:18pm on November 19, 2018☆⚑

'Moulin Rouge! The Musical' to Head to Broadway by Sara Aridi

After its debut in Boston, the stage adaptation of the 2001 film will arrive in New York next summer.

SOURCE: The New York Times Subscription at 2:18pm on November 19, 2018☆⚑

critic's pick: 'Christmas Spectacular' Review: Where Rockettes and Drones Dazzle by Elisabeth Vincentelli

Radio City Music Hall successfully merges old-fashioned showmanship and state-of-the-art technology in this year's Christmas pageant.

SOURCE: The New York Times Subscription at 1:42pm on November 19, 2018☆⚑

Review: Tim and Tyne Daly Are Dysfunctional Siblings in 'Downstairs' by Laura Collins-hughes

Theresa Rebeck wrote her chilling new domestic thriller with the brother and sister in mind.

SOURCE: The New York Times Subscription at 10:12pm on November 18, 2018☆⚑

Brace Yourself in Act II: Trigger Warnings Come to the Stage by Michael Paulson

A number of American theaters are posting specific and comprehensive advisories about sensitive material, while others are resisting the trend.

SOURCE: The New York Times Subscription at 12:36pm on November 18, 2018☆⚑

A Word With: Tim Daly, Sibling Bonds and the Stage by Kathryn Shattuck

Daly speaks about "Downstairs," the play Theresa Rebeck wrote for him and his sister Tyne. He also discusses his life and his arts activism.

SOURCE: The New York Times Subscription at 4:48pm on November 16, 2018☆⚑

The Week in Arts: Bob Dylan, Mahler's Fifth, 'The Nutcracker' Returns by The New York Times

Still touring, Dylan is more enigmatic now than ever; see him next at the Beacon Theater in Manhattan for seven gigs.

SOURCE: The New York Times Subscription at 8:48am on November 16, 2018☆⚑

Socializing With: Patricia Ione Lloyd, a Playwright With a Taste for Glamour by Laura Collins-hughes

The writer of "Eve's Song" looks back (at an awkward childhood) and ahead (at her inspirations) while scrolling through her Instagram feed.

SOURCE: The New York Times Subscription at 8:48am on November 16, 2018☆⚑

Critic's Pick: 'The Prom' Review: Bringing Jazz Hands to the Heartland by Jesse Green

A delicious new musical about Broadway narcissists, Indiana homophobes, the possibility of accommodation " and zazz.

SOURCE: The New York Times Subscription at 10:48pm on November 15, 2018☆⚑

Baltimore 'Fiddler' Disrupted by 'Heil Hitler, Heil Trump' by Sopan Deb

A man was removed from the Hippodrome Theater in Baltimore after he loudly yelled pro-Hitler slogans during intermission.

SOURCE: The New York Times Subscription at 5:42pm on November 15, 2018☆⚑

Critic's Pick: Review: A 'Chinese Lady' on Heart-Rending Display by Laura Collins-hughes

Lloyd Suh's rich play follows an immigrant and her translator over decades.

SOURCE: The New York Times Subscription at 3:42pm on November 15, 2018☆⚑

Review: 'A Chorus Line,' Still High-Stepping but Showing Its Age by Jesse Green

City Center's production of the landmark musical from 1975 is a pleasure, an education and a problem.

SOURCE: The New York Times Subscription at 2:18pm on November 15, 2018☆⚑

Critic's Pick: Review: At the Big Apple Circus, Discs Fly and So Do People by Alexis Soloski

The Big Apple Circus returns with oversize airborne cranberries, a steamy aerial ballet and a prancing pig.

SOURCE: The New York Times Subscription at 12:18pm on November 15, 2018☆⚑

Theater Review: A New Theater Opens in Paris. Another Faces Closure. by Laura Cappelle

La Scala Paris opened with a production in which the playwright Yasmina Reza also acts. But a theater focused on new writing in French from abroad faces an uncertain future.

SOURCE: The New York Times Subscription at 6:18am on November 15, 2018☆⚑

Review: Raúl Esparza Becomes a Very Familiar Fascist in 'Arturo Ui' by Ben Brantley

John Doyle's inventive revival of Brecht's 1941 satire about Adolf Hitler is more impressive for theatrical ingenuity than topicality.

SOURCE: The New York Times Subscription at 10:48pm on November 14, 2018☆⚑

Review: Reaching Across Korean Borders in 'Wild Goose Dreams' by Ben Brantley

Hansol Jung's industriously imaginative play uses visions of winged flight to explore the loneliness of two ambivalent lovers in Seoul.

SOURCE: The New York Times Subscription at 10:48pm on November 14, 2018☆⚑

Yiddish 'Fiddler' to Continue Its Run at Stage 42 by Danya Issawi

The unexpectedly popular production has already been extended four times at its original home, the Museum of Jewish Heritage.

SOURCE: The New York Times Subscription at 6:48pm on November 14, 2018☆⚑

Waterwell Names Lee Sunday Evans as Artistic Director by Gabe Cohn

Ms. Evans succeeds Tom Ridgely, one of the downtown theater company's two founders.

SOURCE: The New York Times Subscription at 3:42pm on November 14, 2018☆⚑
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