38,720 stories from The New York Times
Mr. Beach's many Broadway roles also included Lumière, the genial candelabra, in the original cast of "Beauty and the Beast."
This comedy of dismay by Alan Bennett, author of "The History Boys," portrays a geriatric ward (of singing, dancing patients!) in an uncaring Britain.
Craig Peterson, the artistic director of the center, says the new season will focus how local issues on the Lower East Side mirror national concerns.
The Comédie-Française's mesmerizing adaptation of Luchino Visconti's film charts the fall of a family steel dynasty during Hitler's rise to power.
The director Robert Lepage, recently criticized for cultural appropriation, finds in Shakespeare's tragedy a defense of Great Man prerogatives.
The recording of "Springsteen on Broadway" will air on Dec. 15, the day of its final live performance.
A new rock opera explores the New York club scene in 1979, with special attention to the Mudd Club, a punk-rock dive in TriBeCa.
The first female Asian-American playwright on Broadway takes aim at identity and watches the audience squirm.
Written by and starring Daveed Diggs and Rafael Casal, the film struggles to balance its ambition as an entertainment with its social concerns.
A powerful new revival of the 1964 musical offers a kind of authenticity no other American "Fiddler" ever has: It's in Yiddish.
Productions include the filmmaker Todd Solondz's first play, "Emma and Max," and Thomas Bradshaw's incendiary "Southern Promises."
The Andrew Lloyd Webber musical will have played more than 1,300 performances when it wraps up in January.
Rinne Groff's new play, at the Public Theater, brings arguments about art and relationships to Coney Island in the aftermath of Hurricane Sandy.
An outcry over Robert Lepage's "Kanata" follows protests that shut down his show about slaves, which used a mostly white cast.
This immersive British import at Roy Arias Stages puts a crusty toilet in the center of the audience, but it lacks the film version's sense of seamy tragedy.
In this production of J.M. Barrie's 1904 play, Bernstein's neglected score brings out the characters' melancholic desires.
In this revival of Wallace Shawn's 1979 play, a couple's loathing creates a weird frisson of erotic challenge.
Other presidents have dawdled, too, but President Trump is the first to go this long without awarding national medals in the arts and humanities.
Recent concert stagings of "West Side Story" and "On the Town" show the pitfalls " and solutions " for symphonic performances of these musicals.
In the National Theater's adaptation of Stefano Massini's play, three wondrous actors become multitudes.
The Dance on Camera Festival comes to Lincoln Center, and the Robin Williams documentary debuts on HBO.
Melissa Errico, who is currently starring in "On a Clear Day You Can See Forever," reflects on problematic female characters of Broadway's golden age.
Two plays at one of the city's most important theaters make the case for accepting displaced people, as politics there is turning against them.
In Tracy Letts's gripping play, it takes six actors (and a doll) to embody one steely, difficult woman, from infancy to the age of 69.
Previews, openings and some last-chance picks.
