A celebration of the life of Jerry Manning, the artistic director of Seattle Repertory Theatre, is Monday, June 2. Seattle Times theater critic Misha Berson shares what made Manning's life a…
A review of Village Theatre's production of "Funny Girl," with local actor Sarah Rose Davis playing the lead role of Fanny Brice.
Irish playwright Enda Walsh talks about transforming the hit indie film "Once" into a Tony-winning Broadway musical. A touring production plays at the Paramount Theatre, opening Tuesday, May…
A forum held May 20 explored the idea of the Capitol Hilll neighborhood getting an arts-district status from the city of Seattle. Top-of-mind for many attendees, though, was rising rent.
Fun facts about Pacific Northwest Ballet's upcoming production of "Giselle," the famous 19th-century ballets-blanc.
Braden Abraham, currently associate artistic director at Seattle Repertory Theatre, has been named acting artistic director following the death of Jerry Manning. He's directed some of the R…
A review of "The Tales of Hoffman," the closing production of Speight Jenkins' three-decade run at Seattle Opera.
A review of Seattle Dance Project's farewell program at Broadway Performance Hall. Artistic director Timothy Lynch is leaving Seattle for a position in Columbus, Ohio.
A review of "Hair," being staged by ArtsWest in Seattle through June 7.
A review of Seattle Shakespeare Company's production of "King Lear," which runs through May 17 at Cornish Playhouse, Seattle Center.
Book-It's "Truth Like the Sun," an adaptation of Jim Lynch's novel set in Seattle during the 1962 World's Fair, and in 2001, runs through May 18 at the Center House Theatre.
Balagan Theatre's 2014-15 season of offbeat musicals includes world premieres of "Bad Apples," "Citizen Ruth" and "Make Me Bad."
A review of Seattle Repertory Theatre's production of Edward Albee's "Who's Afraid of Virginia Woolf?," featuring R. Hamilton Wright and Pamela Reed as George and Martha.
Book-It Rep premieres "Truth Like the Sun," a dramatization of Jim Lynch's novel about two phases and faces of Seattle, in 1962 and 2001.
Seattle Theatre Group, proprietor of the Moore, Paramount and Neptune Theatres, will bring Circus Oz, Dame Edna, Ira Glass and many other acts to Seattle next season.
A revival of a hit 2005 production of "The Tales of Hoffmann" finishes Seattle Opera's season, graced with the eye-candy costuming of Marie-Therese Cramer. The opera marks the close of th…
Composer-musicians Valerie Vigoda and Brendan Milburn saw an exhibit on explorer Ernest Shackleton, and with Broadway writer Joe DiPietro conjured their favorite explorer in "Ernest Shacklet…
A review of Laura Marks' "Bethany," at ACT Theatre, about a struggling mom who needs one big break to get her daughter, and her life, back. Through May 4, 2014.
Jeffrey Herrmann, managing director of the Woolly Mammoth Theatre Company in Washington, D.C., has been hired by Seattle Repertory Theatre as its new managing director. He replaces Ben Moore…
Experimental performance troupes from Belgium to Buenos Aires, as well as Seattle, New York and Detroit, will bring their cutting-edge work to On the Boards during the 2014-15 season.
A review of Pacific Northwest Ballet's production of "A Midsummer Night's Dream," which it has now performed more than 100 times.
A review of opening night of Alvin Ailey American Dance Theatre's three-night stand at Seattle's Paramount Theatre. Performances continue Saturday-Sunday, April 12-13, 2014.
The creators of the new musical, "A Room with a View," based on the E.M. Forster novel, carefully bring to life the heat of Italy (physical and mental) and the pastoral green of the England …
Seattle Repertory Theatre's 2014-15 season will include Robert Schenkkan's two-play series on the presidency of Lyndon Baines Johnson: "All the Way," now on Broadway, and the upcoming "The G…