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38,717 stories from The New York Times

Review: In Scathing 'Downstate,' Sympathy for the Devils by Jesse Green

Bruce Norris's new play at the Steppenwolf Theater Company applies his usual cynicism to questions of justice and vengeance for sex offenders.

SOURCE: The New York Times Subscription at 12:33pm on October 3, 2018☆⚑

Tina Turner Musical to Open on Broadway Next Fall by Michael Paulson

"Tina," which is running in London and will open in Germany in the spring, will have a Broadway production in the fall of 2019.

SOURCE: The New York Times Subscription at 9:48am on October 3, 2018☆⚑

National Theater in London Offers Glasses With Live Subtitles by Alex Marshall

To help those with hearing problems, speech is shown in real time on the lenses. The technology will be available free during the 2019 season.

SOURCE: The New York Times Subscription at 9:12am on October 3, 2018☆⚑

An 'Intoxicating' Singer, Whether It's Green Day or 'Oklahoma!' by Rob Weinert-kendt

Still waiting for her signature role, the versatile Rebecca Naomi Jones is changing things up in a stripped-down new staging of the musical classic.

SOURCE: The New York Times Subscription at 4:54pm on October 2, 2018☆⚑

5 Shows to See in New York: With Glenn Close, Michael Cera and More by Jesse Green

Revivals, transfers and new plays that look to the past make for an unusually reflective October theater scene.

SOURCE: The New York Times Subscription at 4:48pm on October 2, 2018☆⚑

Review: 'Girl From the North Country' Sets the Darkness Aglow by Ben Brantley

Conor McPherson's bleak tale of a Minnesota boardinghouse in the Great Depression finds a luminous transcendence in the Dylan song book.

SOURCE: The New York Times Subscription at 10:18pm on October 1, 2018☆⚑

Defacing 'Art': After 20 Years, the Hit Play Gets a Brash Coat of Paint by Elisabeth Vincentelli

Yasmina Reza's tidy comedy has been produced in 45 countries and translated into 30 languages. How will it withstand a deconstruction by two experimental theater companies?

SOURCE: The New York Times Subscription at 3:48pm on October 1, 2018☆⚑

Review: She's Still Debating 'What the Constitution Means to Me' by Ben Brantley

In the baggy, emotionally fraught play, Heidi Schreck considers her ever-changing relationship with a seminal document.

SOURCE: The New York Times Subscription at 1:48pm on October 1, 2018☆⚑

The Week in Culture: Native Art at the Met; the Fringe Festival in a Ferry by The New York Times

The museum is showcasing 116 masterworks from 50 cultures across North America.

SOURCE: The New York Times Subscription at 8:48am on September 30, 2018☆⚑

'Kinky Boots' Will End Its Broadway Run in April by Michael Paulson

The show's lead producers said that the final performance will be April 7, 2019, making it by then the 25th-longest-running Broadway production in history.

SOURCE: The New York Times Subscription at 11:48pm on September 28, 2018☆⚑

Joe Masteroff, Playwright of 'Cabaret' Fame, Is Dead 98 by Robert D. McFadden

The winner of a Tony for his evocation of decadent prewar Berlin, he is also remembered for another acclaimed Broadway musical, "She Loves Me."

SOURCE: The New York Times Subscription at 5:48pm on September 28, 2018☆⚑

Sharing a Secret by Laura O'Neill and Emily Berl For The New York Times

A romantic garden. A Chinese opera. And a select audience, wandering under Californian stars.

SOURCE: The New York Times Subscription at 10:18am on September 28, 2018☆⚑

Theaters Fight Over 'Harry Potter' and 'Evan Hansen' in San Francisco by Michael Paulson

Nederlander of San Francisco asked a judge to prevent a rival theater from staging the popular shows.

SOURCE: The New York Times Subscription at 10:18am on September 28, 2018☆⚑

California Today: California Today: A Show About 'Women, Sex and Power' Gains New Urgency by Michael Paulson and Inyoung Kang

Friday: Sarah Jones's "Sell/Buy/Date" comes to L.A., the Kavanaugh hearing, Elon Musk is sued by the S.E.C., and cataloging Latina youth culture.

SOURCE: The New York Times Subscription at 9:42am on September 28, 2018☆⚑

Welcome to the Playhouse by Elisabeth Vincentelli

"Smugness is lethal," says the filmmaker Todd Solondz, who, with "Emma and Max," brings his sharp eye for hypocrisy to the stage for the first time.

SOURCE: The New York Times Subscription at 4:18am on September 28, 2018☆⚑

Review: Great Pretenders Pocket Laughs in 'The Nap' by Ben Brantley

Richard Bean's comedy about a wayward attempt to fix a snooker match tickles its audiences into contentment.

SOURCE: The New York Times Subscription at 10:18pm on September 27, 2018☆⚑

Page to Screen: What to Read Before Heading to Movie Theaters This Fall by ConcepciÓn De LeÓn

Of the various book-to-film adaptations, these eight titles " including "If Beale Street Could Talk," "The Sisters Brothers" and "The Hate U Give" " are worth reading before you watch.

SOURCE: The New York Times Subscription at 5:00pm on September 27, 2018☆⚑

Merle Debuskey, Renowned Theatrical Press Agent, Dies at 95 by Neil Genzlinger

He represented hundreds of shows on Broadway and off and had a long association with Joseph Papp, whom he helped battle to keep Shakespeare free.

SOURCE: The New York Times Subscription at 2:18pm on September 27, 2018☆⚑

The Week in Arts: Blood Orange, Glenn Close, Black Power Art in Brooklyn by The New York Times

The British R&B artist Dev Hynes comes to New York, and Glenn Close plays Joan of Arc's mother.

SOURCE: The New York Times Subscription at 1:18pm on September 27, 2018☆⚑

Review: Shakespeare + Chekhov = 'Uncle Romeo Vanya Juliet' by Elisabeth Vincentelli

The Bedlam show, stitched together from parts borrowed from Chekhov and Shakespeare, should perhaps be credited to Chekspeare.

SOURCE: The New York Times Subscription at 11:33am on September 27, 2018☆⚑

At This Theater, All of the Directors Will Be Women by Sally McGrane

Anna Bergmann begins her role as the playhouse director of the Badisches State Theater in Germany with an all-female-directed season.

SOURCE: The New York Times Subscription at 9:18am on September 27, 2018☆⚑

THEATER REVIEW: Two European Favorites Take to the Paris Stage by Laura Cappelle

Thomas Ostermeier and Krystian Lupa present works at the city's major playhouses at the beginning of a new theater season.

SOURCE: The New York Times Subscription at 7:18am on September 27, 2018☆⚑

Mike Birbiglia Solo Show 'The New One' Headed to Broadway by Michael Paulson

The play, a comedy about his own reflections on fatherhood, will run for nine weeks at the Cort Theater, with previews beginning Oct. 25.

SOURCE: The New York Times Subscription at 1:36pm on September 26, 2018☆⚑

Sondheim and the City: In a Rethought 'Company,' a Woman Wavers by Alexandra Jacobs

Marianne Elliott has reset the new London production to the modern day, with the notorious bachelor Bobby now a commitment-shy Bobbie.

SOURCE: The New York Times Subscription at 11:48am on September 26, 2018☆⚑

Review: 'Make Believe' Has a Cast of Children, but No Fairy Tales by Laura Collins-hughes

Bess Wohl's new play is a regret-tinged examination of sibling connections that maybe, back in those formative years, were not forged solidly enough.

SOURCE: The New York Times Subscription at 11:48am on September 26, 2018☆⚑
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