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1,898 stories from The New Yorker

Drake's Musical Wanderlust on "More Life" by Carrie Battan

Heavy lies the crown of commercial success. Sometime before the release of his 2016 album, "Views," Drake, the outsider rapper turned pop virtuoso, grew too dominant for his own good. On his…

SOURCE: The New Yorker Subscription at 6:30pm on March 21, 2017

The Meanings of Ivanka and Justin Side by Side on Broadway by Adam Gopnik

There was much talk recently about the evening that Justin Trudeau and Ivanka Trump spent side by side, sitting together at the Schoenfeld Theatre to watch the Canadian musical "Come from Aw…

SOURCE: The New Yorker Subscription at 11:08am on March 21, 2017

Stuck in Gander, Newfoundland by Michael Schulman

The town of Gander, Newfoundland, has six traffic lights and a population of less than thirteen thousand. Snowmobiling is popular, and people leave their car doors unlocked while they're at …

SOURCE: The New Yorker Subscription at 12:00am on March 20, 2017

A Diva Smackdown in "War Paint"

Fresh off Ryan Murphy's "Feud" comes another diva smackdown: a new musical about the rivalry between Helena Rubinstein and Elizabeth Arden, who ran competing cosmetics empires. Though they n…

SOURCE: The New Yorker Subscription at 12:00am on March 17, 2017

The Heaviness of Memory in Arthur Miller's "The Price" by Hilton Als

Arthur Miller's "The Price" (in revival at the American Airlines, under the direction of Terry Kinney) premièred on Broadway in 1968, four years after Miller's other mid-career plays "After…

SOURCE: The New Yorker Subscription at 5:00pm on March 16, 2017

The Fate of the Critic in the Clickbait Age by Alex Ross

The critic's profession may be destined to fade away, but others will have to take up this simple, irritating, somehow necessary job.

SOURCE: The New Yorker Subscription at 5:55pm on March 13, 2017

Classic Musicals, Updated by Shannon Reed

"Peoples and Other Peoples"

SOURCE: The New Yorker Subscription at 12:00am on March 13, 2017

A Protest Musical for the Trump Era by Rebecca Mead

Five actors gathered in a room on Lafayette Street, in downtown Manhattan, to start rehearsing a new work for the Public Theatre, "Joan of Arc: Into the Fire." Written by David Byrne, former…

SOURCE: The New Yorker Subscription at 12:00am on March 13, 2017

Spring Theatre Preview by Michael Schulman

Since the film "Groundhog Day" came out, in 1993, it's been claimed by existentialists, Buddhists, political theorists, and comedy nerds alike. The story has become a modern parable: a morda…

SOURCE: The New Yorker Subscription at 11:00pm on March 2, 2017

Scenes from the Oscar-Night Implosion by Michael Schulman

Not long after "La La Land" was announced Best Picture at the eighty-ninth annual Academy Awards"after which "Moonlight" was announced Best Picture at the eighty-ninth annual Academy Awards,…

SOURCE: The New Yorker Subscription at 5:25pm on February 27, 2017

Crazy They Call Me by Zadie Smith

Well, you certainly don't go out anyplace less than dressed, not these days. Can't let anybody mistake you for that broken, misused little girl: Eleanora Fagan. No. Let there be no confusion…

SOURCE: The New Yorker Subscription at 11:00pm on February 26, 2017

Oscar Spotlight: Best Director and Best Picture by Michael Schulman

"I'm the king of the world! Whooooo!" That line is not, in fact, from President Trump's Inaugural Address but from James Cameron's infamous speech at the 1998 Academy Awards, when he won the…

SOURCE: The New Yorker Subscription at 6:00pm on February 23, 2017

Mica Levi's Anti-Musical Soundtracks by Ned Beauman

The musician Mica Levi has observed that in the world of film music, there are two schools of thought. "Some people see it as about doing something new and different, something very 'felt,'Ã…

SOURCE: The New Yorker Subscription at 4:32pm on February 23, 2017

Inside Julie Andrews's Puppet Show by Michael Schulman

Lisa Henson and Emma Walton Hamilton met only recently, but they have something rare in common: each has a parent who likely held a deep, enchanted place in your childhood. Henson, who is fi…

SOURCE: The New Yorker Subscription at 11:00pm on February 19, 2017

Shakeup at the Oscars by Michael Schulman

The Academy of Motion Picture Arts and Sciences occupies a squat nineteen-seventies building on Wilshire Boulevard, surrounded by car dealerships. On January 14th of last year, Cheryl Boone …

SOURCE: The New Yorker Subscription at 11:00pm on February 19, 2017

Classical Notes: "Lungpowered," by Loadbang by Russell Platt

The urban kingdom of Washington Heights is an unlikely Eden where the stately European echoes of Beaux-Arts architecture clash with the extroverted expressions of the Latin-American diaspora…

SOURCE: The New Yorker Subscription at 7:00am on February 14, 2017

Oscar Spotlight: The Screenplays by Michael Schulman

"We didn't need dialogue," Norma Desmond tells a young screenwriter in "Sunset Boulevard," recalling her silent-film-era glory days. "We had faces!" Screenwriters famously suffer all sorts o…

SOURCE: The New Yorker Subscription at 12:00am on February 14, 2017

Oscar Spotlight: The Actors by Michael Schulman

"Actors aren't animals! They're human beings!" the wise producer Leo Bloom once said, to which his partner, Max Bialystock, replied, "They are? Have you ever eaten with one?" Most of the Osc…

SOURCE: The New Yorker Subscription at 6:00pm on February 8, 2017

Oscar Spotlight: The Actresses by Michael Schulman

For a certain stripe of Oscar obsessive"c'est moi"it's all about actresses. A healthy variety of tough, sly, vulnerable, funny, chilling female performances signals that the state of the cin…

SOURCE: The New Yorker Subscription at 8:00am on February 7, 2017

Lady Gaga's All-American Super Bowl Halftime Show by Amanda Petrusich

In the days leading up to her performance at the Super Bowl halftime show, pundits speculated about whether or not the pop star Lady Gaga"who has long advocated for misfits, throwing her con…

SOURCE: The New Yorker Subscription at 12:02am on February 6, 2017

A Springsteen Cover Band Is a Fitting Choice for Trump's Inauguration by Amanda Petrusich

Earlier this week, it was announced that the B Street Band""the original Springsteen tribute band""would be performing at the Garden State Presidential Inaugural Gala, one of several semifor…

SOURCE: The New Yorker Subscription at 2:01pm on January 13, 2017

"Hair" Turns Fifty by Hilton Als

When "Hair: The American Tribal Love-Rock Musical" opened on Broadway, in 1968, it featured one of the best young casts ever to appear in an American musical. Diane Keaton, Melba Moore, and …

SOURCE: The New Yorker Subscription at 11:00pm on January 12, 2017

Meryl Streep at the Golden Globes by Michael Schulman

What a strange and contradictory"and not unentertaining"thing the Golden Globes were to watch last night. On the one hand, "La La Land," a Hollywood movie musical about the magic of Hollywoo…

SOURCE: The New Yorker Subscription at 1:12pm on January 9, 2017

Unearthing Rare Second World War Musicals by Michael Schulman

A few years before writing "Guys and Dolls," which premièred in 1950, Frank Loesser put his sizable talents to work for Uncle Sam, when the U.S. Army hired him to collaborate on a series of…

SOURCE: The New Yorker Subscription at 11:00pm on December 29, 2016

Postscript: Carrie Fisher, 1956-2016 by Michael Schulman

"If my life wasn't funny it would just be true, and that is unacceptable," Carrie Fisher, who died yesterday, at the age of sixty, wrote in her memoir "Wishful Drinking," from 2008. Fisher's…

SOURCE: The New Yorker Subscription at 12:42pm on December 28, 2016
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