1,749 stories from The Seattle Times
"Dogfight," a musical based on a 1991 film about the tentative romance of a young Marine and a waitress, plays at ArtsWest through Nov. 22.
Kurt Beattie will retire as artistic director of Seattle's respected ACT Theatre at the end of 2015, and be replaced by John Langs.
A review of "Vanya and Sonia and Masha and Spike," by Christopher Durang, at Seattle's ACT Theatre.
Joyce Degenfelder, a longtime Seattle hair, wig and makeup designer, is the recipient of this year's Gregory A. Falls Sustained Achievement Award for her work in local theater. You can see h…
Mathew Wright, the new artistic director of West Seattle's ArtsWest Playhouse, opens the company's new season with the musical "Dogfight."
Seattle Times theater critic Misha Berson examines why Balagan Theatre folded; the challenges Seattle theaters face; and steps to be taken to avoid a repeat.
After months of protests, which included threats of Metropolitan Opera officials and online harassment of the cast, "Klinghoffer" finally went on Monday night in New York. It is about the k…
A review of both casts in Seattle Opera's impressive production of Mozart's "Don Giovanni," on stage through Nov. 1, 2014.
A Chekhov-style comedy, a female Hamlet and a musical based on the River Phoenix film "Dogfight" are hitting Seattle playhouses this month.
The new national touring version of the Tony-winning "Kinky Boots" follows a reliably crowd-pleasing pattern, with snappy wisecracks, spangly costumes and let's-just-get-along vibe. It's at …
The Metropolitan Opera is going ahead with the John Adams production, but canceled HD and radio broadcasts, canceled a panel discussion and will include a program note from Leon Klinghoffer'…
The Metropolitan Opera production of Verdi's Shakespearean tragedy "Macbeth," starring soprano Anna Netrebko, will be shown as part of The Met Live in HD series at area theaters on Oct. 15,…
Newly appointed general director of Seattle Opera, Aidan Lang, on taking over from Speight Jenkins, the reputation of the company and the sterling acoustics of McCaw Hall.
Seattle Rep opens its season with the gender-bending humor and zany musicality of the drag cabaret show "The Vaudevillians."
A review of "The Garden of Rikki Tikki Tavi," which opens SCT's 40th anniversary season at Seattle Center.
The sketchy 2012 drama "Slip/Shot," presented by Seattle Public Theater, depicts the painful aftermath of the shooting of a young black man by a white security guard.
Balagan Theatre, which surprised the local arts community by announcing its demise on Sept. 24, has revealed the estimated extent of its debt.
Broadway designer Gregg Barnes reveals the secrets behind the glitzy, high-stepping boots he created for the Tony Award-winning "Kinky Boots," coming on tour to Seattle's 5th Avenue Theatre.
A review of Latino Theatre Projects' "Death and the Maiden," by Ariel Dorfman, staged at the Ballard Underground through Sept. 28, 2014.
The 1975 Broadway classic "A Chorus Line" is revived at the 5th Avenue Theatre, with some up-and-coming Seattle performers in the cast.
A review of ReAct's Seattle premiere of Neil LaBute's play about a man determined to spread spiritual enlightenment after surviving a mass shooting.
Intiman Theatre stages "Perestroika," the second, more surreal half of Tony Kushner's epic Pulitzer Prize play, "Angels in America."
The American Theatre Wing announced 2015 Tony Awards news on Tuesday.
Seattle Times theater critic Misha Berson's picks for fall theatergoers.
Writer-actor Ayad Akhtar revised his play "The Invisible Hand," his taut thriller about Middle Eastern terrorism and stock-market maneuvering, for its Seattle debut at ACT Theatre.
