Dan Gordon's theatre adaptation of The Rain Man movie not only improves the original, it introduces to the West End a Hollywood heartthrob as charismatic on stage as screen.
Connoisseurs of big, bad musicals must rush to catch Gone With The Wind in case it's quickly blown away on gales of ridicule. Or is a small, well-placed tornado in the vicinity of the theatre too much to hope for?
The heart of the West End was plunged into darkness for more than two hours after a major power cut.
After those sagging lines of hagio-graphic tribute musicals to old rock'n' rollers and bland bands, what a refreshing change to meet up with this Broadway triumph.
Hytner plays it disappointingly straight, with Daniel Hawksford's bland Claudio, Julian Wadham's inscrutable Prince and Susannah Fielding's wan Hero failing to raise the temperature. It is R…
The light-hearted, frivolous young will have a ball with Dirty Dancing.
What a wicked pleasure it is to welcome the first anti-musical into the West End! Spamalot gives a welcome new twist to the term musical comedy.
There are not that many plays I would cross London to avoid. Johnson's Piano/Forte, an ill-mixed combination of farcical black comedy and psychodrama about the two disturbed, twenty-somethin…
You would need a heart of stone not to be stirred by Kevin Spacey, oozing pomp and circumstance, in the empty glitter of Trevor Nunn's modish, moderndress production of Richard II.
Kidman, 38, plans to star as one of drama's most compelling heroines: the tragically unhappy and manipulative beauty Hedda Gabler.
In short, the acting is cogent, and the stars deliver. Yet for all the glamour and hype, it's hard to escape the feeling that this is a very good production of a historically significant but…
Sergei Diaghilev was essentially cosmopolitan. Born in a village near Novgorod in 1872, he quit Russia after the 1917 revolution to travel the globe with the Ballets Russes, his world-famous…
The comedy thriller is not exactly staple West End fare these days but Matthew Warchus's enjoyable revival of Ira Levin's 1978 play Deathtrap suggests that the genre still has legs.
The master of the modern musical adores London, a city he first visited in 1952, and it's safe to say that the capital more than repays Stephen Sondheim's affections. The veteran Broadway co…
Sam Mendes is to quit the Donmar Warehouse after 10 years as artistic director. His announcement comes only days after he revealed his romantic involvement with Kate Winslet following her split from husband Jim Threapleton.
[Thanks to LeeinLondon for pointing this out.]