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1,912 stories from The New Yorker

Steve Zahn's Father-Daughter Dance by Brian Seibert

At a Broadway studio, the actor busts a move with his daughter, Audrey, who also happens to be his inspiration (and co-star) for his new film, "She Dances."

SOURCE: The New Yorker Subscription at 6:00am on March 23, 2026

The "Baritenor" Michael Spyres Soars in the Met's New "Tristan und Isolde" by Alex Ross

At the Met, Michael Spyres uses his broad vocal range to stunning effect, but Lise Davidsen loses power when she leaves her brilliant upper register.

SOURCE: The New Yorker Subscription at 6:00am on March 23, 2026

How Bad Is Plagiarism, Really? by Anthony Lane

From ancient Rome to the era of A.I., people have prized originality, but the line where influence ends and cribbing begins is notoriously blurry.

SOURCE: The New Yorker Subscription at 6:00am on March 22, 2026

Amanda Peet on Getting Breast Cancer While Losing Her Parents by Amanda Peet

Both of my parents were in hospice, on opposite coasts. Then I found out that I had breast cancer.

SOURCE: The New Yorker Subscription at 6:00am on March 21, 2026

Julio Torres Makes Everything Funny"Including Color Theory

The comedian and writer on his new HBO special, "Color Theories," which comes out on March 27th.

SOURCE: The New Yorker Subscription at 2:00pm on March 20, 2026

An Elegy for the Kennedy Center by Alex Ross

A Washington, D.C., native says goodbye to the arts complex before Trump's wrecking crew goes to work on it.

SOURCE: The New Yorker Subscription at 4:40pm on March 19, 2026

Lisa Kudrow Is Back"Again by Michael Schulman

Twenty two years after the end of "Friends," the actress returns with a new installment of "The Comeback."

SOURCE: The New Yorker Subscription at 6:00am on March 16, 2026

Junior LaBeija, Master of Ceremonies by Michael Schulman

As the ballroom legend makes their Broadway début in "Cats: The Jellicle Ball," they reflect on accessorizing with raw chicken and dressing like Al Capone.

SOURCE: The New Yorker Subscription at 6:00am on March 16, 2026

Han Ong Reads "My Balenciaga"

The author reads his story from the March 23, 2026, issue of the magazine.

SOURCE: The New Yorker Subscription at 6:00am on March 15, 2026

"My Balenciaga," by Han Ong by Han Ong

It could have been an experiment by the master. An early draft. A failed caprice.

SOURCE: The New Yorker Subscription at 6:00am on March 15, 2026

Han Ong on Nora Aunor and Authentication by Deborah Treisman

The author discusses his story "My Balenciaga."

SOURCE: The New Yorker Subscription at 6:00am on March 15, 2026

Chloé Zhao on "Hamnet," Which Is Nominated for Eight Academy Awards

Zhao, a previous Oscar winner, for Best Director, discusses her acclaimed film with Michael Schulman.

SOURCE: The New Yorker Subscription at 2:00pm on March 13, 2026

"The Wild Party" Returns by Dan Stahl, Brian Seibert, Sheldon Pearce, Rhoda Feng, Hilton Als, Jane Bua, Rachel Syme

Also: FKA twigs, "Mother Russia," Caravaggio, and more.

SOURCE: The New Yorker Subscription at 6:00am on March 13, 2026

"Love Story" and Why We Cling to the Kennedy Myth

The new series about the romance between John F. Kennedy, Jr., and Carolyn Bessette is little more than a look-book"but its popularity is proof of the Kennedys' enduring allure.

SOURCE: The New Yorker Subscription at 6:00am on March 12, 2026

Two Playwrights Tackle Father Figures by Emily Nussbaum

Clare Barron's "You Got Older" is a rare play about a good dad. Wallace Shawn's "What We Did Before Our Moth Days" is defiantly tender about an amoral one.

SOURCE: The New Yorker Subscription at 6:00am on March 12, 2026

Patricia Cornwell on Crime and Creativity

The prolific novelist"whose most famous character, the forensic pathologist Kay Scarpetta, is played by Nicole Kidman in a TV adaptation premièring in March"discusses a few of her perennial…

SOURCE: The New Yorker Subscription at 4:00pm on March 11, 2026

"Giant" Takes on Roald Dahl and His Antisemitism by John Lahr

Mark Rosenblatt's début play brings light, shadow, and humor to its portrait of a troubled writer.

SOURCE: The New Yorker Subscription at 6:00am on March 9, 2026

A Wintry Utopia in Vermont's Northeast Kingdom by Hannah Goldfield

The region has long attracted idealists, from the radical performers of Bread & Puppet in the seventies to the striving artisan farmers of the early two-thousands.

SOURCE: The New Yorker Subscription at 6:00am on March 9, 2026

Stephen Shore, Ryan McGinley's Xeroxes in "Hard Copy New York" by Vince Aletti, Marina Harss, Sheldon Pearce, Brian Seibert, Hilton Als, Emily Nussbaum, Richard Brody, Rachel Syme

Also: Jonathan Richman's soft touch, Sean Hayes's liquid charm in the play "The Unknown," "The Bride!"-related culture picks, and more.

SOURCE: The New Yorker Subscription at 6:00am on March 6, 2026

The Sacred Vibes of Wunmi Mosaku by Michael Schulman

The Oscar nominee, who plays a hoodoo healer in "Sinners," stops at a Brooklyn apothecary and reflects on pregnancy, learning Yoruba, and blessing Michael B. Jordan's bag.

SOURCE: The New Yorker Subscription at 6:00am on March 5, 2026

Yuval Sharon Reimagines the Canon

The opera director"whose Met début, "Tristan und Isolde," premières next week"discusses a few of his influences.

SOURCE: The New Yorker Subscription at 4:00pm on March 4, 2026

Chris Fleming Prances, Scuttles, and Undulates Onto HBO by Rachel Syme

In a new standup set, the comedian uses oddball physicality to locate the weird in the everyday.

SOURCE: The New Yorker Subscription at 6:00am on March 4, 2026

Rimbaud and Verlaine in Washington Square Park by Taran Dugal

"Godlike," by the seminal punk musician Richard Hell, transposes a notorious affair between nineteenth-century French poets to nineteen-seventies New York"and testifies to punk's paradoxical…

SOURCE: The New Yorker Subscription at 6:00am on March 4, 2026

Why a Woman Would Rather Love a Statue Than a Man by Sarah Chihaya

In "When the Museum Is Closed," Emi Yagi takes her study of female objectification to a new, literal extreme.

SOURCE: The New Yorker Subscription at 6:00am on March 3, 2026

Scandal, Protest, Goofiness, and Grandeur at the U.S. Bicentennial by Jill Lepore

This year marks the two-hundred-and-fiftieth anniversary of the nation's founding. The two hundredth wasn't exactly smooth sailing.

SOURCE: The New Yorker Subscription at 6:00am on March 2, 2026
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