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5,330 stories from The Independent

White Teeth, Kiln Theatre, London, review: The first ever stage adaptation of Zadie Smith's novel by Paul Taylor, Paul Taylor

You can't help but raise a cheer for Smith and for this lively, light-footed take on her work

SOURCE: The Independent at 7:18pm on November 6, 2018

La Bayadère, Royal Opera House, London review: A night of powerful personalities and blazing dancing by  zoë Anderson,  zoë Anderson

The Royal corps were steady and expansive, with glowing lyricism in their swaying torsos

SOURCE: The Independent at 8:18am on November 6, 2018

Anthony Ekundayo Lennon: White theatre director who described himself as 'African born again' given job meant for people of colour by May Bulman, May Bulman

Actor who won paid traineeship as 'theatre practitioner of colour' said he 'went through struggles of a black man' despite being born to white Irish parents

SOURCE: The Independent at 12:24pm on November 4, 2018

'Ear for eye', Royal Court, review: An impassioned play about stalled progress by Paul Taylor, Paul Taylor

debbie tucker green's piece gives us snapshots of African American and black British experience at a time of deep frustration with the racist forces at the top

SOURCE: The Independent at 8:42pm on November 1, 2018

DUP's anti-gay comments set to be showcased in new Belfast opera by Ben Kelly, Ben Kelly

'Abomination: The DUP in Concert' will see some of the most controversial views of party members sung verbatim

SOURCE: The Independent at 2:06pm on November 1, 2018

Fire & Fury, Sadler's Wells, London review: Birmingham Royal Ballet lacks theatrical weight by  zoë Anderson,  zoë Anderson

The company, however, are in very fine form this season, with dancing as bright as those flaming torches

SOURCE: The Independent at 8:32am on October 31, 2018

It's True, It's True, It's True: All-female play based on rape trial of Artemisia Gentileschi strikes uncanny chord a year on from #MeT by Harriet Hall, Harriet Hall

The remarkable life of the 17th-century painter has inspired this award-winning production

SOURCE: The Independent at 8:36am on October 30, 2018

Yoko Ono, Skepta and Idris Elba to perform at Manchester International Festival by Clarisse Loughrey, Clarisse Loughrey

Ono will open the festival with her work 'Bells for Peace', which involves an orchestra of 8,000 members of the public

SOURCE: The Independent at 7:32am on October 29, 2018

A Very Very Very Dark Matter review, Bridge Theatre, London: Martin McDonagh play lacks intellectual nuance by Paul Taylor, Paul Taylor

From the man who wrote and directed 'Three Billboards Outside Ebbing, Missouri' comes this determinedly dark and twisted fable that fails to live up to expectations

SOURCE: The Independent at 5:12pm on October 24, 2018

From Europe, with love: The collective spreading cheer to Brexit-weary Brits by Matt Trueman, Matt Trueman

A duo known as Action Hero have been driving around Europe, recording love songs. Matt Trueman investigates ahead of their grand homecoming at the Bristol Old Vic

SOURCE: The Independent at 5:06am on October 20, 2018

Company review, Gielgud Theatre, London: Broadway legend Patti LuPone steals show in modern version of groundbreaking Sondheim musical by Paul Taylor, Paul Taylor

Bobby becomes Bobbie in this female-led version of the sexual revolution classic

SOURCE: The Independent at 7:04pm on October 17, 2018

Porgy and Bess, Coliseum review: Splendid vehicle honours Gershwin's ambition by Michael Church, Michael Church

Gershwin's characterisation may be at times crude, but here the action still feels properly mythical

SOURCE: The Independent at 9:04am on October 12, 2018

David Hare's 'I'm Not Running', National Theatre, Lyttelton review: An absorbing, flawed evening by Paul Taylor, Paul Taylor

Play starring Sian Brooke and Alex Hassell is a bemusing work that seems to be operating in a kind of vacuum or alternative past

SOURCE: The Independent at 7:42am on October 10, 2018

Mayerling, Royal Opera House, review: A plunge into glittering darkness by  zoë Anderson,  zoë Anderson

Kenneth MacMillian's 40-year-old show tells the story of Crown Prince Rudolf of Austria, who died in a murder-suicide

SOURCE: The Independent at 6:24am on October 9, 2018

William Forsythe, A Quiet Evening of Dance at Sadler's Wells, London review: Introspective and playful by  zoë Anderson,  zoë Anderson

Produced by Sadler's Wells, A Quiet Evening is Forsythe's first full-length programme since he closed The Forsythe Company in 2015

SOURCE: The Independent at 12:54pm on October 5, 2018

Bryony Kimmings interview: 'Imagine if we were living in a matriarchy? That would be amazing' by Sarah Bradbury, Sarah Bradbury

The performance artist talks to Sarah Bradbury about how her latest show contributes to the discussion of postnatal mental health

SOURCE: The Independent at 11:32am on October 3, 2018

Carlos Acosta: A Celebration, Royal Albert Hall, review: An uneven group of dances by  zoë Anderson,  zoë Anderson

The venue makes for a barn-like space that's awkward for theatre dance

SOURCE: The Independent at 7:06am on October 3, 2018

Pinter at the Pinter, Harold Pinter Theatre, London review: A remarkable endeavour by  paul Taylor,  paul Taylor

A rolling season of one-act plays by Harold Pinter sees a star-studded line-up of acting talent

SOURCE: The Independent at 8:32am on September 28, 2018

Antony & Cleopatra, Olivier, National Theatre review: Ralph Fiennes and Sophie Okonedo offer blazing star power by Paul Taylor, Paul Taylor

Simon Godwin's production of the Shakespearian tragedy proves to be an astute and moving work

SOURCE: The Independent at 7:24am on September 27, 2018

The play's the thing for investing by ,

Should you put your money on the stage? Joia Shillingford reports on the angel investors who finance theatre productions

SOURCE: The Independent at 11:48am on September 26, 2018

Ralph Fiennes interview: 'The film world is too horrendous' by Sarah Crompton, Sarah Crompton

The actor on his latest role in the National Theatre's 'Antony and Cleopatra' and its themes of ageing, power and masculinity, his love of Shakespeare, and not always being typecast as a 'tw…

SOURCE: The Independent at 1:54pm on September 25, 2018

The Greatest Showman on Broadway: Everything we know about the new stage version of the Hugh Jackman musical by Joe Sommerlad, Joe Sommerlad

Word-of-mouth fan favourite to make theatrical bow

SOURCE: The Independent at 9:12am on September 25, 2018

Have I Got A Girl For You: Stephen Sondheim's most fascinating female characters by Daisy Buchanan, Daisy Buchanan

In the West End revival of 'Company', leading man Bobby is played by a woman. But Sondheim has never short-changed his actresses, says Daisy Buchanan

SOURCE: The Independent at 10:18am on September 24, 2018

Why superstar ballet dancer Rudolf Nureyev was 'as big as Mick Jagger' by Zoë Anderson, Zoë Anderson

Two upcoming films celebrate the Soviet sensation who became an icon in the West at the very height of the Cold War

SOURCE: The Independent at 4:54am on September 22, 2018

Gillian Anderson and Lily James to star in West End version of All About Eve with music from PJ Harvey by Agencies, Agencies

Ivo van Hove will direct the production

SOURCE: The Independent at 5:54am on September 21, 2018
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