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199 stories from Philadelphia Weekly

Comic Grief by J. Cooper Robb

The Wilma Theater's production of Schmucks leaves little to smile about.

SOURCE: Philadelphia Weekly at 5:58pm on May 25, 2015☆⚑

Cyber Wrecks by J. Cooper Robb

Dark Play or Stories for Boys and Rock Doves.

SOURCE: Philadelphia Weekly at 5:58pm on May 25, 2015☆⚑

Primp and Circumstance by J. Cooper Robb

Hairspray is a joyous escape from the real world.

SOURCE: Philadelphia Weekly at 5:58pm on May 25, 2015☆⚑

Run Through by Michael Persico & Anastasia Kotsosavas

Kala Moses Baxter as Nella in Gee's Bend

SOURCE: Philadelphia Weekly at 5:58pm on May 25, 2015☆⚑

Party Lines by J. Cooper Robb

SOURCE: Philadelphia Weekly at 5:58pm on May 25, 2015☆⚑

Thread of the Family by J. Cooper Robb

In Gee's Bend quiltmaking is a metaphor for strength.

SOURCE: Philadelphia Weekly at 5:58pm on May 25, 2015☆⚑

Stage by J. Cooper Robb

Rock 'n' Roll; Herringbone

SOURCE: Philadelphia Weekly at 5:58pm on May 25, 2015☆⚑

Stage by J. Cooper Robb

The Color Purple at the Academy of Music and Q: The Songs of Martin and Biello at the Gay and Lesbian Theatre Festival.

SOURCE: Philadelphia Weekly at 5:58pm on May 25, 2015☆⚑

Stage Light by J. Cooper Robb

Lantern Theatre Company led the way for this season's best plays and musicals.

SOURCE: Philadelphia Weekly at 5:58pm on May 25, 2015☆⚑

Stage by J. Cooper Robb

Les Miserables and House, Divided

SOURCE: Philadelphia Weekly at 5:58pm on May 25, 2015☆⚑

Stage by J. Cooper Robb

Our Town at the Arden, and PTC's The Happiness Lecture.

SOURCE: Philadelphia Weekly at 5:58pm on May 25, 2015☆⚑

Theater Exile's <em>Bug</em> and New Paradise Laboratories' <em>Prom</em> by J. Cooper Robb

SOURCE: Philadelphia Weekly at 5:58pm on May 25, 2015☆⚑

Two parties rage in <em>Third</em>. by J. Cooper Robb

SOURCE: Philadelphia Weekly at 5:58pm on May 25, 2015☆⚑

Arden's Piano Lesson needs some fine tuning. by J. Cooper Robb

SOURCE: Philadelphia Weekly at 5:58pm on May 25, 2015☆⚑

Stage by J. Cooper Robb

SOURCE: Philadelphia Weekly at 5:58pm on May 25, 2015☆⚑

Twin Freaks by J. Cooper Robb

Where Calarco's production of Butterfly has a visceral impact, director Emily Mann's staging of Edward Albee's Me, Myself and I (having its world premiere at the McCarter Theatre) is almost clinical by comparison.

SOURCE: Philadelphia Weekly at 5:58pm on May 25, 2015☆⚑

Twin Peaks by J. Cooper Robb

Arden and InterAct epitomize the Philly renaissance.

SOURCE: Philadelphia Weekly at 5:58pm on May 25, 2015☆⚑

Defend Its Existence by Caralyn Green: Enchanted

SOURCE: Philadelphia Weekly at 5:58pm on May 25, 2015☆⚑

Great Shakes(peare) by J. Cooper Robb

After years of mediocrity, Philly theater makes a comeback.

SOURCE: Philadelphia Weekly at 5:58pm on May 25, 2015☆⚑

Old Age by J. Cooper Robb

Griffiths' feminist comedy is dated.

SOURCE: Philadelphia Weekly at 5:58pm on May 25, 2015☆⚑

Jammy Bastard by J. Cooper Robb

Mr. Marmalade is pithy and appealing but ultimately jars.

SOURCE: Philadelphia Weekly at 5:58pm on May 25, 2015☆⚑

Stage Right by J. Cooper Robb

The new Suzanne Roberts Theatre is a gem.

SOURCE: Philadelphia Weekly at 5:58pm on May 25, 2015☆⚑

God Is Dead Funny by J. Cooper Robb

Religion's busting out all over at the Fringe.

SOURCE: Philadelphia Weekly at 5:58pm on May 25, 2015☆⚑

Oh! What a Lovely Wawa by Joshua Valocchi

A Fringe show delivers some in-convenience-store truths.

SOURCE: Philadelphia Weekly at 5:58pm on May 25, 2015☆⚑

Diamonds in the Rough by Jayson Scott Musson

It wasn't a great year for Philadelphia-area theater.

SOURCE: Philadelphia Weekly at 5:58pm on May 25, 2015☆⚑
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