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1,623 stories from exeuntmagazine.com

Review: Marnie at the London Coliseum  by Amelia Forsbrook

Identity crisis: Amelia Forsbrook reviews Nico Muhly's 'non-committal' opera. The post Review: Marnie at the London Coliseum  appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 4:25am on November 23, 2017☆⚑

Review: Bad Roads at the Royal Court by Corrie Tan

The female currency of war: Natal'ya Vorozhbit's harrowing new play explores conflict in Ukraine The post Review: Bad Roads at the Royal Court appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 7:00pm on November 22, 2017☆⚑

Review: You Could Be Us at Smock Alley Theatre, Dublin by Chris McCormack

Can an emoji transform back into real emotion? Jarlath Tivnan's new play asks compelling questions of mental illness. The post Review: You Could Be Us at Smock Alley Theatre, Dublin appeared…

SOURCE: exeuntmagazine.com at 11:14am on November 22, 2017☆⚑

Wild Bore: A Dialogue by Exeunt Staff

'Wild Bore' is a furious, filthy take-down of theatre reviewing at its worst. But how fair is it on critics? Exeunt's writers discuss. The post Wild Bore: A Dialogue appeared first on Exeunt…

SOURCE: exeuntmagazine.com at 7:30pm on November 21, 2017☆⚑

Review: Harry Clarke at Vineyard Theatre by Loren Noveck

Billy Crudup plays a complicated nobody. Loren Noveck isn't sure how much to believe him. The post Review: Harry Clarke at Vineyard Theatre appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 6:49pm on November 21, 2017☆⚑

Review: How The Other Half Loves at the Theatre Royal Brighton by Tracey Sinclair

Ageing disgracefully: this Ayckbourn comedy's best days are behind it. The post Review: How The Other Half Loves at the Theatre Royal Brighton appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 6:28am on November 21, 2017☆⚑

Review: Staging Ages at Trinity Laban by Rohanne Udall

Growing pains: H2Dance's 2015 show meditates on ageing, memory, and the generation gap. The post Review: Staging Ages at Trinity Laban appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 4:00am on November 21, 2017☆⚑

Review: The Body is a Sanctuary That Floats at Tramway, Glasgow by Andrew Edwards

Walking in the air: Storyboard P's Afrofuturist performance defies gravity to put a smile on your face. The post Review: The Body is a Sanctuary That Floats at Tramway, Glasgow appeared firs…

SOURCE: exeuntmagazine.com at 3:30am on November 21, 2017☆⚑

Review: The End of History at the Tristan Bates Theatre by Francesca Peschier

The Room meets Grange Hill: Iain Hollingshead and Timothy Muller's new high-school musical gets an F- from Francesca Peschier. The post Review: The End of History at the Tristan Bates Theatr…

SOURCE: exeuntmagazine.com at 9:40am on November 20, 2017☆⚑

Review: The Suppliant Women at the Young Vic by Maddy Costa

What must women do to survive? Maddy Costa reviews the London premiere of David Greig's new version of Aeschylus. The post Review: The Suppliant Women at the Young Vic appeared first on Exe…

SOURCE: exeuntmagazine.com at 3:40am on November 20, 2017☆⚑

Review: Binaural Dinner Date at Theatre Royal Stratford East (Gerry's Bar) by William Drew

Your name is Ruby... William Drew goes on a binaural dinner date. The post Review: Binaural Dinner Date at Theatre Royal Stratford East (Gerry’s Bar) appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 3:15am on November 20, 2017☆⚑

Review: Inside Pussy Riot at the Saatchi Gallery by Amelia Forsbrook

"As this is a piece of immersive theatre, it doesn't work unless you follow the rules": Amelia Forsbrook reviews Les Enfants Terrible's staging of the story of Pussy Riot. The post Review: I…

SOURCE: exeuntmagazine.com at 3:09am on November 20, 2017☆⚑

Review: 17c at BAM Fisher by Ran Xia

Ran Xia reviews Big Dance Theater's interpretation of the diaries of Samuel Pepys. The post Review: 17c at BAM Fisher appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 10:35pm on November 19, 2017☆⚑

Review: School Girls; or, the African Mean Girls Play at Lucille Lortel Theatre by Alison Walls

Alison Walls reviews actress Jocelyn Bioh's debut play on a familiar trope. The post Review: School Girls; or, the African Mean Girls Play at Lucille Lortel Theatre appeared first on Exeunt …

SOURCE: exeuntmagazine.com at 12:27pm on November 18, 2017☆⚑

Review: A Billion Nights on Earth at BAM Fisher by Loren Noveck

Loren Noveck experiences the limits of unchecked invention. The post Review: A Billion Nights on Earth at BAM Fisher appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 10:59pm on November 17, 2017☆⚑

Review: Don't Feed the Indians " A Divine Comedy Pageant! by Molly Grogan

Molly Grogan reviews Safe Harbors Indigenous Collective Project's travels to hell and back. The post Review: Don’t Feed the Indians – A Divine Comedy Pageant! appeared first on …

SOURCE: exeuntmagazine.com at 12:29am on November 17, 2017☆⚑

The Olivier: Some Modest Proposals by Exeunt Staff

As the National Theatre struggles to find a hit to fill its biggest stage, Exeunt's writers suggest some ideas of their own. The post The Olivier: Some Modest Proposals appeared first on Exe…

SOURCE: exeuntmagazine.com at 8:47am on November 16, 2017☆⚑

Review: Tactics for Time Travel in a Toilet at The Barracks, Belfast by Chris McCormack

'Is this a safe space? Asking for a friend,' Chris McCormack reviews TheatreofplucK's performance as part of Outburst Queer Arts Festival 2017. The post Review: Tactics for Time Travel in a …

SOURCE: exeuntmagazine.com at 3:42am on November 16, 2017☆⚑

Review: Romantics Anonymous at the Sam Wanamaker Playhouse by Alice Saville

Self-awareness, irony and sweaty palms: Alice Saville reviews Emma Rice's joyful, chocolate-covered love story. The post Review: Romantics Anonymous at the Sam Wanamaker Playhouse appeared …

SOURCE: exeuntmagazine.com at 7:41am on November 15, 2017☆⚑

Review: The Illustrated 'Farewell' / The Wind / Untouchable at the ROH by Anna Winter

A finely-tuned marriage of musical understanding and feeling: Anna Winter reviews a triple bill of works performed by the Royal Ballet. The post Review: The Illustrated ‘Farewell’…

SOURCE: exeuntmagazine.com at 4:13am on November 15, 2017☆⚑

Review: Ugly Chief at Battersea Arts Centre by Lauren Mooney

A living funeral: Lauren Mooney on Victoria Melody's "staggeringly beautiful" show, made in collaboration with her Dad. The post Review: Ugly Chief at Battersea Arts Centre appeared first on…

SOURCE: exeuntmagazine.com at 3:44am on November 15, 2017☆⚑

Review: Twelfth Night at the Royal Shakespeare Theatre, Stratford Upon Avon by Geoff Mills

Wildean wantonness: Christopher Luscombe's resplendent revival is luscious but loud. The post Review: Twelfth Night at the Royal Shakespeare Theatre, Stratford Upon Avon appeared first on Ex…

SOURCE: exeuntmagazine.com at 3:00am on November 15, 2017☆⚑

Review: Network at the National Theatre by Rosemary Waugh

Put down your iPhones: Rosemary Waugh on Ivo van Hove's multi-channel story of a news anchorman driven to breaking point. The post Review: Network at the National Theatre appeared first on E…

SOURCE: exeuntmagazine.com at 6:46am on November 14, 2017☆⚑

Review: Fire Below (A War of Words) at the Abbey Theatre, Dublin by Chris McCormack

Resolution isn't that simple: Chris McCormack reviews Owen McCafferty's new play at the Abbey Theatre. The post Review: Fire Below (A War of Words) at the Abbey Theatre, Dublin appeared firs…

SOURCE: exeuntmagazine.com at 6:30am on November 14, 2017☆⚑

Review: Til We Meet In England at Safehouse, Peckham by Hannah Greenstreet

Hannah Greenstreet on the "unforced relevance" of an immersive reimagining of Elizabeth Inchbald's 1792 play. The post Review: Til We Meet In England at Safehouse, Peckham appeared first on …

SOURCE: exeuntmagazine.com at 6:26am on November 14, 2017☆⚑
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