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38,735 stories from The New York Times

Review: In 'Unexploded Ordnances,' It's an Hour to Doomsday. Help! by Elisabeth Vincentelli

The longtime feminist duo Split Britches sets its new play in a situation room with "Dr. Strangelove" vibes and a general calling the shots.

SOURCE: The New York Times Subscription at 10:56am on January 8, 2018☆⚑

Speeches From Elisabeth Moss and Others at the Golden Globes by Giovanni Russonello

Ms. Moss quoted Margaret Atwood and Laura Dern expressed support for those who speak out against abuse at a Golden Globes ceremony that had its share of political moments.

SOURCE: The New York Times Subscription at 12:14am on January 8, 2018☆⚑

Review: 'Hamilton' Conquers London (King George Slays Too) by Ben Brantley

The newcomer Jamael Westman steps out as a fully formed star in the title role of the triumphant London production of "Hamilton."

SOURCE: The New York Times Subscription at 5:21pm on January 5, 2018☆⚑

Your Week in Culture: Jaamil Olawale Kosoko, the Killers, a 'Lavender Scare' Opera by The New York Times

Also the week of Jan. 7: Female playwrights take over Washington, D.C.; and Andrey Zvyagintsev gets a retrospective at MoMA.

SOURCE: The New York Times Subscription at 8:00am on January 5, 2018☆⚑

Toronto Theater Director Resigns Amid Sexual Misconduct Accusations by Catherine Porter

Albert Schultz has left his post as artistic director of the acclaimed Soulpepper Theater Company after four women accused him of improper behavior.

SOURCE: The New York Times Subscription at 8:31pm on January 4, 2018☆⚑

Bobby Darin Who? Jonathan Groff Gets It Now. by Elysa Gardner

In a new show, the Broadway and television star is paying tribute to the late 1950s pop singer whose musical virtuosity is now little-recognized.

SOURCE: The New York Times Subscription at 4:09pm on January 4, 2018☆⚑

Ars Nova Finds a New Theater in Greenwich Village by Joshua Barone

The Off Broadway company will keep its home in Hell's Kitchen, but will use the Greenwich House Theater as its primary venue beginning in early 2019.

SOURCE: The New York Times Subscription at 3:25pm on January 4, 2018☆⚑

'Angels in America' Casts Stephen Spinella and Bob the Drag Queen by Isaac Oliver

Berkeley Repertory Theater said Mr. Spinella " who won two Tony Awards as Prior Walter in the original Broadway production " will play Roy Cohn.

SOURCE: The New York Times Subscription at 1:00pm on January 4, 2018☆⚑

André Holland and Mark Rylance in New Season at Shakespeare's Globe by Anna Codrea-rado

The open-air London theater will return to traditional 16th-century stage practices for its first season with Michelle Terry at the helm.

SOURCE: The New York Times Subscription at 12:07pm on January 4, 2018☆⚑

Regional Theatre Goes Rogue In Philadelphia

"The Wilma now has a three-year-old resident acting company" - in itself a rarity nowadays - "and welcomes shows whose daring aesthetics depart from the factory-setting naturalism of most Am…

SOURCE: The New York Times Subscription at 10:05am on January 4, 2018☆⚑

Review: A Wondrous 'Pinocchio' With That 'Lion King' Magic by Ben Brantley

In a creative master stroke, this National Theater adaptation of the Disney film uses oversized puppets to play adults, who tower over the title figure.

SOURCE: The New York Times Subscription at 9:23am on January 4, 2018☆⚑

Review: 'Django' Distills a Perilous Musical Moment by Ben Kenigsberg

In occupied France, the spotlight falls on a jazz guitar genius trying to escape the Nazis.

SOURCE: The New York Times Subscription at 7:00am on January 4, 2018☆⚑

In Germany's Theaters, Stories of Exiles and Refugees by A.J. Goldmann

In Berlin and Munich, theater companies explore themes of exile and return in classics and new work, each directly addressing today's refugee influx.

SOURCE: The New York Times Subscription at 4:01am on January 4, 2018☆⚑

Toronto Theater Company Leader Steps Aside Amid Harassment Suits by Laura Collins-hughes

Four women have sued the company and its artistic director, Albert Schultz, accusing him of sexual misconduct and creating a "culture of fear."

SOURCE: The New York Times Subscription at 7:20pm on January 3, 2018☆⚑

A Philadelphia Theater Heading, and Sweating, in a New Direction by Elisabeth Vincentelli

Repertory companies have largely disappeared on American stages. But with an eye on Europe, and highly physical training, the Wilma Theater is going against the grain.

SOURCE: The New York Times Subscription at 11:47am on January 3, 2018☆⚑

Broadway Tops Its Biggest Week Ever by Andrew R. Chow

Thanks to star power and soaring ticket prices, Broadway brought in $50.3 million at the box office last week.

SOURCE: The New York Times Subscription at 6:55pm on January 2, 2018☆⚑

For Michelle Ellsworth, Practice Makes … More Practice by Brian Seibert

Ms. Ellsworth is a performer whose ambivalence about performing is baked into the title of her new work, "The Rehearsal Artist."

SOURCE: The New York Times Subscription at 5:49pm on January 2, 2018☆⚑

Five Festivals for the Open-Minded Theater and Dance Lover by Peter Libbey

These showcases tend to highlight the experimental and the offbeat.

SOURCE: The New York Times Subscription at 5:40pm on January 2, 2018☆⚑

Review: Everyday Chatter Unveils a Mystery in 'Say Something Bunny!' by Alexis Soloski

Alison S.M. Kobayashi was determined to figure out who made a set of puzzling 1950s recordings. Her detective work led to a sneakily moving interactive play.

SOURCE: The New York Times Subscription at 5:29pm on January 2, 2018☆⚑

Review: The Incomplete Vision of 'Anatomy of a Male Ballet Dancer' by Manohla Dargis

This documentary about the dancer Marcelo Gomes was completed before he left American Ballet Theater in December after allegations of sexual misconduct.

SOURCE: The New York Times Subscription at 2:23pm on January 2, 2018☆⚑

Lena Hall Plans an Ambitious Tribute to Her Favorite Musicians by Joshua Barone

The "Hedwig" actress will pay homage to David Bowie, Radiohead and many others as part of "Obsessed," a project involving a new EP each month in 2018.

SOURCE: The New York Times Subscription at 1:46pm on January 1, 2018☆⚑

A Prescient Sci-Fi 'Parable' Gets Set to Music by Jeremy D. Goodwin

Call it opera, rock concert or song cycle: an adaptation of Octavia E. Butler's dystopian novel may feel timelier than ever.

SOURCE: The New York Times Subscription at 10:00am on January 1, 2018☆⚑

And for His Next Trick, Hopping Genres by Elisabeth Vincentelli

Dane Terry grew up wanting to be a magician and came to New York to play his songs. But the downtown cabaret scene came calling.

SOURCE: The New York Times Subscription at 10:00am on January 1, 2018☆⚑

Dan Talbot, Impresario of Art Films, Is Dead at 91 by Anita Gates

As an operator of Lincoln Plaza Cinemas and the New Yorker Theater, Mr. Talbot introduced Americans to a whole universe of European filmmaking.

SOURCE: The New York Times Subscription at 1:28pm on December 31, 2017☆⚑

If Digital Life Is Getting You Down, Get To A Live Theatre Show, Fast by Artsjournal2

Playwright Ayad Akhtar: "I am not hopeful about where we are as a nation " as a species (if I can be so presumptuous). I'm not hopeful, because I am increasingly of the mind that even my hop…

SOURCE: The New York Times Subscription at 10:00am on December 31, 2017☆⚑
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