6,574 stories from HowlRound
By VIKTOR VILISOV. In part two of his essay, Russian theatremaker Viktor Vilisov delves deeper into the performative nature of war itself and how art can create spaces for collective remembr…
By Leticia Ridley, Jordan Ealey. This episode is inspired by recent and current events regarding Roe v. Wade and their potential impact on birthing people.
By VIKTOR VILISOV. Russian theatremaker Viktor Vilisov analyzes the power performance protest holds in opposing war, oppressive governments, and state violence.
By Jordan Ealey, Leticia Ridley, Pearl Cleage. In this episode, Jordan and Leticia interview playwright Pearl Cleage.
By . Theatre of the Oppressed (TONYC) presents a Book Talk: The Wildcard Workbook: A Practical Guide for Jokering Forum Theatre livestreaming on the global, commons-based, peer-produced Howl…
By . Network of Ensemble Theaters (NET) presents BREAK/through, a participatory experiment in hybrid community convening offered in Philadelphia and livestreaming on th
By HowlRound Theatre Commons. ​​Join us in welcoming Alison Yueming Qu, HowlRound's new associate producer!
By Robert Hubbard. Robert Hubbard discusses the South Dakota Shakespeare Festival production of Othello, which Tara Moses adapted and directed through an Indigenous Futurist lens.
By Leticia Ridley, Jordan Ealey. In this episode, Leticia and Jordan finally explain what they mean when they say Black feminism, especially in theatre and performance. They engage Lisa M.
By Tommer Peterson. Playwright and designer Tommer Peterson reflects on his experience participating in Cimientos, IATI Theater's play development program.
By . The Association for Theatre in Higher Education (ATHE) presents the conversation Writing Detroit: Dominique Morisseau's Practice of the Possible livestreaming on the global, commons-bas…
By Drew Paryzer. Theatremaker Drew Paryzer discusses the creative potential of interactive art and the impact that the "playability" of a show can have on audiences.
By Ekemini Ekpo. Ekemini Ekpo applies W.E.B.
By Leticia Ridley, Jordan Ealey. This episode focuses on the 2022 Pulitzer Prize for Drama winner, Fat Ham by James Ijames.
By . The Public Theater in New York City presented Suzan-Lori Parks' Watch Me Work"a playwriting masterclass"livestreaming on the global, commons-based, peer-produced HowlRound TV network on…
By . Literary Managers and Dramaturgs of the Americas presents the conversation Playwrights Under the Radar livestreaming on the commons-based peer-produced HowlRound TV network at howlround…
By . The Playwrights Realm presents the panel Different Leadership Models livestreaming on the commons-based, peer-produced HowlRound TV network at howlround.tv on Tuesday 19 July 2022 at 1 …
By Leticia Ridley, Jordan Ealey. This episode honors the life and work of composer, writer, and performer Micki Grant, who passed away in August 2021.
By Michelle Haner, Moïse Touré. Michelle Haner interviews Moïse Touré, artistic director of Les Inachevés, about the company's ongoing project on the theme of hospitality and the d…
By . The Public Theater in New York City presented Suzan-Lori Parks' Watch Me Work"a playwriting masterclass"livestreaming on the global, commons-based, peer-produced HowlRound TV network on…
By Emily Weak. As a part of their permanent closure, San Francisco-based theatre company foolsFURY embarked upon an ambitious oral history project.
By Jordan Ealey, Leticia Ridley, Addae Moon. This episode is an interview with Addae Moon, the associate artistic director at Theatrical Outfit in Atlanta, Georgia.
By . Safe Havens Freedom Talks (SH|FT) presents a Freedom Talk at Power of Art: We Don't Call It Occupation, We Call It Ihtilal, Suffocation livestreaming on the global, commons-based, peer-…
By . The Stone Center for Latin American Studies, The Cuban and Caribbean Studies Institute of Tulane University (New Orleans, Louisiana), and Estudio Teatral Macubá present Canales Abier…
By Trevor Boffone. Trevor Boffone reflects on the 2022 Latinx Theatre Commons Comedy Carnaval that convened at Su Teatro in Denver, Colorado, which was comprised of productions, readings, pan
