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38,717 stories from The New York Times

New York City to Help Small Theaters Be More Accessible by Michael Paulson

Grants will provide closed captioning of spoken words, or audio description of action, on mobile devices, in a way that is not distracting to other patrons.

SOURCE: The New York Times Subscription at 2:18pm on October 16, 2018☆⚑

A Playwright's LSD Trip Becomes a Psychedelic Journey by Matt Trueman

The British playwright Leo Butler believes that taking acid can have beneficial effects. His new play explores how he thinks it can help.

SOURCE: The New York Times Subscription at 2:18pm on October 16, 2018☆⚑

'The Ferryman' Shows a Dark Irish Chapter Through a Personal Lens by Laura Collins-hughes

It took persuading, but Jez Butterworth wrote his new play for his partner, Laura Donnelly, both to honor her history and give her a great part.

SOURCE: The New York Times Subscription at 2:18pm on October 16, 2018☆⚑

This Broadway Season, the Play's Really the Thing by Michael Paulson

In a turnabout no one expected, New York's most prominent stages are rich with drama, most of it new and most of it American.

SOURCE: The New York Times Subscription at 2:18pm on October 16, 2018☆⚑

Business Is Boo-ing! The World of Extreme Haunts by Nicole Pajer

Americans are paying to scare themselves witless, and not just on Halloween.

SOURCE: The New York Times Subscription at 2:18pm on October 16, 2018☆⚑

Review: O, for a Muse of Fire, or a Comptroller, to Save 'Popcorn Falls' by Alexis Soloski

Armed with money for a theater (which doesn't exist) to save his town, a mayor tries his hand at playwriting in this two-actor, multicharacter comedy.

SOURCE: The New York Times Subscription at 2:18pm on October 16, 2018☆⚑

A Marathon of New Plays Gives an Epic Start to Munich's Theater Season by A.J. Goldmann

"Dionysos Stadt" is a 10-hour epic inspired by the Greek classics that traces the arc of human drama. It's just one of many new productions on Munich's stages.

SOURCE: The New York Times Subscription at 2:18pm on October 16, 2018☆⚑

The Week in Arts: James Brown Tribute, Maggie Gyllenhaal, Berlioz at Carnegie by The New York Times

The Apollo Theater celebrates 50 years after "Say It Loud " I'm Black and I'm Proud."

SOURCE: The New York Times Subscription at 2:18pm on October 16, 2018☆⚑

Critic's Notebook: Enraged by Their Times, Women of Ambition Seize the Stage by Laura Collins-hughes

Three eras, three plays drawn from real life. But the same old double standard.

SOURCE: The New York Times Subscription at 2:18pm on October 16, 2018☆⚑

A Word With: Taye Diggs Has a New Title: Football Coach by Kathryn Shattuck

Mr. Diggs talks about his new CW series, "All American"; football and Colin Kaepernick; and a nagging question about identity.

SOURCE: The New York Times Subscription at 2:18pm on October 16, 2018☆⚑

She's 17, Sardonic and Ready to Sing in 'Beetlejuice' by Alexis Soloski

Condescend at your own risk to Sophia Anne Caruso, the go-to girl for adventurous stage roles. "Even from a young age," she says, "I had very finicky taste."

SOURCE: The New York Times Subscription at 2:18pm on October 16, 2018☆⚑

Encounters: Mercedes Ruehl Takes Weekly Strolls With Her Acting Students by Alexis Soloski

The actress, who stars in the Broadway revival of "Torch Song," is an acting teacher and mentor.

SOURCE: The New York Times Subscription at 2:18pm on October 16, 2018☆⚑

Carol Hall, 'Best Little Whorehouse' Composer, Is Dead at 82 by Neil Genzlinger

Ms. Hall was a moderately successful songwriter until she and two collaborators came up with one of the biggest Broadway hits of the 1970s.

SOURCE: The New York Times Subscription at 2:18pm on October 16, 2018☆⚑

Review: In 'Travisville,' the Rocky Path of Change in a Southern Town by Elisabeth Vincentelli

William Jackson Harper's polished debut as a playwright, set in 1964, pits patient negotiation against disruptive activism.

SOURCE: The New York Times Subscription at 2:18pm on October 16, 2018☆⚑

Review: Remembering the Way It Was (Not) in 'The Things That Were There' by Ben Brantley

David Greenspan's tone poem of a play, at the Bushwick Starr, considers time, death, family and the ways in which we recall our dead.

SOURCE: The New York Times Subscription at 2:18pm on October 16, 2018☆⚑

Review: Aasif Mandvi Makes You Want to Stop at 'Sakina's Restaurant' by Elisabeth Vincentelli

Mr. Mandvi, who spent nearly 10 years as a correspondent on "The Daily Show," brings back his solo comedy act. It returns with new resonance.

SOURCE: The New York Times Subscription at 2:18pm on October 16, 2018☆⚑

Review: A Put-Upon Nanny Erupts in Todd Solondz's 'Emma and Max' by Ben Brantley

This strident satire from the filmmaker behind "Happiness" and "Wiener-Dog" is perfectly staged " and all too obvious.

SOURCE: The New York Times Subscription at 2:18pm on October 16, 2018☆⚑

Critic's Pick: Review: 'Rags Parkland' Plays the Interplanetary Homesick Blues by Alexis Soloski

A folk concert provides the scaffolding for this stealthily moving sci-fi musical.

SOURCE: The New York Times Subscription at 2:18pm on October 16, 2018☆⚑

Review: In 'Fireflies,' the Preacher's Wife Gets Her Say by Jesse Green

Donja R. Love's fantasia on the married life of a great civil rights orator suggests the price paid by the woman who gives him his voice.

SOURCE: The New York Times Subscription at 2:18pm on October 16, 2018☆⚑

Tom Stoppard, Always Tackling 'The Hard Problem' by Alexis Soloski

Can a drama about the nature of consciousness be emotional, too? For its latest production, he's tinkered with the script to firmly answer yes.

SOURCE: The New York Times Subscription at 2:18pm on October 16, 2018☆⚑

Pete Davidson and Ariana Grande Split Up: Your Monday Pop Culture Cheat Sheet by Eleanor Stanford

What you need to know from today's TV, music and movie news.

SOURCE: The New York Times Subscription at 4:43pm on October 15, 2018☆⚑

'First Man' Is No Match for 'Venom' and 'A Star Is Born' by Gabe Cohn and Brooks Barnes

Damien Chazelle's first movie since "La La Land" was mostly loved by critics. Audiences were less impressed.

SOURCE: The New York Times Subscription at 2:28pm on October 14, 2018☆⚑

Everyone Is Talking About 'A Star Is Born.' Here's What's Worth Reading. by Charles Bramesco

Reviews. Videos. Hot takes. More hot takes. It's a lot to sift through. We're here to help.

SOURCE: The New York Times Subscription at 7:20pm on October 11, 2018☆⚑

Popcast: 'A Star Is Born' Is Here. Let's Discuss.

What does Bradley Cooper's remake starring Lady Gaga say about the pop music business " and the film industry " today?

SOURCE: The New York Times Subscription at 10:42am on October 11, 2018☆⚑

Critic's Notebook: How the New 'A Star Is Born' Complicates an Old View of Womanhood by Aisha Harris

The relationship between Ally and Jackson echoes the original and other remakes, while modernizing their dynamic for current sensibilities.

SOURCE: The New York Times Subscription at 10:56am on October 10, 2018☆⚑
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