Review: Theater as Sabotage in the Dazzling 'Fairview'
Jackie Sibblies Drury's ruthless comic drama about perceptions of race artfully plays the cat to an audience of white mice.
Jackie Sibblies Drury's ruthless comic drama about perceptions of race artfully plays the cat to an audience of white mice.
The writer-performer Alessandro Magania narrates the tale of a man disguised as a page-turner, working hard to not be noticed.
Certain moments are politically and artistically potent, but most of "Fruit Trilogy," a program of three short plays, is pervaded by a curious flatness.
Ian Pai said he was in on the ground floor of Blue Man Group, but that his royalties were not commensurate with his contributions.
His stage explorations of the Muslim-American experience have proved popular in the German-speaking world. Casting, though, has been a challenge.
Watch "Them" at Performance Space New York, go to Ladyfag's first festival and tune into the tangled Showtime drama.
A newly cut version of the 1976 movie starring Ms. Streisand and Kris Kristofferson will be available on Friday, along with six of her TV specials.
This formulaic musical of uplift, about elderly dancers, provides the pleasure of reacquaintance with Donna McKechnie and Georgia Engel.
A father's uneasy acceptance is made easier by a visit to the Broadway musical.
Laura Linney and Orlando Bloom are drawing audiences to London's playhouses, even as theatergoers seem to be growing indifferent to who's in the cast.
Revisiting Rwanda 20 years after the brutal genocide there, two men meet again and fact and fiction are sorted out.
Jessica Walker delivers a delightful musical portrait of the now forgotten cabaret artist Suzy Solidor
The series involves ex-employees of the closed theater and will take place at the Marlene Meyerson JCC Manhattan. The first film is "The Catcher Was a Spy."
They include a musical version of Amy Heckerling's "Clueless," Edie Falco's turn as a Democratic political operative and a new play by Jesse Eisenberg.
In the middle of "Harry Potter and the Cursed Child" and "Angels in America" are late-afternoon gaps to fill. We offer some ideas to pass the time.
This year, in a crazy role reversal, I had my own picture taken.
Performing the wrenching "Girls & Boys" has taken more fortitude than she ever expected.
Edward Albee's 1962 masterwork is made over with a whole new set of party games in Kate Scelsa's punch-drunk satire for the Elevator Repair Service.
A play about St. Vincent's hospital wanders across time with Elizabeth Seton, founder of the Sisters of Charity, the order that ran it, as guide.
The official party took place at the Plaza Hotel. The unofficial one was at the Carlyle.
Antoinette Nwandu's "Pass Over" considers the fate of young black men in a gun-torn city. Its first production caused a stir " and won a fan in Spike Lee.
He wasn't a big-league producer. But he fell in love with a small Israeli film and spent years getting it to the stage. His musical won 10 awards on Sunday.
Sunday night's telecast of the Tony Awards drew 6.3 million viewers on CBS, a modest uptick but a contrast to plummeting numbers for the Oscars and Grammys.
Winner and losers keep the party going, on Broadway's biggest night.
A look at the most memorable moments from this year's ceremony celebrating Broadway.