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3,981 stories from http://www.theaterscene.net

Grief: One Man ShitShow by Tony Marinelli

For the audience, there is an ease of losing sight of the fact that what we are watching is a piece of theatre. Campbell is direct and warm and instructing and sensitive in this piece that h…

SOURCE: www.theaterscene.net at 7:39pm on April 6, 2023

Bob Fosse's Dancin' by Joel Benjamin

Perhaps it's the difficulty of finding dancers who can perform the intricate, body isolation moves so emblematic of Fosse's very individual style, but to those who know and experienced his b…

SOURCE: www.theaterscene.net at 12:27am on April 6, 2023

Darkness of Light: Confessions of a Russian Traveler by Scotty Bennett

"Darkness of Light: Confessions of a Russian Traveler," written and directed by Michael Mailer and Alexander Kaletski, is a story of an artist's journey from the restrictions of one politica…

SOURCE: www.theaterscene.net at 5:09pm on April 5, 2023

Vanities " The Musical by Victor Gluck, Editor-in-chief

Although the women grow up and change over the 26 years we see them, Heifner's book tends to stay away from politics and the women's movement other than mentioning markers like Kennedy, Nixo…

SOURCE: www.theaterscene.net at 3:58pm on April 5, 2023

The Harder They Come by Victor Gluck, Editor-in-chief

Celebrating the 50th anniversary of its original film release, Pulitzer Prize-winning playwright Suzan-Lori Parks has turned "The Harder They Come," the cult Jamaican film that starred later…

SOURCE: www.theaterscene.net at 4:56pm on March 31, 2023

Iceland by Tony Marinelli

Composer/librettists O-Lan Jones and Emmett Tinley have created what they refer to as "a re-Creation Myth" in this fascinating interdisciplinary opera theater work entitled "Iceland."  It…

SOURCE: www.theaterscene.net at 5:16pm on March 30, 2023

Lunch Bunch by Scotty Bennett

"Lunch Bunch" by Sarah Einspanier and directed by Tara Ahmadinejad is a rapid-fire comedy with farce ensemble timing in the service of a serious underlying topic, presented on a bare-bones s…

SOURCE: www.theaterscene.net at 12:32pm on March 30, 2023

Bad Cinderella by Victor Gluck, Editor-in-chief

The book of "Bad Cinderella" plays like a series of unfunny "Saturday Night Live" sketches. Laurence Connor (who also directed the earlier London production) has given the show no particular…

SOURCE: www.theaterscene.net at 2:57pm on March 29, 2023

Best Friends by Joel Benjamin

The Israeli Artists Project, dedicated to bringing the art and artists of Israel to American audiences, has mounted a production of Anat Gov's "Best Friends," a zippy portrait of three best …

SOURCE: www.theaterscene.net at 11:57am on March 28, 2023

Parade by Joseph Pisano

While Brown's tunefully varied score strives to historically situate the bigoted nightmare we're witnessing within the cultural context of the South's fabricated sense of nobility and victim…

SOURCE: www.theaterscene.net at 3:17pm on March 27, 2023

Drinking in America by Tony Marinelli

Some critics would say Eric Bogosian's "Drinking in America" is dated, but that's very much up for argument. The script given to critics for the new production at the Minetta Lane Theatre is…

SOURCE: www.theaterscene.net at 6:12pm on March 26, 2023

The Good John Proctor by Victor Gluck, Editor-in-chief

Unfortunately, Monohon's play which takes its cues from Miller's drama, assumes a thorough knowledge of "The Crucible" and leaves out a great deal of information that would make it easier to…

SOURCE: www.theaterscene.net at 8:22pm on March 25, 2023

Trilogy II by Scotty Bennett

"Trilogy II" by Garry Batson, directed by Evria Ince-Waldron, is three one-act plays depicting the struggles of African-American families faced with difficult and troubling events. The good …

SOURCE: www.theaterscene.net at 1:55pm on March 25, 2023

Arden of Faversham by Victor Gluck, Editor-in-chief

The problem with this production is that although the characters' behavior is utterly outrageous on the verge of satire, Berger has directed in so flat and bland a style, that shocking lines…

SOURCE: www.theaterscene.net at 11:32am on March 25, 2023

This G*d Damn House by Scotty Bennett

The direction by Ella Jane New delivers this emotionally complex story with skill and sensitivity. There are only a few instances when the action doesn't entirely ring true, such as the open…

SOURCE: www.theaterscene.net at 3:43pm on March 21, 2023

The Hunting Gun by Victor Gluck, Editor-in-chief

Not for everyone, this minimalistic theatrical event is performed entirely in Japanese with English language supertitles above the stage so that for non-Japanese speakers it requires reading…

SOURCE: www.theaterscene.net at 2:35pm on March 21, 2023

The Coast Starlight by Joseph Pisano

When it comes to plot, characters, or often both, even the best theater tends to require a suspension of disbelief. Given that it's hardly a sucker's bet for indolent playwrights to pin thei…

SOURCE: www.theaterscene.net at 1:09pm on March 20, 2023

A Doll's House by Victor Gluck, Editor-in-chief

Like Ivo van Hove's pared-down revival of Arthur Miller's "A View from the Bridge," Jamie Lloyd's new Broadway production of Henrik Ibsen's 1879 "A Doll's House" uses no sets or props and al…

SOURCE: www.theaterscene.net at 11:51pm on March 19, 2023

Tanztheater Wuppertal Pina Bausch: Água by Joel Benjamin

"Água," making its American debut, created in 2001 during a residency in Brazil, is a work of great beauty, humor and creativity "and dishearteningly, an overlong dance/theater work.  …

SOURCE: www.theaterscene.net at 2:21pm on March 19, 2023

The Conductor by Scotty Bennett

"The Conductor," by novelist Ishmael Reed and directed by Carla Blank, is a play that uses the revival of the Underground Railroad system as a device to address several contemporary socio-po…

SOURCE: www.theaterscene.net at 12:43am on March 18, 2023

Dear World (New York City Center Encores!) by Joel Benjamin

"Dear World," the not terribly successful 1969 Jerry Herman musical based on Jean Giraudoux's "The Madwoman of Chaillot" (1945), was basically a vehicle for the brilliant Angela Lansbury.Â…

SOURCE: www.theaterscene.net at 3:56pm on March 17, 2023

The Rewards of Being Frank by Victor Gluck, Editor-in-chief

While playwright Scovell has a facility for language, she does not have the wit to mimic Wilde's classic one-liners. Instead, she borrows expressions from the play and attempts to imitate th…

SOURCE: www.theaterscene.net at 3:01pm on March 17, 2023

Elyria by Joel Benjamin

What makes "Elyria" intriguing is how its American location affects the hidebound ritual social rules of its Southeast Asian characters.  That all the characters emerged from an African d…

SOURCE: www.theaterscene.net at 2:17pm on March 16, 2023

Crumbs from the Table of Joy by Victor Gluck, Editor-in-chief

While this first New York revival of the 1995 "Crumbs from the Table of Joy" does not reach the heights of Nottage's later Pulitzer Prize-winning plays, "Ruined" and "Sweat," it proves to be…

SOURCE: www.theaterscene.net at 9:13pm on March 14, 2023

Pericles (Target Margin Theater) by Tony Marinelli

Director David Herskovits must have looked at this as a true labor of love, but not all of the touches support the hard work of the actors. In some of the early ensemble scenes, the actors p…

SOURCE: www.theaterscene.net at 10:20pm on March 13, 2023
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