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38,717 stories from The New York Times

Review: The Ages of A.R. Gurney in the Wistful 'Final Follies' by Ben Brantley

This bill of short comedies, early and late, allows fans of Gurney to chart the evolution of theater's foremost chronicler of a waning caste.

SOURCE: The New York Times Subscription at 9:48am on October 9, 2018☆⚑

For Aasif Mandvi, a 20-Year-Old Play Now Feels Like 'Political Resistance' by Robin Pogrebin

"Sakina's Restaurant," which put him on the map, has new resonance, which is why he's summoning the energy to play all its roles all over again.

SOURCE: The New York Times Subscription at 3:18pm on October 8, 2018☆⚑

Critic's Notebook: How Chicago Is Changing Theater, One Storefront at a Time by Jesse Green

Can tiny companies thrive in the shadow of major institutions? In this theater-mad city, the question may actually run the other way.

SOURCE: The New York Times Subscription at 2:06pm on October 8, 2018☆⚑

Critic's Notebook: In 'A Star Is Born,' Lady Gaga Pits Pop Against Authenticity by Jon Pareles

The movie reflects a battle that's played out in her own career, between the perceived ephemerality of pop and the assumed durability of "real" music.

SOURCE: The New York Times Subscription at 1:16pm on October 8, 2018☆⚑

Review: There's a Dark, Golden Haze in This Reclaimed 'Oklahoma!' by Jesse Green and Ben Brantley

A stripped-down, communal version of the 1943 musical reveals a great complex work of theater, with chili and cornbread included.

SOURCE: The New York Times Subscription at 7:54pm on October 7, 2018☆⚑

Venom and Lady Gaga Push Movie-Ticket Sales to an October Record by Brooks Barnes

Huge turnout for "Venom" and "A Star Is Born" gave Hollywood its best October weekend ever. "Venom" came in first place, but both films exceeded expectations.

SOURCE: The New York Times Subscription at 3:01pm on October 7, 2018☆⚑

Review: In 'Evolution of Mann,' Fumbling Cuteness Goes Only So Far by Elisabeth Vincentelli

An aspiring musical-theater writer is on the hunt for Ms. Right in this familiar romantic comedy.

SOURCE: The New York Times Subscription at 2:18pm on October 7, 2018☆⚑

Is 'A Star Is Born' Campy, or Have We Forgotten How to Feel? by Kyle Buchanan

We're so unused to romance and sincerity on the big screen that we've become suspicious of our reactions. Perhaps that's why some critics are calling it schmaltzy.

SOURCE: The New York Times Subscription at 10:00am on October 7, 2018☆⚑

Montserrat Caballé, Revered Spanish Prima Donna, Dies at 85 by Margalit Fox

One of the 20th century's most renowned opera singers, the soprano was known for the timeless beauty of her voice and the ardent fervor of her fans.

SOURCE: The New York Times Subscription at 4:48am on October 6, 2018☆⚑

Roger Robinson, Who Tackled August Wilson Roles, Dies at 78 by Neil Genzlinger

He won a Tony Award for his work in the 2009 revival of Mr. Wilson's "Joe Turner's Come and Gone," his seventh and final Broadway appearance.

SOURCE: The New York Times Subscription at 11:42am on October 5, 2018☆⚑

Anatomy of a Scene: Watch Lady Gaga's Star Being Born by Mekado Murphy

Bradley Cooper narrates a look at an early scene from his film, in which his rock star character, witnesses the musical talents of a new crush (Lady Gaga).

SOURCE: The New York Times Subscription at 10:38am on October 5, 2018☆⚑

'A Star Is Born' | Anatomy of a Scene

Bradley Cooper narrates a sequence from his film, in which he stars with Lady Gaga.

SOURCE: The New York Times Subscription at 10:32am on October 5, 2018☆⚑

Beyond 'Rent': 4 Glimpses of the Unheard Jonathan Larson by Michael Paulson

A series of New York concerts will bring to life songs from the composer's catalog, some from unseen shows, several of them eerily prescient.

SOURCE: The New York Times Subscription at 9:48am on October 5, 2018☆⚑

The Week in Arts: Kerry Washington on Broadway; Gorillaz in Brooklyn by The New York Times

The "Scandal" actress returns to the Great White Way to star in "American Son."

SOURCE: The New York Times Subscription at 8:48am on October 5, 2018☆⚑

Mandy Patinkin Has Found a 'New Life Partner in Music' by Elysa Gardner

With "Homeland" about to end, he's released his first new albums in more than a decade, with a young pop-minded producer pushing him to take risks.

SOURCE: The New York Times Subscription at 7:48am on October 5, 2018☆⚑

London Theater Reviews: Epic Shakespeare and Bite-Size Pinter Command the London Stage by Matt Wolf

There is much to enjoy in a production of "Antony and Cleopatra" and a season of Pinter's one-act plays in London, our critic says.

SOURCE: The New York Times Subscription at 1:48am on October 5, 2018☆⚑

Review: In This Entertaining 'Bacchae,' Dionysus Is a Nasty Woman by Alexis Soloski

Anne Bogart directs a flashy production that puts ancient anxieties about women and power front and center.

SOURCE: The New York Times Subscription at 2:48pm on October 4, 2018☆⚑

Spellbound by Harry Potter and the Museum of Magic by Jennifer E. Smith

At the New-York Historical Society, a glimpse of the folkloric, cultural and scientific influences on the magic of the popular series.

SOURCE: The New York Times Subscription at 2:48pm on October 4, 2018☆⚑

4 Stars, 4 Distinct Eras: Which Version of 'A Star Is Born' Does It Best? by Jake Kring-schreifels

The newest version, starring Bradley Cooper and Lady Gaga, hits theaters this weekend. But how does it stack up against the others? Here's a scorecard.

SOURCE: The New York Times Subscription at 2:12pm on October 4, 2018☆⚑

Hillary Clinton Is Coming to Broadway. As a Character in a Play. by Michael Paulson

Lucas Hnath's "Hillary and Clinton" will be the first play with Mrs. Clinton as a protagonist to reach Broadway.

SOURCE: The New York Times Subscription at 12:36pm on October 4, 2018☆⚑

Review: Wrestling With a Master in 'On Beckett' by Ben Brantley

Bill Irwin blurs the lines between clown and dramatic actor in an insightful anatomy of the works of Samuel Beckett.

SOURCE: The New York Times Subscription at 10:42pm on October 3, 2018☆⚑

Review: The Gorgeous Heartbreak of 'A Star Is Born' by Manohla Dargis

Bradley Cooper, who directed and stars with Lady Gaga, creates thrills with a steadfast belief in old-fashioned, big-feeling cinema.

SOURCE: The New York Times Subscription at 3:30pm on October 3, 2018☆⚑

Is Milo Rau Really the Most Controversial Director in Theater? by Alex Marshall

He has a manifesto. He puts jihadism onstage. He's surrounded by scandal. But this much-acclaimed director says deep down he's a conservative.

SOURCE: The New York Times Subscription at 1:48pm on October 3, 2018☆⚑

Review: A Captive Emily Dickinson in 'Because I Could Not Stop' by Ben Brantley

In this multimedia performance piece, Angelica Page delivers a portrait of a poet for whom being "nobody" was anything but a pleasure.

SOURCE: The New York Times Subscription at 12:48pm on October 3, 2018☆⚑

Suzan-Lori Parks Wins Distinguished Playwright Award by Michael Paulson

Ms. Parks has been chosen for the Mimi, or the Steinberg Distinguished Playwright Award, which comes with a $200,000 cash award.

SOURCE: The New York Times Subscription at 12:33pm on October 3, 2018☆⚑
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