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38,736 stories from The New York Times

Review: A Most Opinionated Wedding Guest Returns in 'Bright Colors' by Charles Isherwood

Overwhelming? Yes. Self-involved? Absolutely. But Drew Droege still makes for hilarious company in this one-person show.

SOURCE: The New York Times Subscription at 12:33pm on November 21, 2017☆⚑

Critic's Notebook: A Night at the Theater From Your Couch? No Apologies Needed. by Elisabeth Vincentelli

Streaming services have more stage offerings than ever " from great actors in early roles to recent Broadway musicals, captured live. Plus "Hamlet" in Lithuanian.

SOURCE: The New York Times Subscription at 2:18pm on November 20, 2017☆⚑

Review: In 'Diaspora,' an Ancient Siege for the Snapchat Age by Alexis Soloski

Toggling between the years 2017 and 73, this play about American Jews on a trip to Israel seems confused about what it is trying to say.

SOURCE: The New York Times Subscription at 1:36pm on November 20, 2017☆⚑

Review: A Girl's Kerouac Dreams Go Astray in 'The Mad Ones' by Jesse Green

Kait Kerrigan and Brian Lowdermilk's musical is about a high school senior who finds inspiration and danger in "On the Road."

SOURCE: The New York Times Subscription at 1:36pm on November 20, 2017☆⚑

Review: A 'Peter Pan' That Never Takes Flight by Alexis Soloski

The Bedlam production of the J.M. Barrie classic is both too childish to tell the story properly and too adult to access its wonder.

SOURCE: The New York Times Subscription at 12:18pm on November 20, 2017☆⚑

Review: In This 'Pride and Prejudice,' Love Is a Zero-Sum Game by Alexis Soloski

An unconventional Primary Stages adaptation of the Jane Austen novel features gags, dance breaks and other cynical silliness.

SOURCE: The New York Times Subscription at 10:18pm on November 19, 2017☆⚑

Brantley in Britain: Review: Agatha Christie's Murder Most Orderly and the Comfiest Seats in London by Ben Brantley

A site-specific revival of "Witness for the Prosecution" finds the comfort factor in a murder trial.

SOURCE: The New York Times Subscription at 7:04pm on November 17, 2017☆⚑

Cultural Studies: 'Torch Song Trilogy' and Me: A 35-Year Love Affair by Stuart Emmrich

Before Harvey Fierstein came along, most gay-themed plays featured characters who were either closeted or bitter or suicidal, and usually all three.

SOURCE: The New York Times Subscription at 2:54pm on November 17, 2017☆⚑

Review: A Raucous Day at the Beach With 'The Sisters Macaluso' by Elisabeth Vincentelli

Life and death, joy and poverty coexist in Emma Dante's wondrous show about a family in Palermo. And it only costs $20 to see it.

SOURCE: The New York Times Subscription at 2:18pm on November 17, 2017☆⚑

London Theater Reviews: On Stage, 'The Exorcist' Lacks the Movie's Chills by Matt Wolf

Sean Mathias's adaptation of the 1973 horror film and a David Mamet classic fall flat, but "Big Fish The Musical" gives our critic hope.

SOURCE: The New York Times Subscription at 3:33am on November 17, 2017☆⚑

Dressing to Play a Power Woman by Melanie Abrams

The National Theater's "Network" redefines the wardrobe of the modern media executive.

SOURCE: The New York Times Subscription at 1:33am on November 17, 2017☆⚑

Review: 'School Girls' Is a Gleeful African Makeover of an American Genre by Jesse Green

Jocelyn Bioh's new play takes the "Mean Girls" genre to a boarding school in Ghana, refreshing and deepening it in the process.

SOURCE: The New York Times Subscription at 10:06pm on November 16, 2017☆⚑

Review: A Brief 'Brigadoon' That's Almost Like Falling in Love by Jesse Green

City Center's gorgeous revival of the Lerner & Loewe musical, staged by Christopher Wheeldon and starring Kelli O'Hara, disappears after Sunday.

SOURCE: The New York Times Subscription at 3:48pm on November 16, 2017☆⚑

Old Vic Says 20 People Reported Misconduct by Kevin Spacey by Anna Codrea-rado

The London theater released the findings of an investigation into Mr. Spacey's behavior before and during his time as artistic director there.

SOURCE: The New York Times Subscription at 11:06am on November 16, 2017☆⚑

Review: John Leguizamo Goes for Easy Laughs in 'Latin History' by Jesse Green

Two millenniums of oppression may not seem very funny, but in his latest one-man show, Mr. Leguizamo hones the art of comic revisionism.

SOURCE: The New York Times Subscription at 10:54pm on November 15, 2017☆⚑

Modern Love: Modern Love Podcast: Andrew Rannells, Live From Toronto by The New York Times

On this week's podcast, the "Girls" star tells the story of one of the most consequential evenings of his life.

SOURCE: The New York Times Subscription at 4:54pm on November 15, 2017☆⚑

Review: Good Art, Bad Men and Samuel Pepys in '17c' by Laura Collins-hughes

Big Dance Theater's animated investigation of Samuel Pepys reads like a refraction of our recent monster parade.

SOURCE: The New York Times Subscription at 3:33pm on November 15, 2017☆⚑

Park Avenue Armory Unveils Its 2018 Season by Joshua Barone

Its vast drill hall will host productions by artists including Ivo van Hove, Anne Teresa De Keersmaeker and William Kentridge.

SOURCE: The New York Times Subscription at 2:54pm on November 15, 2017☆⚑

'Charlie and the Chocolate Factory' to Close on Broadway by Andrew R. Chow

The show, starring Christian Borle as Willy Wonka, opened in April with high hopes after a London production was retooled.

SOURCE: The New York Times Subscription at 1:33pm on November 15, 2017☆⚑

Lincoln Center to End Its Namesake Summer Festival by Michael Cooper

Jane Moss, who revived the center's Mostly Mozart festival, will take control of all summer programming with the demise of the Lincoln Center Festival.

SOURCE: The New York Times Subscription at 8:18am on November 15, 2017☆⚑

The 'Lion King' Effect: How a Broadway Smash Changed South African Lives by Michael Paulson

Over 20 years, hundreds of performers have joined the show in cities around the globe. These are some of their stories " laced with hope, tragedy, homesickness and triumph.

SOURCE: The New York Times Subscription at 5:33am on November 15, 2017☆⚑

Three Journeys From South Africa to 'The Lion King'

For 20 years, the hit Broadway musical has reserved places in its cast for South African performers. We followed three of them backstage before a show.

SOURCE: The New York Times Subscription at 4:18am on November 15, 2017☆⚑

Review: In 'Actually,' a Case of She Said, He Said and They Said by Jesse Green

In Anna Ziegler's new play, a charge of sexual assault on a college campus leads to a hearing that may be worse than the events that prompted it.

SOURCE: The New York Times Subscription at 10:04pm on November 14, 2017☆⚑

Eugene O'Neill and Meredith Monk, in BAM's New Season by Joshua Barone

Among the highlights of the winter-spring season is a production of "Long Day's Journey Into Night" starring Lesley Manville and Jeremy Irons.

SOURCE: The New York Times Subscription at 11:12am on November 14, 2017☆⚑

Brantley in Britain: Review: 'Network,' With Bryan Cranston Is Convulsive, Immersive and Still Mad as Hell by Ben Brantley

A stage adaptation, directed by Ivo van Hove, confirms the prophecy of a 1976 movie about populist rage and manipulative technology

SOURCE: The New York Times Subscription at 8:48am on November 14, 2017☆⚑
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