1,793 stories from Theater News Online
As preposterous as the plot may be, Phantom's sequel at least has a good soundtrack.
McDonagh's latest black comedy falls a hand's length short of his previous work.
Rupert Goold injects thrilling new element into the classic play, giving it fresh, new life.
The Broadway by the Year series revives the hits while also rediscovering some of the lesser known numbers.
Andrew Lloyd Webber reminds us that sequels are usually not a good idea.
The story of Hellen Keller and her teacher Annie, and one s struggle to teach the other, is compelling despite its flaws.
These sparring characters live up to the expectations set by past productions.
This enjoyable play has been revived more than once. Whether it needed to be this time is debatable.
Peter Nauffts takes a worst-case scenario and makes of it a captivating cautionary tale.
Geoffrey Nauffts and Sheryl Kaller deliver a thoughtful, poignant and funny drama for the new age.
This Lombardo play is essentially set up as a one-woman show for Valerie Harper to play a self-indulgent actress.
Though hard to match against previous productions, London Assurance brings a colorful mix of characters to the table.
A talented cast carries one of Shakespeare's most challenging works.
The Bridge Project draws on all the uses of enchantment.
This production falls short of the glory the play has amassed in previous years.
A story that takes place in a bygone England beats with a heart that is very much alive.
For a play that demands much of its production in conveying the material, this performance could use some polishing.
One of Shakespeare's grimmer plays gets a weirdly jolly shaking-up.
This Wilson revival is acted impeccably, but unfortunately lacks the substance to back it up.
Shakespeare pins religious fundamentalism against sins of the flesh.
Three actors hammer out precise depictions of life at the edge in one of Harold Pinter's breakthrough plays.
Scott Siegel's acclaimed Broadway by the Year series takes us by to 1927.
Welcome to a Godot in a nearly post-apocalyptic setting, with a little extra edge to it.
Theatre takes on what Hollywood would like to keep in the closet.
The Bridge Project version goes light on the likeable, favoring the dark side.
