"Six" Stars Andrea Macasaet, Brittney Mack and Samantha Pauly at Chelsea Table and Stage
What more could you ask for than three queens, Andrea Macasaet, Brittney Mack and Samantha Pauly, on stage in a full house. It's a winning hand.
What more could you ask for than three queens, Andrea Macasaet, Brittney Mack and Samantha Pauly, on stage in a full house. It's a winning hand.
The brilliance of this piece starts with Ruby Thomas's writing. Â She approaches this family much like a zoologist might approach a small rare creature, with a soft glove on one hand and a…
From a review of Chita Rivera's Café Carlyle show 2017. "Chita Rivera doesn't just take the stage at Café Carlyle. She hoists it over her shoulder and walks off with it.  Rivera is…
All in all, I really liked Ali Webb. She was lovely. I hope she keeps doing what she's doing.
Somewhere in the flotsam and jetsam of the holiday I forgot to pay special tribute to Lynn Henderson who performed "There's A Little Starch Left" - her new one woman show - in December at Do…
This is one of those performances that you are not able to step away from any time soon nor do you want to. You want to mull over the story, the ideas, the actors, and their wonderful perfor…
Wounded touches on many themes, but the strongest, that just because your gay doesn't mean it's okay that you're raped, is the linchpin that leads them both to their impasse with each other …
This production was raucous, loud, and anachronistic in both subject matter and performance. The question: "What is going on here" was top of my mind while being equally immersed in the trag…
Once Upon A Mattress at Encores is a ton and a half of pure joy. Â And Sutton Foster is at the center of it, using her crystal voice. lungs of iron, comedic timing. Â Foster is a combina…
NEW YORK - The American Symphony Orchestra performs Dvořák's Requiem in Carnegie Hall, enthralling a full house with music performed by superb vocal soloists, the ASO, and the renowne…
Writer Max Wolf Friedlich has written a tense and tightly-strung piece that will keep you riveted. Director Michael Herwitz keeps winding the strings taught until you are sure they're going …
There are secrets being spilled here.  These are the stories women tell each other in private.  In this production Chris Henry and Lorna Ventura  have pulled the women and every one…
Charles Busch and company bring the yawning drama of Ibsen to a new energizing height in the comical production of Ibsen's Ghost.
Whitehead gives us an honest and captivating look at mental illness like only a seasoned Broadway performer can by combining music and dance straight from the heart, making this a stellar of…
A road trip that never quite goes anywhere. A good watch, but underwhelming at its core.
A musical about the invention of basketball, without an actual, physical basketball… Not only did The Perfect Game: A Slam Dunk New Musical introduce the start of basketball and capture J…
I left the piece wishing for more, wanting the characters to grow or change from their experience, to learn something. I appreciated Chowdhury's desire to provide the audience screenshot…
49 Years of Preserving Native American Culture - Thunderbird American Dancers Pow Wow with dances, stories, and traditional music from Native Peoples of the Northeast, Southwest, and Great P…
Thank you, dear Universe for giving us Natalie Joy Johnson! An entertainer with a bawdy, raunchy, and unflappable presence and voice that can do it all!
This might sound fussy but watching a play that should give us the musicality of Brian Friel's work, but does not, because the Irish accents are either missing altogether or fleeting at best…
Confessions of a Showgirl is a quirky, honest, and modern memoiristic cabaret brought to stage at the Laurie Beechman Theatre. It was entertaining through all of Maren Wade's comedic, dramat…
Wow. A show for the ages. Silly, fun, vulnerable... and silly. Go see it!
'Pieces' performed by Santina Umbach exemplified Richard C. Walter's finest sonic expressions of elegiac, passionate, and metaphysical delights.
By Holli Harms Our Class, written by Tadeusz Slobodzianek, directed by Igor Golyak, and adapted by Norman Allen, is a beautifully crafted psalm of degradation and destruction inflicted on…
I cannot say enough about it, as an experience, as a theatrical event, and as a group involvement. Go experience this treasure for yourself.