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38,735 stories from The New York Times

Review: In This Play, Her Boyfriend Dumps Her. Should She Find Love, or Herself? by Alexis Soloski

Steph Del Rosso's new play, "Fill Fill Fill Fill Fill Fill Fill," has breakneck banter and frisky wordplay. But is there anything new to say about a bad romance?

SOURCE: The New York Times Subscription at 4:17pm on February 5, 2018☆⚑

Critic's Notebook: Women's Voices Festival a Potent Reminder of Who Goes Unheard Onstage by Laura Collins-hughes

From a historical drama to an updated Restoration comedy classic, Washington, D.C., theaters make a case for evening the playing field.

SOURCE: The New York Times Subscription at 3:11pm on February 5, 2018☆⚑

Angels In America Gets Its Own Thorough History by Artsjournal2

How did a few interviews about the play turn into a book? The authors: "We kept getting so much amazing stuff. Every single person we talked to would tell us the kind of story you tell about…

SOURCE: The New York Times Subscription at 10:30am on February 5, 2018☆⚑

Broadway's Smallest Theater Is Reopening, This Time as a Nonprofit by Michael Paulson and George Etheredge For The New York Times

Once named the Little Theater, the playhouse now known as the Helen Hayes is about to be reincarnated again.

SOURCE: The New York Times Subscription at 10:15am on February 5, 2018☆⚑

Rarely Heard Jonathan Larson Works Will Be Performed at 54 Below by Andrew R. Chow

A concert of deep cuts by Mr. Larson, who died at 35 after creating "Rent," will be staged in October.

SOURCE: The New York Times Subscription at 12:01am on February 5, 2018☆⚑

Q. & A.: Tell Us 5 Things About Your Book: An Oral History of 'Angels in America' by John Williams

In "The World Only Spins Forward," Isaac Butler and Dan Kois tell the story of Tony Kushner's epic play in the words of the artists who made it and the fans who love it.

SOURCE: The New York Times Subscription at 12:00pm on February 4, 2018☆⚑

4,000 Opera Costumes. One Giant Fantasy Sale. by Nina Siegal

What's an opera house to do when it runs out of closet space? Let the public (and wallets and purses) in.

SOURCE: The New York Times Subscription at 2:26pm on February 3, 2018☆⚑

Review: In 'Draw the Circle,' a Girl Becomes a Man by Alexis Soloski

In his solo show at Rattlestick Playwrights Theater, Mashuq Mushtaq Deen traces his journey of gender transition through the eyes of onlookers.

SOURCE: The New York Times Subscription at 9:45pm on February 2, 2018☆⚑

Review: An 'Our Town' With Sex Offenders, in 'America Is Hard to See' by Laura Collins-hughes

This smart, troubling piece of documentary theater spends time with men cordoned off from regular society, and those who believe they can be redeemed.

SOURCE: The New York Times Subscription at 8:30pm on February 2, 2018☆⚑

Louis Zorich, Familiar Actor on TV and Stage, Dies at 93 by Neil Genzlinger

He was known for "Mad About You" and other shows. But his first love was the theater, where he often appeared alongside his wife, Olympia Dukakis.

SOURCE: The New York Times Subscription at 6:23pm on February 2, 2018☆⚑

Review: 'Field Guide' Brings Standup to a Dostoyevsky Downer by Alexis Soloski

Rude Mechs boil down the 800 pages of "The Brothers Karamazov" to a searching but silly 80-minute show. Hot tub included.

SOURCE: The New York Times Subscription at 12:42pm on February 2, 2018☆⚑

A 'Homeland' Spy Opens Up Onstage in 'Returning to Reims' by Elisabeth Vincentelli

The 2016 election changed the course of Nina Hoss's career. You may know this film and stage actress from TV, where she played Astrid on "Homeland."

SOURCE: The New York Times Subscription at 10:34am on February 2, 2018☆⚑

Review: An Impresario of 'Fire and Air' (if He Does Say So Himself) by Jesse Green

In Terrence McNally's new play, Diaghilev invents Nijinsky, modern ballet and the 20th century. And that's just in the first act.

SOURCE: The New York Times Subscription at 9:45pm on February 1, 2018☆⚑

Trapped in the Garden: Everything You Wanted to Know About Not Winning a Grammy by Irene Sankoff and David Hein

From Canada to Broadway to pop-music's biggest night, the composers of "Come From Away" keep finding themselves in the unlikeliest of places.

SOURCE: The New York Times Subscription at 4:50pm on February 1, 2018☆⚑

The Fall Of Kings: Henceforth, Only Queens Shall Reign At 'Medieval Times'

"For the 34 years Medieval Times has been in business, [its] monarch has been a man. But the show, which draws an estimated 2.5 million customers each year, is replacing all of its kings wit…

SOURCE: The New York Times Subscription at 1:02pm on February 1, 2018☆⚑

Jealousy, Infidelity, Murder, Lies: It's All on Vienna's Stages by A.J. Goldmann

High drama and deep moral questions are at the heart of two outstanding productions in Vienna: "The Ten Commandments" and "The Oresteia."

SOURCE: The New York Times Subscription at 8:00am on February 1, 2018☆⚑

5 Shows to See if You're in New York in February by Jesse Green

Politicians, talk-show hosts, feminists, actors and executioners are featured in intriguing productions opening off Broadway.

SOURCE: The New York Times Subscription at 8:00am on February 1, 2018☆⚑

Connie Sawyer, Film's Oldest Working Actress, Dies at 105 by Sam Roberts

Ms. Sawyer performed in vaudeville and acted on stages and screens for more than eight decades. "Just keep me workin'," she said.

SOURCE: The New York Times Subscription at 4:49pm on January 31, 2018☆⚑

Hal Prince Is Turning 90, And He's Serving Up Broadway Dish For His Birthday

Michael Paulson picks out some choice tidbits from a series of conversations Prince recorded with producer Jeffrey Seller (Hamilton, Rent). For instance, the M.C. in Cabaret was Prince's ide…

SOURCE: The New York Times Subscription at 1:01pm on January 31, 2018☆⚑

Truth and Dare: 5 Plays That Made Soho Rep's Reputation

Impolite with form and language. Happy to unsettle viewers. Embraced by critics.

SOURCE: The New York Times Subscription at 11:13am on January 31, 2018☆⚑

A Safer Home for Dangerous Plays by Alexis Soloski

After a near-death experience, the audacious Soho Rep moves back into its longtime home with a typically challenging production.

SOURCE: The New York Times Subscription at 11:10am on January 31, 2018☆⚑

Review: Anna Chlumsky and Adam Pally Paint the Town Red in 'Cardinal' by Jesse Green

She's got a big idea and he's got a big headache in Greg Pierce's new play about a Rust Belt town on the skids and a desperate plan to save it.

SOURCE: The New York Times Subscription at 9:45pm on January 30, 2018☆⚑

Review: 'He Brought Her Heart Back,' Adrienne Kennedy's Beautiful Nightmare by Ben Brantley

With her first play in nearly a decade, the 86-year-old playwright reminds audiences of her singular vision.

SOURCE: The New York Times Subscription at 9:45pm on January 30, 2018☆⚑

At 90, Hal Prince Dishes on 'Fiddler,' 'Cabaret' and Reining in Ambition by Michael Paulson

Six tidbits from 'The Hal Prince Talks,' a three-hour satellite radio interview with the storied Broadway producer and director.

SOURCE: The New York Times Subscription at 7:00am on January 30, 2018☆⚑

What Radicalizes Young Men? This Show Tells You via WhatsApp by Andrzej Lukowski

"The Believers Are But Brothers" invites a theater audience to join a messaging group to explore themes of religious radicalism and masculinity.

SOURCE: The New York Times Subscription at 6:12am on January 30, 2018☆⚑
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