What the Moon Saw: Son of Semele, 9/11/11
What the Moon Saw: Review for Stage & Cinema
What the Moon Saw: Review for Stage & Cinema
The Comedy of Errors: Review for Stage & Cinema
The Trojan women are not hysterical. With the exception of Kassandra who is blessed (and cursed) with foresight, these women are not mad. The clean and classical lines of SITI Company’…
My Name is Rachel Corrie: Review for Stage & Cinema
In my summer of excessive theatergoing, I have learned a few things about my theatrical tastes. Specifically: I am not in love with the genre of musical theater as I once thought I was. (…
1001: Review for Stage & Cinema
Pornography: Review for Stage & Cinema
Senior prom is not likely to be a favorite memory for most hipsters. After all, prom represents the pinnacle of conformity to high school culture. The school year builds up to this overblown…
I caught the last performance of Steve Yockey’s Heavier than … at Boston Court today. While production values were high, the script and lead performances were disappointing. Trut…
The Adventures of Pinocchio: Review for Stage & Cinema
Middletown: Review for Stage & Cinema
The Original Grease: Review for Stage & Cinema
The Last Act of Lilka Kadison: Review for Stage & Cinema
This: Review for EDGE Los Angeles
Sometimes, theater criticism becomes a chore. On several of our recent theater dates, Tony Frankel and I have lamented that writing a review of a mediocre show seems hardly worth our (unpaid…
On Golden Pond: Review for EDGE Los Angeles
Fleetwood Macbeth: Review for EDGE Los Angeles
I was late for The Clock. Starting at 5pm on Thursday, July 28, LACMA screened the complete 24 hours of Christian Marclay’s The Clock in the Bing Theater. Recently awarded the prestigi…
A literally damning critique of American popular culture, Jerry Springer the Opera soars in the Chance Theater's Southern California premiere. An opera this critical could have only originat…
Very few things can be called universal in the human experience, but death is one certainty. In an illuminating and virtuosic solo performance, Anna Deavere Smith embodies a beautiful mos…
It Must Be Him: Review for EDGE Los Angeles
Broadway in Israel 2011. Friday, June 17: After lunch, we loaded the bus and headed to Sahne (or Gan Hashlosha), a warm spring ranked as one of the 20 most beautiful sites in the world in…
John Fleck is a name out of the theater and performance studies history books for me: one of the (in)famous “NEA Four” whose performance art grants were vetoed for “inde…
Peppy, tuneful music instantly sets the stage for a family-friendly 1950s sitcom. Introducing the Rogers family: live from their shiny formica kitchen! Mr. Rogers works at the Conservation C…
Let’s face it: critics probably read their peers’ reviews more often than regular theatergoers read them. We feed off of one another’s opinions, because none of us can see …